Staging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack)
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
Read MorePosted by Maria Delgado | 9th Apr 2024 | Review, Spain
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
Read MorePosted by Maria Delgado | 16th Jan 2024 | Chile, Festivals, Review, Santiago a Mil 2024
How does one “write” a life for the stage? This question lies at the heart of Ana Luz...
Read MorePosted by Trevor Boffone | 21st Sep 2023 | Review, Theatre and Politics, United States of America
In 2019, I sat in the balcony of the Helen Hayes Theatre. My social media circles had been abuzz...
Read MorePosted by Rhiannon Ling | 4th Dec 2022 | New York, News, Playwriting, Theatre and Gender, United States of America
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
Read MorePosted by Piotr Dobrowolski | 8th Mar 2021 | Poland, Review, Theatre and Gender
“No one’s gonna believe me anyway,” says Barbara repeatedly. She knows there is no point in...
Read MorePosted by Mert Dilek | 7th Feb 2020 | Adaptation, London, Review, United Kingdom
Could diabolical interference be the only way for a woman in 17th-century London to advance in...
Read MorePosted by Aleks Sierz | 6th Feb 2020 | London, Review, Theatre and Gender, United Kingdom
Tonight, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It’s...
Read MorePosted by Ilse Ghekiere | 19th Jan 2020 | Belgium, Essay, Theatre and Gender
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
Read MorePosted by Cindy Rosenthal | 18th Dec 2019 | New York, Review, Theatre and Gender, United States of America
Karen Malpede’s plays scream “Pay Attention.” Thus I titled my 2001 New York Times article on I...
Read MorePosted by Maria Delgado | 30th Nov 2019 | Argentina, Review, Spain
Romina Paula is perhaps best known outside Argentina for her work as an actress in seminal films...
Read MorePosted by Maria Delgado | 27th Nov 2019 | Argentina, Review, Theatre and Gender
For many in the English-speaking world, the company Piel de Lava is known primarily for its work...
Read MorePosted by Shiya Lu | 27th Oct 2019 | China, Devised Theatre, Interview, Theatre and Gender
Even in 2019, surrounded by futuristic skyscrapers, accompanied by mobile apps and English...
Read MorePosted by Mert Dilek | 26th Oct 2019 | London, Review, Theatre and Gender, United Kingdom
Believe me when I tell you that there is much more to Alice Birch’s play [BLANK] than meets the...
Read MorePosted by Mert Dilek | 1st Sep 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
Sisterhood and female companionship were at the heart of some of the most popular plays at the...
Read MorePosted by Clarisse Zarvos | 12th May 2019 | Brazil, Documentary Theatre, Portugal, Review, Theatre and Decolonization, Theatre and Gender
In the early twentieth century, Virginia Woolf published the essay Room of One’s Own, based...
Read MorePosted by Irina Yakubovskaya | 31st Jan 2019 | Interview, Theatre and Gender, United States of America
Kryssi Jeaux Miller is a young woman full of surprises. Kryssi wears many hats: she performs,...
Read MorePosted by Willow White | 8th Nov 2018 | Canada, Immersive Theatre, LGBTQ+ Theatre, Review
Willow White reviews Donna-Michelle St. Bernard’s one-woman show Sound Of The Beast, produced by...
Read MorePosted by Sandra D'urso | 3rd Jul 2017 | Australia, Theatre and Gender
Alice Birch’s production, Revolt. She said. Revolt again., currently on at Melbourne’s Malthouse...
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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026 
Chekhov’s “Uncle Vanja”, directed… by Duška Radosavljević 14th April 2026 
