About “We Are Shadows: Brick Lane”
Do you know the Urdu word for story? No? Well, look it up. Okay, this might prove a bit tricky, so...
Read MorePosted by Aleks Sierz | 5th Oct 2020 | London, Review, Theatre and Art, United Kingdom
Do you know the Urdu word for story? No? Well, look it up. Okay, this might prove a bit tricky, so...
Read MorePosted by Madison Parrotta | 8th Sep 2020 | Interview, Theatre and Disability, United Kingdom
In July of 2020, Disability Arts Online (DAO) announced their three Associate Artists—Ashok...
Read MorePosted by Rhiannon Ling | 30th Aug 2020 | Interview, Norway, Theatre for Young Audiences, Transcultural Collaborations, United Kingdom
It’s no secret that climate change is a universal topic, a subject that has only just begun to...
Read MorePosted by Aleks Sierz | 22nd Aug 2020 | Review, Theatre and Disability, United Kingdom
During the current pandemic, stories about isolation have a particular resonance. Feelings of...
Read MorePosted by Ian Kiyingi Muddu | 17th Aug 2020 | Interview, Transcultural Collaborations, Uganda, United Kingdom
John Rwoth-Omack is a Ugandan-born theatre artist, bred and based in the UK. A lover of African...
Read MorePosted by Aleks Sierz | 9th Aug 2020 | Review, Theatre and Politics, United Kingdom
The strength of the response to the re-emergence of the Black Lives Matter campaign has encouraged...
Read MorePosted by Kelsey Jacobson | 9th Aug 2020 | News, Theatre and Age, United Kingdom
One night in April, I found myself holding my cat up to my laptop, eagerly showing her off to a...
Read MorePosted by Aleks Sierz | 5th Aug 2020 | Devised Theatre, Immersive Theatre, London, Review, United Kingdom
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
Read MorePosted by Kate Lovell | 5th Aug 2020 | Essay, Japan, Theatre and Dance, Theatre and Disability, Transmedia, United Kingdom
Digital dance piece tells the never-before heard stories of deaf survivors of the A-bombs dropped...
Read MorePosted by Sarah Price | 23rd Jul 2020 | Directing, Essay, Producing, United Kingdom, United States of America
From classic Andrew Lloyd Webber plays to the release of a recording of the original cast of...
Read MorePosted by Aleks Sierz | 22nd Jul 2020 | Essay, United Kingdom
This is the age of marketing, not the age of criticism. To give an example, I’ll start with a...
Read MorePosted by Dana Pierangeli | 22nd Jul 2020 | Covid-19, Interview, Theatre and Disability, Transmedia, United Kingdom
Award-winning disabled documentary filmmaker, photographer, artist, published writer, and...
Read MoreThe executive director of Manchester’s Royal Exchange Theatre, Steve Freeman, could have been...
Read MorePosted by Miranda Laurence | 20th Jul 2020 | Dramaturgs’ Network: Invisible Diaries, Dramaturgy, Essay, United Kingdom
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. In a moment of freedom...
Read MorePosted by Aleks Sierz | 19th Jul 2020 | Review, Theatre and Age, United Kingdom
Lorraine Hansberry’s debut, A Raisin in the Sun, was the first drama written by a black woman to...
Read MorePosted by Andrew Agress | 17th Jul 2020 | Interview, Transmedia, United Kingdom
As many have already said, the best streamed performances seem to be those that are made for the...
Read MorePosted by Miranda Laurence | 15th Jul 2020 | Dramaturgy, Essay, United Kingdom
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. At the moment, my...
Read MorePosted by Aleks Sierz | 11th Jul 2020 | Review, United Kingdom
Edwardian dramatist St John Ervine was once, along with Arthur Wing Pinero, Henry Arthur Jones,...
Read MorePosted by Helen W. Kennedy and Sarah Atkinson | 6th Jul 2020 | Covid-19, Immersive Theatre, News, United Kingdom
Pubs and cinemas may be opening in the UK, but the performing arts sector remains languishing...
Read MorePosted by Gowri S | 29th Jun 2020 | Covid-19, Interview, Transmedia, United Kingdom
The play imagines an encounter between composer, Benjamin Britten, and poet, WH Auden. Picturing a...
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026