REVIEW: Patron Saints And Picking Grapes In “Our Lady Of Delicias”
Hayley Malouin reviews Essential Collective Theatre’s world premiere of Our Lady Of Delicias:...
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Canada
Review: “An Ideal Husband” At The Stratford Festival
‘Tis a puzzlement, these plays of Oscar Wilde. They require audiences to pay careful attention as...
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Review: “The Music Man” At The Stratford Festival
Admittedly, I’m probably the only person who has neither seen the Robert Preston/Shirley Jones...
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Review: “Long Day’s Journey Into Night” At The Stratford Festival
Eugene O’Neill’s classic twentieth-century semi-autobiographical drama deals with the Tyrone...
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Review: “To Kill A Mockingbird” At The Stratford Festival
Even after having taught this American classic to high school students for over thirty years, I...
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“Lucid Dreams” A Beautiful, Whimsical Performance Full Of Warmth
What an exciting piece of news for the Ottawa theatre community: Once Upon a Kingdom Theatre will...
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Stratford’s “To Kill A Mockingbird” Unveils An Intriguing Atticus Finch
STRATFORD, Ont.—It didn’t seem such a great idea 11 years ago when the Stratford Festival first...
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Acclimatization: Feminist Iranian Theatre Acclimatizes To Diaspora
Acclimatization refers to the process by which an individual organism adjusts to a change in its...
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“Miss Shakespeare”: A Bouquet Of Fine Performances
There’s a memorable moment in the Three Sisters Theatre Company’s production of Miss Shakespeare...
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ATIA Guest Blog: Translating For Theatre As Performative Translation: Interview With Dr. Stefano Muneroni
Translating a play for the stage may often be considered a form of literary translation, but it is...
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Review: “Innocence Lost: A Play About Steven Truscott” At Soulpepper Theatre Company
The Story: On a very warm evening June 9, 1959, in Clinton, Ontario, fourteen-year-old Steven...
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“Empire Of The Son”’s Fragmented Narrative Tells Story Of Intergenerational Divide And Male Vulnerability
Edmonton, Alberta. Connor Meeker reviews Tetsuro Shigematsu’s Empire of the Son at Edmonton’s...
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Dark Glass Theatre’s “Ruined” Brilliantly Tells A Story Of Humanity Under Seige–But A Predominantly White Audience (Re)Watching Trauma Is Troubling
Vancouver, British Columbia Carla Chambers-Jeffreysreviews Dark Glass Theatre’s production of Lynn...
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All Love for “Black Boys’” Black On Black Love
Montreal, Québec Willow Whitereviews Black Boys, Saga Collectif’s co-production with Buddies in...
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“I Think I’m Dead”: A Captivating Autobiographical Performance Of Insomnia
Al Lafrance’s one-man show I Think I’m Dead is a captivating autobiographical story of neuroses,...
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“Up To Low” Has Universal Appeal!
For Ottawa-area audiences, part of the charm of the theatrical adaptation of Up To Low, by Ottawa...
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Theatre Kraken’s “Cry-Baby” Triumphs Over Its Material
If you lower your defenses, Theatre Kraken’s production of Cry-Baby is capable of providing you...
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“Dissidents” At ARC
The Story: In this English language world premiere of Quebec playwright Philippe Ducros, a man,...
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“BANG BANG” Is Equal Parts Disarming And Disturbing
Toronto, Ontario alt.theatre web editor Hayley Malouin reviews the world premiere of Kat...
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“Gracie” At The GCTC Is A Terrific Theatrical Experience
Gracie By Joan Macleod, directed by Eric Coates A GCTC Production Gracie is like many...
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