Brave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
Read MorePosted by Emilija Kvočka | 18th Mar 2025 | Directing, Review, Serbia
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
Read MorePosted by Andrew Agress | 15th Jan 2025 | Festivals, Interview, New York, United States of America
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
Read MorePosted by Andrew Agress | 23rd Jun 2024 | Interview, New York, United States of America
Hillary Gao and Matthew Antoci adapt an internet tirade and examine perception and forgiveness with Babies on the Street, playing at The Brick in July.
Read MorePosted by Aleks Sierz | 28th Apr 2023 | Review, Theatre and Gender, United Kingdom
Is it possible to successfully challenge naturalism in British theatre today? At a time when...
Read MorePosted by Tarlan Rasulov | 18th Mar 2023 | Azerbaijan, Directing, Dramaturgy, Essay
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
Read MorePosted by Zip Scene Magazine | 5th Dec 2022 | Interview, Slovakia, Theatre and AI, Theatre and Science
Boris Vitázek is a new media artist based in Bratislava, but his work can be seen at various...
Read MorePosted by Nele Wynants | 29th Jan 2022 | Belgium, Essay, Theatre and Science
Defined as “a place to observe” The Theatron (theatre) has been an experimental platform for...
Read MorePosted by Alexander Fatouros | 8th Oct 2021 | Interview, New York, Theatre and AI, Theatre and Film, Transmedia, United States of America
A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...
Read MorePosted by Christy Romer | 23rd May 2021 | Interview, Italy, Transmedia
In December 2020, Teatro Stabile di Torino worked with 63 theatre artists on seven radical,...
Read MorePosted by Jack Wernick | 28th Jun 2019 | Adaptation, New York, Review, United States of America
A drag queen lipsynching into a retro mike in a tight spotlight is the opening image of 1001SUR,...
Read MorePosted by Jack Wernick | 18th Mar 2019 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
Skinnamarink is a deliriously diverting new production by Little Lord, a performance ensemble that...
Read MorePosted by Alice Jones | 14th Jan 2019 | London, News, United Kingdom
When We Have Sufficiently Tortured Each Other Cate Blanchett stars in Martin Crimp’s experimental...
Read MorePosted by Jack Wernick | 25th Oct 2018 | New York, Review, Theatre and Dance, United States of America
M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...
Read MorePosted by Jack Wernick | 14th Sep 2018 | New York, Poland, Review, Transmedia, United States of America
Soho’s Performing Garage is the setting of a brief engagement from Poland called...
Read MorePosted by Jack Wernick | 28th Jul 2018 | Belgium, Review, Theatre and Politics, United States of America
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
Read MorePosted by Jack Wernick | 13th Jul 2018 | Festivals, New York, Review, United States of America
Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...
Read MorePosted by Jack Wernick | 29th Jun 2018 | Devised Theatre, New York, Review, United States of America
Irondale Ensemble Project, a self-defined “think tank” in Brooklyn’s bustling Fort Greene nabe is...
Read MorePosted by Christine Deitner | 28th Sep 2017 | Los Angeles, Transmedia, United States of America
Founded in 1969 by Artistic Director Ron Sossi, The Odyssey Theatre Ensemble is Los Angeles’...
Read MorePosted by Ian Maxwell | 30th Jan 2014 | Australia, Devised Theatre, Festivals, Review, Sydney
The rules of Cadavre Exquis are basic. Four directors, each responsible for 15 minutes of...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 



A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026