Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
Read MorePosted by Ivanka Apostolova Baskar | 4th Apr 2024 | Greece, Interview, Management
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
Read MorePosted by Aleks Sierz | 14th Feb 2020 | Essay, London, United Kingdom
“Fetch me ’ammer.” (Edward Bond, Saved) “Art is not a mirror held up to reality, but a hammer with...
Read MorePosted by Barbara Gabriel | 16th Sep 2019 | Canada, Festivals, Review
“ I hear, I hear, come finish with thy tale. Is it soon ended?” – Nathan the Wise There are...
Read MorePosted by Aleks Sierz | 10th Mar 2019 | London, Review, United Kingdom
Whenever I hear the word “cosmopolitan” I think of Europe in the 1920s: German Expressionism,...
Read MorePosted by Vivienne Glance | 6th Mar 2019 | Australia, Festivals, Review, Transcultural Collaborations
Review: Kwongkan, Perth Festival 2019 “Kwongkan” means sand in the language of the Nyoongar...
Read MorePosted by Jack Wernick | 1st Mar 2019 | Adaptation, Germany, Review, Theatre and Politics, United States of America
New York’s Irondale Project presents a scrupulously faithful production of Brecht’s The Life Of...
Read MorePosted by Michael Appler | 22nd Feb 2019 | New York, Review, Theatre and Politics, Theatre and Science, United States of America
Irondale’s innovative and triumphant “Galileo” is Bertolt Brecht at his most excellent, cradled by an ensemble of dynamic and invested performers and pitched inevitably toward its audience with a playful, conscious eye toward its own didactic mission.
Read MorePosted by Heather Waters | 18th Jan 2019 | Prototype 2019, Review, Theatre and Gender, Theatre and Opera, United Kingdom, United States of America
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
Read MorePosted by Aleks Sierz | 14th Jan 2019 | Essay, London, United Kingdom
“In the dark times Will there also be singing? Yes, there will also be singing. About the dark...
Read MorePosted by Aleks Sierz | 11th Jan 2019 | Essay, London, Theatre and Politics, United Kingdom
Brexit. The UK Referendum vote to leave the European Union — Brexit — took place on 23 June 2016,...
Read MorePosted by Nobuko Tanaka | 21st Oct 2018 | Festivals, Japan, News
If the inclusion of Festival/Tokyo in Tokyo Festival’s diverse program of performing arts is any...
Read MorePosted by Christine Deitner | 12th Jul 2018 | Los Angeles, Review, Translation, United States of America
There are plays that feel timeless because they strike familiar chords and speak to something at...
Read MorePosted by Nobuko Tanaka | 11th Jul 2018 | Directing, Japan, News, Playwriting
After eight years as artistic director for drama at the New National Theatre, Tokyo, Keiko Miyata,...
Read MorePosted by Jamie Portman | 10th Jul 2018 | Canada, Directing, Review
We’re not in a movie house. We’re in Robert Lepage country, so it’s inevitable that the famed...
Read MorePosted by Letizia Fusini | 20th May 2018 | Acting, China, Essay
The German playwright and drama theorist Bertolt Brecht (1898-1956) is particularly famous for...
Read MorePosted by Vikram Phukan | 6th May 2018 | India, Playwriting, Review, South Africa, Theatre and Gender
At a staging in Kerala in January, Sara Matchett’s Walk: South Africa proved to be a harrowing but...
Read MorePosted by Katrina Holden-Buckley | 8th Apr 2018 | Boston, Review, Theatre and Opera, Theatre and Politics, United States of America
On Friday, March 23rd, Boston Lyric Opera continued its run of The Threepenny Opera to a sold-out...
Read MorePosted by Aleks Sierz | 13th Mar 2018 | Adaptation, London, Playwriting, Review, United Kingdom
Electra is the protagonist in two Ancient Greek tragedies, one by Sophocles and the other by...
Read MorePosted by Emily Goodling | 19th May 2017 | Essay, Germany, Theatre and Politics
Since 2015, over one million refugees have entered Germany. As a political event, the so-called...
Read MorePosted by Ahram Online | 9th Sep 2016 | Egypt, Review, Theatre and Politics
The play El-Om El-Shogaa (Mother Courage) opened in Miami Theatre in Cairo on 4 September. The...
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The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026 

From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026