“Star Odyssey” at MoMA PS1
The VW Dome at MoMA PS1 in Long Island City, Queens is the evocative setting of web-inspired...
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United States of America
Theatreperson Phillip Zarrilli on Adopting and Adapting Intercultural Techniques in his Teachings and Works
The actor-director was at the 12th International Theatre Festival of Kerala (ITFoK) in Thrissur...
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VR as a Narcissistic Medium
Rebecca Rouse is a Professor at the University of Skövde (Sweden), media artist and researcher. VR...
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Movie or Musical? “West Side Story” at The Broadway Theatre
It seems that the classic Broadway musical West Side Story may be getting not one but two film...
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Space Opera in New York City
With a smattering of words, carefully grouped to alert the scholar that collectivism and...
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“Little Shop of Horrors” at the Pittsburgh Public Theater in Pittsburgh, PA, USA
There’s no way Artistic Director Marya Sea Kaminski could possibly have predicted that the...
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Druid Shakespeare: “Richard III” – The Voracious Void
A series of questions filled my mind. What was the motivation behind the choice of sets and costumes? In my opinion, the only thing that really worked well set wise was the ever-present void on stage, the grave downstage in which all bodies were thrown in – a constant reminder of death and of Richard’s deeds.
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Static Electricity: Beckett at Under the Radar
“Static” is one of those words from which most artists recoil. It’s typically used for something...
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Three Houston Theatres Collaborate to Produce Quiara Alegría Hudes’ “Elliot” Trilogy
How often do audiences in a given city get the chance to see a full body of work by a single...
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“Goldberg Variations”
Within moments of the opening bars of Kit Armstrong’s rendering of Bach’s Goldberg...
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Lori Klinger from Rosie’s Theater Kids on Merging Passions and Arts Education
There are angels in New York City who are teaching the arts to kids, and Lori Klinger is one of...
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Alana Dietze is in Search of Transcendental Feelings and Solutions to Problems
Alana Dietze is an actress and director in Los Angeles. She is a company member and literary...
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The Case for “Hadestown”
To escape the mundanity of our own everyday. To revel in the ephemerality of storytelling. To...
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“Ellen West” at The Prototype Festival
Two embarrassing conditions unsettled me at the top of Ellen West, the new opera by Ricky Ian...
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“Shear Madness:” Utterly Bostonian and World-Famous
This native Bostonian theatre production is listed in the Guinness Book of World Records as the...
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Dollhouse: Innovative New Plays for A Traditional Set Piece
An oddity of this theatrical season to ponder as we bid farewell to 2019: In two current New York...
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“Downstairs” at City Theatre, Pittsburgh, PA
In Jungian psychology, the house symbolizes the mind, with the basement representing the deepest...
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Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
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“Magdalene” at Prototype Festival
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
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Dramaturgs Reflect on the ATHE Dramaturgy Focus Group (DRFG) Part II: The Present
The annual ATHE (Associations for Theatre in Higher Education) conference took place in Orlando,...
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