Staging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack)
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
Read MorePosted by Maria Delgado | 9th Apr 2024 | Review, Spain
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
Read MorePosted by Maria Delgado | 16th Jan 2024 | Chile, Festivals, Review, Santiago a Mil 2024
How does one “write” a life for the stage? This question lies at the heart of Ana Luz...
Read MorePosted by Trevor Boffone | 21st Sep 2023 | Review, Theatre and Politics, United States of America
In 2019, I sat in the balcony of the Helen Hayes Theatre. My social media circles had been abuzz...
Read MorePosted by Rhiannon Ling | 4th Dec 2022 | New York, News, Playwriting, Theatre and Gender, United States of America
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
Read MorePosted by Piotr Dobrowolski | 8th Mar 2021 | Poland, Review, Theatre and Gender
“No one’s gonna believe me anyway,” says Barbara repeatedly. She knows there is no point in...
Read MorePosted by Mert Dilek | 7th Feb 2020 | Adaptation, London, Review, United Kingdom
Could diabolical interference be the only way for a woman in 17th-century London to advance in...
Read MorePosted by Aleks Sierz | 6th Feb 2020 | London, Review, Theatre and Gender, United Kingdom
Tonight, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It’s...
Read MorePosted by Ilse Ghekiere | 19th Jan 2020 | Belgium, Essay, Theatre and Gender
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
Read MorePosted by Cindy Rosenthal | 18th Dec 2019 | New York, Review, Theatre and Gender, United States of America
Karen Malpede’s plays scream “Pay Attention.” Thus I titled my 2001 New York Times article on I...
Read MorePosted by Maria Delgado | 30th Nov 2019 | Argentina, Review, Spain
Romina Paula is perhaps best known outside Argentina for her work as an actress in seminal films...
Read MorePosted by Maria Delgado | 27th Nov 2019 | Argentina, Review, Theatre and Gender
For many in the English-speaking world, the company Piel de Lava is known primarily for its work...
Read MorePosted by Shiya Lu | 27th Oct 2019 | China, Devised Theatre, Interview, Theatre and Gender
Even in 2019, surrounded by futuristic skyscrapers, accompanied by mobile apps and English...
Read MorePosted by Mert Dilek | 26th Oct 2019 | London, Review, Theatre and Gender, United Kingdom
Believe me when I tell you that there is much more to Alice Birch’s play [BLANK] than meets the...
Read MorePosted by Mert Dilek | 1st Sep 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
Sisterhood and female companionship were at the heart of some of the most popular plays at the...
Read MorePosted by Clarisse Zarvos | 12th May 2019 | Brazil, Documentary Theatre, Portugal, Review, Theatre and Decolonization, Theatre and Gender
In the early twentieth century, Virginia Woolf published the essay Room of One’s Own, based...
Read MorePosted by Irina Yakubovskaya | 31st Jan 2019 | Interview, Theatre and Gender, United States of America
Kryssi Jeaux Miller is a young woman full of surprises. Kryssi wears many hats: she performs,...
Read MorePosted by Willow White | 8th Nov 2018 | Canada, Immersive Theatre, LGBTQ+ Theatre, Review
Willow White reviews Donna-Michelle St. Bernard’s one-woman show Sound Of The Beast, produced by...
Read MorePosted by Sandra D'urso | 3rd Jul 2017 | Australia, Theatre and Gender
Alice Birch’s production, Revolt. She said. Revolt again., currently on at Melbourne’s Malthouse...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

