What It’s Like To Be A Female Fight Director
“We will not glorify violence” Visit Ruth Cooper-Brown at the weekend and you might...
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United Kingdom
“Hamilton” Is The Biggest Winner At Olivier Awards
Hamilton swept the board at the Olivier Sunday night clinching seven awards including best new...
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“Vincent River” at The Park Theatre: In-yer-Face Theatre at Its Cruel Best
Every great playwright has to have both an identifiable style and the ability to innovate and...
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Inclusivity: Welcoming Autistic Folk Into The Theater
I work for the National Autistic Society as their Autism Access Specialist. While this may seem...
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“Love Me Now” at The Tristan Bates Theatre: Love in the Time of Tinder
Love may well be the strongest four-letter word, but what is the latest news from the front line...
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Richard Eyre’s Production Of “Long Day’s Journey Into Night” Performed By Irons And Manville At Wyndham’s Theatre
Dysfunctional families do not know about time or place. We may all know too well that reading...
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“The Great Wave” at The National Theatre: True Stories of Japanese People Abducted by the North Korean Regime
Until very recently British theatre has been pretty poor at representing the stories of Chinese...
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A Day In The Life Of Liz Crossman: Costume Prop Maker And Milliner
Whilst it sounds like a cliché, the great thing about my work is that it is rare that any day is...
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“Black Men Walking” at The Royal Court: Ordinary Folk Doing Ordinary Thing
In the same week that Arinzé Kene’s Misty, a play that passionately questions the clichés of...
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Women Flying High In Circus
On International Women’s Day 2018 and in the year of Circus250, Poppy Burton-Morgan blogs for UK...
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The Greatest Play Ever Written: Translating “The Cherry Orchard”
Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...
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“The Birthday Party”- A Classic That Never Grows Old
Toby Jones, Zoë Wanamaker, Stephen Mangan, Tom Vaughan-Lawlor, Peter Wight, and Pearl Mackie make...
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“Humble Boy” at The Orange Tree Theatre: The Tragi-Comedy of Generational Conflict
Good programming is an art, and Paul Miller—artistic director at this venue—is clearly on a...
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A Place To Be Seen: Global Queer Plays At The Arcola Theatre
On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...
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Disability And The Arts To Be Discussed Within D-CAF
In line with the Downtown Contemporary Arts Festival’s (D-CAF) commitment to addressing the...
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“Lessons Learnt” By A Professional Translator–Adapting The Same Play Three Times Over Three Years
I have just finished translating Mikhail Durnenkov’s The War Hasn’t Yet Started for the third time...
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“Buggy Baby” at The Yard Theatre: How Can You Represent Trauma in The Theatre?
How can you represent trauma in the theatre? Let’s count the ways: the naturalistic way tells a...
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Gore Vidal’s “The Best Man” at The Playhouse Theatre: Is It Possible to Get Too Much of American Politics?
Is it possible to get too much of American politics? With Donald Trump’s daily tweets invading our...
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“Jubilee” at The Lyric Hammersmith: Adapting Punk Classic
The late Derek Jarman’s 1978 film Jubilee is a punk classic. I think he was in his Fellini phase,...
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Cinema And Smart Phones: The Art Of Increasing Audiences For Opera, Ballet, And, Theatre
Watching an opera, play, or ballet has become an increasingly cinematic experience. “Livecasting”...
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