“Sea Wall”: A Profound Performance By Andrew Scott
Lockdown occasionally spawns some real delights. Like the surprise appearance of a strange...
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United Kingdom
“The Madness Of George III” at Nottingham Playhouse
Why do we love the royals so much? In his Introduction to the play text, published to coincide...
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“Continuity” at The Finborough Theatre
Yesterday, I took a break from my sunny local park and turned a room in my house into the...
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Invisible Diaries: “Diese Berühmte Englische Wand” – Thoughts On Exile And Belonging
Writing is currently a challenge for many reasons – an important one being that we don’t know...
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Invisible Diaries: Pandemic Dramaturgies
Adaptation became one of my “things” academically sometime in the early 2000s. I was...
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Reasons To Be Cheerful, Theatre Royal Stratford East
If any musical can attempt to live up to this title in these troubled times, it must be this show...
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Caretaker: An Unnecessary Art Installation?
We are living, I have frequently been told, through weird times. Maybe. But do weird times...
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Brief Notes Towards A Definition Of Leftfield Theatre
In his wide-ranging, and widely read, survey of postwar British theatre, called State of the...
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Review: “A Streetcar Named Desire” At The Young Vic
The National Theatre’s triumphant march through its archive of NT Live recordings continues this...
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UK-Based Flute Theatre Takes To Instagram To Help Those In The Autistic Spectrum
The COVID-19 pandemic has brought significant shifts in routines all over the world. With more...
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Jonathan Pitches on Physical Theatre’s Ability to Transform Written Text
Jonathan Pitches is a Professor of Theater and Performance at the University of Leeds. He is the...
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Invisible Diaries: Thoughts for the End of the World As We Know It
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. Slung Low is a company...
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Invisible Diaries: Being In-Between, Holding the Space
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. I am part German and...
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Zoom Play: “Midnight Your Time” at The Donmar Warehouse
During the lockdown, the best online theatre, more or less, are shows that are specially created...
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Curve Leicester’s “What the Butler Saw”: A Review
Over the past couple of months, theatre reviewing has become film reviewing, and venues all over...
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Revisiting the National Theatre’s 2011 “Frankenstein”
So far, it could be said that the National Theatre is having a good lockdown. Every week, this...
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Invisible Diaries: “Doing Time”
This article is part of the Dramaturgs’ Network’s Invisible Diaries series, and has...
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Shakespeare on Zoom: How a Theatre Group in Isolation Conjured up a “Tempest”
While theatres remain closed, the way we watch Shakespeare is changing. When I picture the...
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“#aiww: The Arrest of Ai Weiwei” at The Hampstead Theatre
London’s Hampstead Theatre has recently been very successful in bringing some of its best shows to...
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“Gators” at Tramp Productions
She’s an ordinary young woman, and she really doesn’t know what to think. After all, things are...
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