Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen
Already active across a number of north European theatre contexts – from her base in Lithuania to...
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Tag: Chekhov
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage
Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...
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“Three Sisters,” National Theatre
Earlier in the week, I enjoyed a rainy afternoon at home by watching Inua Ellis’s 2019 adaptation...
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Art Scene: “Archive: This Was The End” Taps Extrasensory Senses
Speaking to humanity across time and space, Archive: This Was the End is an interactive sculpture...
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“Black Dove” – Chekhov in Mexico
The world premiere of Paloma Negra (Black Dove) by Alberto Conejero at the Theatre of the Canal...
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Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance
Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...
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How Russian Theatre guru Konstantin Stanislavsky Changed the Acting Universe
Konstantin Stanislavsky’s ideas changed the face of theater as much as Albert Einstein’s theory of...
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“Call From”: A Web Series with Hilarity and Heart
Zoom plays can feel a little dry. I’m sure, after months of this quarantine, we’ve all had the...
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Live Your Life! : An Interview with Deborah Zoe Laufer
Interviewer: You had said once “My plays are generally about things that perplex me. And worry me…...
Read More![Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre](https://thetheatretimes.com/wp-content/uploads/2019/10/image-1-627x376.jpg)
Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre
What does it really mean to do political theatre? Does the theatre even hold any potential to...
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Chekhov’s “Three Sisters” at the Almeida Theatre
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
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“Art Tells Truth That Truth Itself Can’t”: A Glimpse Into The Multimedia Mind Of Andrew Schneider
Andrew Schneider, a Milwaukee native, is an OBIE Award-winning, Drama Desk-nominated performer,...
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“Art Doesn’t Exist To Be Liked” An Interview With Russian Stage Director, Timofey Kulyabin
Timofey Kulyabin is one of the most prominent young directors in Russia today. At 34, he has...
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Longread. Katie Mitchell On Chekhov, Stanislavsky, And Characters Of Flesh And Blood
Katie, or rather, Katrina Jane Mitchell, is a leading British theatre director whose creative...
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The 10 Best-Known Russian Plays And Where To See Them In Moscow And St. Petersburg
From Fonvizin and Chekhov to Tolstoy, all on stage. The most famous Russian authors wrote not only...
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10 Famous Russian Theaters Worth Visiting
Russia Beyond asked a theater critic—who is also the president of a major drama school, the...
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Sergey Kuryshev: This Means Figuring Out Our Life And Presenting It On The Basis Of The Classic Text
Tonight is the opening night of Uncle Vanya at the Theatre Royal Haymarket, In anticipation of the...
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Ten Pieces Of Advice For The Emerging Artist: The Beginning Of Intiman Theatre
When one wants to begin a career in theatre professionally, what tactic could they use? As an...
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Romanian Theatre Today: The Postdramatic Emancipation Of The New Generation
The very moment I step into the building, great expectations surround me. If a measuring device...
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The Greatest Play Ever Written: Translating “The Cherry Orchard”
Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...
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