The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
Read MorePosted by Huw Griffiths | 24th Dec 2020 | Australia, LGBTQ+ Theatre, Review, Sydney
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
Read MorePosted by Aleks Sierz | 5th Aug 2020 | Devised Theatre, Immersive Theatre, London, Review, United Kingdom
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
Read MorePosted by Aleks Sierz | 1st May 2020 | Review, Theatre and Age, Theatre and Film, United Kingdom
Reviewing theatre now means reviewing the film. Knowing that Emma Rice’s Old Vic 2018 production...
Read MorePosted by Mert Dilek | 13th Mar 2020 | London, Review, United Kingdom
“Would you rather have one shoe or no shoes?” Viv is here to show us that missing only one shoe is...
Read MorePosted by Mert Dilek | 22nd Feb 2020 | London, Review, Theatre and Politics, United Kingdom, United States of America
Antoinette Nwandu’s play Pass Over is a palimpsest. Its outer surface looks familiar: haunted by...
Read MorePosted by Mert Dilek | 20th Feb 2020 | Adaptation, London, Review, United Kingdom
Now that’s what I call a star turn. Hitting the brakes on an express train, Lesley Manville lands...
Read MorePosted by Mert Dilek | 7th Feb 2020 | Adaptation, London, Review, United Kingdom
Could diabolical interference be the only way for a woman in 17th-century London to advance in...
Read MorePosted by Mert Dilek | 19th Dec 2019 | London, Review, United Kingdom
It is hard to believe that Shelagh Delaney wrote A Taste of Honey when she was only nineteen. This...
Read MorePosted by Mert Dilek | 15th Dec 2019 | London, Review, Theatre and Gender, United Kingdom
This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...
Read MorePosted by Mert Dilek | 12th Dec 2019 | Adaptation, London, Review, United Kingdom
“You into words?” Jamie Lloyd’s magnificent treatment of Cyrano de Bergerac very much...
Read MorePosted by Mert Dilek | 8th Dec 2019 | London, Review, Theatre and Politics, United Kingdom
Fairview is a scorching minefield that looks like a green meadow. At long last, London audiences...
Read MorePosted by Rathsaran Sireekan | 4th Dec 2019 | Belgium, Participatory Theatre, Review
New Nexus Formed After several projects which look into ways to expand performing art’s notion of...
Read MorePosted by Maja Stefanovska | 13th Nov 2019 | Canada, Musical Theatre, Review
Hannah Moscovitch has a rare gift for portraying sincere, nuanced relationships. To watch her...
Read MorePosted by Mert Dilek | 31st Oct 2019 | London, Review, United Kingdom, United States of America
“Wily, slippery thing.” “Spiky little animal.” “One long nightmare.” These are the phrases that...
Read MorePosted by Lisa Marie Bowler | 28th Oct 2019 | Dance Umbrella 2019, London, Review, Theatre and Dance, United Kingdom
The opening of the annual Dance Umbrella Festival of international contemporary dance in London...
Read MorePosted by Emiliia Dementsova | 26th Oct 2019 | Festivals, Review, Russia, Theatre Olympics 2019
The guest performance of the Olonkho Theatre from Yakutia in St. Petersburg as part of the Theatre...
Read MorePosted by Mert Dilek | 25th Oct 2019 | Adaptation, London, Review, United Kingdom
“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...
Read MorePosted by Aisling Murphy | 20th Oct 2019 | Austria, Review, Theatre and Art
Mental Eclipse Theater’s production of Sarah Kane’s Blasted is, admittedly, a mixed experience,...
Read MorePosted by Mert Dilek | 10th Oct 2019 | London, Review, United Kingdom
One of my formative memories in the theatre dates back to twelve years ago, when I attended a...
Read MorePosted by Mert Dilek | 29th Sep 2019 | London, Review, United Kingdom
There is no denying that Cary Churchill is the greatest living British playwright. So, what you...
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