The Great War and Kings of War Journey from the Kill Zone to the Map Room
Two plays about war, one utilizing children’s toys, the other blank verse. In many ways,...
Read MorePosted by Julian Meyrick | 17th Mar 2018 | Australia, Review
Two plays about war, one utilizing children’s toys, the other blank verse. In many ways,...
Read MorePosted by Arts Equator | 19th Feb 2018 | Australia, Interview, Theatre and Dance
Art that Moves is an occasional series where we ask artists and other creative workers to reflect...
Read MorePosted by Julian Meyrick | 13th Feb 2018 | Australia, Essay, Playwriting
In the introduction to her seminal book Creating Frames: Contemporary Indigenous Theatre, Mary...
Read MorePosted by Bryoni Trezise | 28th Jan 2018 | Australia, New York, Sydney, Theatre and Gender, United States of America
The moment was 1971, Labour Day’s eve. The context: a biting critique of feminism published by...
Read MorePosted by Sandra D'urso | 21st Jan 2018 | Adaptation, Australia, Melbourne, Review
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
Read MorePosted by Leith Taylor | 21st Jan 2018 | Australia, Management, News
Where do the boundaries lie between exploring every possibility an acting role offers and still...
Read MorePosted by Trevor Jones | 10th Jan 2018 | Australia, Musical Theatre, Review
In June this year, the annual Helpmann Award Nominations sparked concern that original Australian...
Read MorePosted by Nita Sathyendran | 9th Jan 2018 | Australia, India, Theatre and Dance, Transcultural Collaborations
Australian theatre-person and actor Trevor Jamieson on finding parallels between Indian and...
Read MorePosted by Valentina Riccardi | 21st Dec 2017 | Australia, Interview, Theatre and Dance, Transcultural Collaborations, Translation
Interview conducted as part of the media partnership between Culture360 and International Theatre...
Read MorePosted by Leith Taylor | 19th Dec 2017 | Acting, Australia, Essay
Performers are twice as likely as the general population to experience depression, according to...
Read MorePosted by Vivienne Glance | 4th Dec 2017 | Adaptation, Australia, Review
The popularity of vampires has endured since Johann Wolfgang von Goethe’s Bride of Corinth (1797)...
Read MorePosted by Leigh Boucher | 30th Nov 2017 | Australia, Musical Theatre, Review
Muriel Heslop occupies a precious position in Australian cultural life. She is, perhaps, our...
Read MorePosted by Barbara Hatley | 15th Nov 2017 | Australia, Festivals, Indonesia, Melbourne, News, Participatory Theatre, Theatre and Politics, Transcultural Collaborations
This is the second in a two-part series by Barbara Hatley. Read Part 1 here. Reflections on...
Read MorePosted by Barbara Hatley | 14th Nov 2017 | Asia, Australia, Festivals, Indonesia, Melbourne, News, Transcultural Collaborations
This is the first in a two-part series by Barbara Hatley. Read Part 2 here. Indonesian...
Read MorePosted by Meredith Walker | 9th Nov 2017 | Australia, Musical Theatre, Review, Theatre and Gender, Transmedia
In true international award-winning Black Honey Company style, One The Bear bursts on the...
Read MorePosted by Jana Perkovic | 1st Nov 2017 | Australia, Festivals, Melbourne, Playwriting, Review
In theatre-making, we often talk about world creation. “What is the world of the play?” teachers...
Read MorePosted by Sarah Balkin | 23rd Oct 2017 | Australia, Musical Theatre, New York, Review, United States of America
Taylor Mac described The Inauguration, which helped launch the 2017 Melbourne Festival, as “a...
Read MorePosted by Sandra D'urso | 23rd Oct 2017 | Australia, Review, Theatre and Gender
Despite its forays into dark subject matter, Caravan, staged as part of the Melbourne Festival, is...
Read MorePosted by Julian Meyrick | 15th Oct 2017 | Australia, Playwriting
Two of Australian theatre’s most celebrated artists are scientists. Their CVs may not be...
Read MorePosted by William Peterson | 9th Oct 2017 | Australia, Theatre and Politics
“We are our ancestors’ unfinished sentences, we are their wildest dreams and their most elaborate...
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