A New Translation of Molière’s “Dom Juan” for the 21st Century
A Preview of a new translation of Molière’s Dom Juan for the 21st century by Gideon Lester and...
Read MorePosted by Philippa Wehle | 26th Jun 2022 | Interview, New York, Translation, United States of America
A Preview of a new translation of Molière’s Dom Juan for the 21st century by Gideon Lester and...
Read MorePosted by Vassili Schedrin | 17th Jun 2022 | Dramaturgy, New York, Playwriting, Review, United States of America
“All the world’s a stage,” says a character in William Shakespeare’s “As You Like It.” “Life...
Read MorePosted by Fareeda Pyracha Ahmed | 13th Jun 2022 | Acting, Directing, Interview, New York, United States of America
Gratitude, by Oren Safdie, directed by Maria Mileaf, and starring Jalen Ford, Jake Bryan Guthrie,...
Read MorePosted by Siting Yang | 4th Jun 2022 | Adaptation, China, New York, News, Theatre and Decolonization, United States of America
Sky of Darkness is enjoying its US premiere June 2-12 at Theaterlab in Midtown Manhattan. The...
Read MorePosted by Philippa Wehle | 1st Jun 2022 | Musical Theatre, New York, Review, South Korea, Theatre and Politics, United States of America
The Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
Read MorePosted by Jenna Lourenco | 28th May 2022 | Education, Musical Theatre, New York, News, Theatre and Disability, United States of America
Autistic adults in the United States are unemployed at estimated rates of more than 80%. Those who...
Read MorePosted by Walter Byongsok Chon | 21st May 2022 | Interview, New York, South Korea, Transcultural Collaborations, United States of America
The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
Read MorePosted by The Theatre Times | 14th May 2022 | Festivals, Interview, New York, Theatre and Disability, United States of America
Actor Gregg Mozgala describes himself as a “Triple Threat: “Actor, Writer, Cripple.” The...
Read MorePosted by Alexander Fatouros | 17th Apr 2022 | Immersive Theatre, New York, Review, Theatre and Art, United States of America
Utilizing downtown Manhattan’s East Village and NoHo as a set, Bated Breath Theatre Company’s...
Read MorePosted by Daily Sabah | 16th Apr 2022 | New York, Theatre and Art, Theatre and Opera, United States of America
It is “Don Carlos” season at the Metropolitan Opera in New York City, with the final...
Read MorePosted by Tony Valdovinos | 16th Mar 2022 | Musical Theatre, New York, Theatre and Politics, United States of America
Sadly, social justice for DREAMers <DREAMers are undocumented individuals who were brought into...
Read MorePosted by Megan C. McCormick | 11th Feb 2022 | New York, Review, Theatre and Opera, United States of America
Vibrant, thought-provoking, invigorating, and brimming with talent, “The Hang,” with book and...
Read MorePosted by Emily Cordes | 10th Feb 2022 | Design, New York, Review, Theatre and Gender, United States of America
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
Read MorePosted by Jonathan Kalb | 30th Jan 2022 | New York, Playwriting, Review, Theatre and Politics, United States of America
Skeleton Crew is Dominique Morisseau’s best play so far. It’s the most streamlined work in her...
Read MorePosted by Etcetera | 21st Jan 2022 | Interview, New York, Theatre and Politics, United States of America
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
Read MorePosted by Jonathan Kalb | 23rd Dec 2021 | Adaptation, New York, Review, Theatre and Gender, United States of America
As most people reading this will already know, Company was first reworked for a female Bobbie...
Read MorePosted by Fareeda Pyracha Ahmed | 16th Dec 2021 | New York, Review, Theatre and Opera, United States of America
If you’ve never seen an opera before, start here. If you’ve seen a ton of opera before, re-start...
Read MorePosted by Julia Sirmons | 27th Nov 2021 | New York, Review, Theatre and Politics, United States of America
“I have an aversion to ‘immersive theater,’” Tiago Rodrigues says at the beginning of By Heart. He...
Read MorePosted by Associated Press | 22nd Nov 2021 | Musical Theatre, New York, News, United States of America
Diversity in film is important, but in animation, it carries an even heavier, different message....
Read MorePosted by Andrew Agress | 17th Nov 2021 | Musical Theatre, New York, Review, United States of America
People say that trains often make interesting settings for drama since you have people from...
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