The Seagull Archives - The Theatre Times

Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage

Posted by Daniel Meyer-Dinkgräfe | 26th Jan 2026 | Directing, Germany, Review

Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...

3sisters at the Novi Sad Theatre

Posted by Emilija Kvočka | 7th Nov 2025 | Adaptation, Review, Serbia

Before the audience of the play 3sisters, with their eyes wide open, a music box, the girls on...

Isabella Rossellini at Rubix Festival in Montenegro

Posted by Emilija Kvočka | 14th Aug 2024 | Acting, Festivals, Montenegro, Review

The Rubix festival, held for the second time in Porto Montenegro, in Tivat, represents an...

“Black Dove” – Chekhov in Mexico

Posted by Antonio Hernández Nieto | 31st Mar 2021 | Mexico, Review, Russian Theatre Abroad

The world premiere of Paloma Negra (Black Dove) by Alberto Conejero at the Theatre of the Canal...

Backstage Costume Magic Of The Bolshoi’s Little Brother (Photos)

Posted by Alexandra Guzeva - Russia Beyond the Headlines | 18th Jun 2019 | Design, News, Russia

The Bolshoi Theater is known all over the world, whereas the Maly Theater, which is located...

The “King” Returns And Theaters Look To Russia For 2019 – Theatre in Japan

Posted by Nobuko Tanaka | 12th Feb 2019 | Japan, Musical Theatre, News, Transcultural Collaborations

Whether it’s a regular theatre that gets you going these days—or you’re skipping along more to...

2018 Was The Year In Japan That Saw The Stage Sing, While Contemporary Drama Barely Made A Squeak

Posted by Nobuko Tanaka | 22nd Dec 2018 | Japan, Musical Theatre, News, Transcultural Collaborations

Musicals have flourished in 2018, with many young stars also helping to sell out straight plays in...

Yukio Ninagawa, The Architect Of Cultural Crossroads

Posted by Corrie Tan | 20th Nov 2018 | Directing, Essay, Japan

Part of the Asian Theatremakers series I met the late Japanese director Yukio Ninagawa in 2013...

Longread. Katie Mitchell On Chekhov, Stanislavsky, And Characters Of Flesh And Blood

Posted by Yulia Savikovskaya | 9th Jul 2018 | Directing, Interview, Russia, United Kingdom

Katie, or rather, Katrina Jane Mitchell, is a leading British theatre director whose creative...

“The Seagull” Performed By The Acting Gymnasium

Posted by Tom Pandolfino | 7th Jun 2018 | News, Russia, Russian Theatre Abroad

Anton Chekhov is renowned the world over for his innovative approach in portraying the darker side...

Stage Russia Launches App For Worldwide Streaming Of Russian Theatre

Posted by Jessica Hinds-Bond | 14th May 2018 | News, Russia, Russian Theatre Abroad

Stage Russia, now in its second season of bringing filmed performances of contemporary Russian...

Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”

Posted by Martha Steketee | 12th May 2018 | Adaptation, Chicago, Dramaturgy, Interview, Theatre and Politics, Translation, United States of America

Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....

“SeagullMachine” – The Assembly Mixes Chekhov and Müller

Posted by Heather Waters | 5th May 2018 | Acting, New York, Review, United States of America

The lights never go down on the audience, the result being we all play a part in the production, and there are no spectators. La MaMa E.T.C. is a beautiful, decrepit, wonderfully haunted space; to redefine audience roles and do away with spectators is an adventurous, fun design for this stage.