“Ellen West” at The Prototype Festival
Two embarrassing conditions unsettled me at the top of Ellen West, the new opera by Ricky Ian...
Read MorePosted by Abigail Weil | 26th Jan 2020 | Adaptation, New York, Prototype 2020, Review, Theatre and Opera, United States of America
Two embarrassing conditions unsettled me at the top of Ellen West, the new opera by Ricky Ian...
Read MorePosted by Jonathan Kalb | 23rd Jan 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
An oddity of this theatrical season to ponder as we bid farewell to 2019: In two current New York...
Read MorePosted by Alexander Nderitu | 17th Jan 2020 | Africa, Essay, New York, Theatre and Gender, Theatre and Politics, Transcultural Collaborations, United States of America
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
Read MorePosted by Abigail Weil | 16th Jan 2020 | Dramaturgy, New York, Prototype 2020, Review, Theatre and Gender, Theatre and Opera, Theatre and Religion, United States of America
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
Read MorePosted by Holly Rosen Fink | 12th Jan 2020 | Interview, New York, Theatre and Gender, United States of America
Rachel Pickup is currently playing Lady Gay Spanker in London Assurance, written by Dion...
Read MorePosted by Victoria Zavyalova | 4th Jan 2020 | Adaptation, New York, Review, Russian Theatre Abroad, Transcultural Collaborations, United States of America
A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...
Read MorePosted by Jack Wernick | 27th Dec 2019 | New York, Review, United States of America
The ghost of David Bowie is alive and well and residing in the basement of La MaMa’s...
Read MorePosted by Cindy Rosenthal | 18th Dec 2019 | New York, Review, Theatre and Gender, United States of America
Karen Malpede’s plays scream “Pay Attention.” Thus I titled my 2001 New York Times article on I...
Read MorePosted by Abigail Weil | 15th Dec 2019 | New York, Participatory Theatre, Review, Theatre and Age, Transmedia, United States of America
I’m a thirty-four-year-old straight woman who grew up in the suburbs with an older brother. That...
Read MorePosted by Holly Rosen Fink | 14th Dec 2019 | Acting, Interview, New York, United States of America
If you’re a culture vulture and are interested in TV and theater, most likely, you know a...
Read MorePosted by Jonathan Kalb | 12th Dec 2019 | France, Germany, LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
First of all, don’t be put off by the pompous, academic title. Thomas Ostermeier’s...
Read MorePosted by Andrew Agress | 7th Dec 2019 | New York, Review, Theatre and Film, United States of America
If you love theatre, namely the experimental kind, I highly recommend a trip to the Edinburgh...
Read MorePosted by Antigoni Gaitana | 23rd Nov 2019 | Greece, New York, Review, Theatre and Opera, United States of America
Since Dimitris Papaioannou is a relatively unknown creator to the American audience, I feel...
Read MorePosted by David Vernon | 19th Nov 2019 | New York, Puppetry, Review, United States of America
Composer Paul Rudolph accompanies the cast through a score that is perfectly in sync with the story line. Delightfully, it is a musical score that reminds it’s listener that this is how Musical Theatre “really works.” Both Haley and Lott keep up the musical pace with Barnhart.
Read MorePosted by Andrew Agress | 16th Nov 2019 | New York, Review, United States of America
We live in a time, especially in America, of increasing political divide. Many politicians and...
Read MorePosted by Jonathan Kalb | 15th Nov 2019 | New York, Review, Theatre and Politics, United States of America
James Sheldon’s Reparations is a new play about racial grievance, guilt, and retribution in...
Read MorePosted by Abigail Weil | 15th Nov 2019 | Immersive Theatre, New York, Participatory Theatre, Review
The Black History Museum….According to the United States of America, Smoke & Mirrors...
Read MorePosted by Jonathan Kalb | 10th Nov 2019 | New York, Review, Theatre and Art, United States of America
Adam Rapp is a polarizing playwright. After bursting onto the scene in 2001 with Nocturne — a...
Read MorePosted by Abigail Weil | 8th Nov 2019 | New York, Review, United States of America
It’s June 18, 1983. You’re a waitress in St. Louis who’s all but given up her dreams of achieving...
Read MorePosted by Zhe Pan | 7th Nov 2019 | New York, Review, Theatre and Politics, United States of America
In Murray Mednick’s “Mayakovsky and Stalin”, which made its New York premiere at the Cherry Lane...
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