United Kingdom Archives - Page 39 of 54

“Vincent River” at The Park Theatre: In-yer-Face Theatre at Its Cruel Best

Posted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom

Every great playwright has to have both an identifiable style and the ability to innovate and...

Inclusivity: Welcoming Autistic Folk Into The Theater

Posted by Chris Pike | 10th Apr 2018 | News, Theatre and Disability, United Kingdom

I work for the National Autistic Society as their Autism Access Specialist. While this may seem...

“Love Me Now” at The Tristan Bates Theatre: Love in the Time of Tinder

Posted by Aleks Sierz | 9th Apr 2018 | London, Review, Theatre and Gender, United Kingdom

Love may well be the strongest four-letter word, but what is the latest news from the front line...

Richard Eyre’s Production Of “Long Day’s Journey Into Night” Performed By Irons And Manville At Wyndham’s Theatre

Posted by María Agustina Pardini | 3rd Apr 2018 | London, Review, United Kingdom

Dysfunctional families do not know about time or place. We may all know too well that reading...

“The Great Wave” at The National Theatre: True Stories of Japanese People Abducted by the North Korean Regime

Posted by Aleks Sierz | 3rd Apr 2018 | Documentary Theatre, London, Review, United Kingdom

Until very recently British theatre has been pretty poor at representing the stories of Chinese...

A Day In The Life Of Liz Crossman: Costume Prop Maker And Milliner

Posted by Liz Crossman | 2nd Apr 2018 | Design, United Kingdom

Whilst it sounds like a cliché, the great thing about my work is that it is rare that any day is...

“Black Men Walking” at The Royal Court: Ordinary Folk Doing Ordinary Thing

Posted by Aleks Sierz | 1st Apr 2018 | London, Review, United Kingdom

In the same week that Arinzé Kene’s Misty, a play that passionately questions the clichés of...

Women Flying High In Circus

Posted by Poppy Burton-Morgan | 31st Mar 2018 | News, Theatre and Gender, United Kingdom

On International Women’s Day 2018 and in the year of Circus250, Poppy Burton-Morgan blogs for UK...

The Greatest Play Ever Written: Translating “The Cherry Orchard”

Posted by Rory Mullarkey | 31st Mar 2018 | Essay, London, Russian Theatre Abroad, Translation, United Kingdom

Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...

“The Birthday Party”- A Classic That Never Grows Old

Posted by María Agustina Pardini | 28th Mar 2018 | Acting, London, Review, United Kingdom

Toby Jones, Zoë Wanamaker, Stephen Mangan, Tom Vaughan-Lawlor, Peter Wight, and Pearl Mackie make...

“Humble Boy” at The Orange Tree Theatre: The Tragi-Comedy of Generational Conflict

Posted by Aleks Sierz | 26th Mar 2018 | London, Review, United Kingdom

Good programming is an art, and Paul Miller—artistic director at this venue—is clearly on a...

A Place To Be Seen: Global Queer Plays At The Arcola Theatre

Posted by William Gregory | 24th Mar 2018 | Festivals, LGBTQ+ Theatre, London, News, Producing, Translation, United Kingdom

On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...

Disability And The Arts To Be Discussed Within D-CAF

Posted by Ahram Online | 23rd Mar 2018 | Egypt, Festivals, News, Theatre and Disability, United Kingdom

In line with the Downtown Contemporary Arts Festival’s (D-CAF) commitment to addressing the...

“Lessons Learnt” By A Professional Translator–Adapting The Same Play Three Times Over Three Years

Posted by Noah Birksted-Breen | 23rd Mar 2018 | Adaptation, Russia, Translation, United Kingdom

I have just finished translating Mikhail Durnenkov’s The War Hasn’t Yet Started for the third time...

“Buggy Baby” at The Yard Theatre: How Can You Represent Trauma in The Theatre?

Posted by Aleks Sierz | 22nd Mar 2018 | London, Review, United Kingdom

How can you represent trauma in the theatre? Let’s count the ways: the naturalistic way tells a...

Gore Vidal’s “The Best Man” at The Playhouse Theatre: Is It Possible to Get Too Much of American Politics?

Posted by Aleks Sierz | 21st Mar 2018 | London, Review, Theatre and Politics, United Kingdom

Is it possible to get too much of American politics? With Donald Trump’s daily tweets invading our...

“Jubilee” at The Lyric Hammersmith: Adapting Punk Classic

Posted by Aleks Sierz | 20th Mar 2018 | Adaptation, London, Musical Theatre, Review, United Kingdom

The late Derek Jarman’s 1978 film Jubilee is a punk classic. I think he was in his Fellini phase,...

Cinema And Smart Phones: The Art Of Increasing Audiences For Opera, Ballet, And, Theatre

Posted by Alan Williams | 19th Mar 2018 | News, United Kingdom

Watching an opera, play, or ballet has become an increasingly cinematic experience. “Livecasting”...

Jess Thom On Touretteshero’s Production Of Beckett’s “Not I”: Mouth as a Disabled Character

Posted by Colin Hambrook | 16th Mar 2018 | Interview, Theatre and Disability, United Kingdom

Following excellent reviews from a run of Samuel Beckett’s Not I in Edinburgh last summer...

Going Places Interview With Lauren Clancy, The New Executive Director of The Bush Theatre

Posted by Helen Rynne | 14th Mar 2018 | Interview, London, Management, United Kingdom

Lauren Clancy, the new Executive Director of the Bush Theatre, talks to us about her first few...

United Kingdom

“Vincent River” at The Park Theatre: In-yer-Face Theatre at Its Cruel Best

Inclusivity: Welcoming Autistic Folk Into The Theater

“Love Me Now” at The Tristan Bates Theatre: Love in the Time of Tinder

Richard Eyre’s Production Of “Long Day’s Journey Into Night” Performed By Irons And Manville At Wyndham’s Theatre

“The Great Wave” at The National Theatre: True Stories of Japanese People Abducted by the North Korean Regime

A Day In The Life Of Liz Crossman: Costume Prop Maker And Milliner

“Black Men Walking” at The Royal Court: Ordinary Folk Doing Ordinary Thing

Women Flying High In Circus

The Greatest Play Ever Written: Translating “The Cherry Orchard”

“The Birthday Party”- A Classic That Never Grows Old

“Humble Boy” at The Orange Tree Theatre: The Tragi-Comedy of Generational Conflict

A Place To Be Seen: Global Queer Plays At The Arcola Theatre

Disability And The Arts To Be Discussed Within D-CAF

“Lessons Learnt” By A Professional Translator–Adapting The Same Play Three Times Over Three Years

“Buggy Baby” at The Yard Theatre: How Can You Represent Trauma in The Theatre?

Gore Vidal’s “The Best Man” at The Playhouse Theatre: Is It Possible to Get Too Much of American Politics?

“Jubilee” at The Lyric Hammersmith: Adapting Punk Classic

Cinema And Smart Phones: The Art Of Increasing Audiences For Opera, Ballet, And, Theatre

Jess Thom On Touretteshero’s Production Of Beckett’s “Not I”: Mouth as a Disabled Character

Going Places Interview With Lauren Clancy, The New Executive Director of The Bush Theatre

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