India Archives - Page 14 of 18

Battle Cries For Liberation

Posted by Vikram Phukan | 6th May 2018 | India, Playwriting, Review, South Africa, Theatre and Gender

At a staging in Kerala in January, Sara Matchett’s Walk: South Africa proved to be a harrowing but...

Metaphor At Play: New Theatre from Belgium, Poland and United States

Posted by Diwan Singh Bajeli | 25th Apr 2018 | Belgium, Festivals, India, News, Poland, Polish Theatre Abroad, United States of America

Focusing on varied issues, three foreign plays staged at the 8th Theatre Olympics appealed with...

The Making and Breaking of a Tyrant: “Dhaad” New Play from India

Posted by Diwan Singh Bajeli | 23rd Apr 2018 | India, Review, Theatre and Gender

At the ongoing Theatre Olympics, Gujarati play Dhaad brought to fore the making and breaking of a...

The Perks Of Bringing In New People In The Theatre Repertory

Posted by Akarsh Khurana | 22nd Apr 2018 | Essay, India, Producing, Transcultural Collaborations

Casting actors from outside the repertory means new energy and new audiences. Last week, I watched...

The Theatre Form, Yakshagana, Involves All-Night Plays As Offerings To A Deity

Posted by Raviprasad Kamila | 17th Apr 2018 | Festivals, India, News

For six straight months every year, a tiny village comes alive with all-night Yakshagana. A...

Towards An Inclusive Stage…

Posted by S. Ravi | 16th Apr 2018 | Festivals, India, Interview

Starting today, the 13th edition of META Festival brings to theatre lovers diverse plays from all...

Dramatic Soundscapes

Posted by Vikram Phukan | 10th Apr 2018 | Essay, Immersive Theatre, India, Musical Theatre, Theatre and Dance, Theatre and Disability

Rather than experimental theatre, it is the realm of dance works that is considered to be much...

Moveable Cultural Feast

Posted by Vikram Phukan | 2nd Apr 2018 | Festivals, India, News

This weekend, the city gets a brand new festival that seeks to inject an infectious arts vibe into...

Pathos Of The Oppressed

Posted by Diwan Singh Bajeli | 31st Mar 2018 | Festivals, India, Review

At the ongoing Theatre Olympics, Kishore Sengupta’s play Nuraldiner Sarajiban highlighted...

Six Must-Watch Plays At The Theatre Olympics In Mumbai

Posted by Vikram Phukan | 31st Mar 2018 | Festivals, India, Review

The Mumbai tour will be its final leg, with the closing ceremony slated for April 8 at Worli’s...

World Theatre Day: How Theatre Is A Means To Educate

Posted by Parshathy J. Nath | 26th Mar 2018 | Applied Theatre, Essay, India

Clowns in hospitals, strangely dressed men in aeronautics class, and dance and music in a grim...

World’s Largest Theatre Fest Comes To Mumbai

Posted by Sneha Saraf | 26th Mar 2018 | Festivals, India, News

On the road for 36 days, the 8th Theatre Olympics reaches the city later this month for its last...

Interpreting The Epics

Posted by Vikram Phukan | 20th Mar 2018 | Acting, Festivals, India, Review

The Tenkutittu and Badagutittu traditional theatre styles of coastal Karnataka come alive. The...

Unfulfilled Dreams, Stunning Portraits

Posted by Diwan Singh Bajeli | 19th Mar 2018 | Festivals, India, Review

Bharatmuni Rang Utsav saw some moving productions highlighting moral dilemmas and disturbing...

I Wanted To Remove The Language Of Gender: Hindi Adaptation of Lorca’s “Yerma”

Posted by Vikram Phukan | 13th Mar 2018 | Adaptation, India, Interview, LGBTQ+ Theatre, Theatre and Gender

Mahesh Dattani explores the symbolism, futurism and surreal influences of Spanish dramatist...

Moulting Of Traditions

Posted by S. Ravi | 6th Mar 2018 | Essay, India, Playwriting

Staged at the ongoing 8th Theatre Olympics, Sabir Khan’s Doodhan mirrors the hardships of...

Amit Sharma Of Graeae Theatre On Staging A Production With A Hundred Disabled Artists In Chennai

Posted by Julie Merin Varughese | 5th Mar 2018 | India, Interview, Producing, Theatre and Disability

It’s an incredibly hot day for February, and as I look across the vast grounds of Lady Willingdon...

The Focus Is On The Power Of Those On The Margins: 33 Performances, Representing 14 Countries

Posted by Renu Ramanath | 12th Feb 2018 | Festivals, India, LGBTQ+ Theatre, News, Theatre and Disability, Theatre and Gender, Theatre and Politics

The 10th edition of ITFoK touches upon diverse themes such as gender, identity, displacement, and...

The Complexities of Consent

Posted by Vikram Phukan | 10th Feb 2018 | Festivals, India, Review

Even when catapulted into public discourse in inglorious fashion, a la Aziz Ansari, our...

“Miruga Vidhushagam:” Contemporary Theme And Haunting Idioms

Posted by T. Saravanan | 27th Jan 2018 | India, Review, Theatre and Politics

S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...

India

Battle Cries For Liberation

Metaphor At Play: New Theatre from Belgium, Poland and United States

The Making and Breaking of a Tyrant: “Dhaad” New Play from India

The Perks Of Bringing In New People In The Theatre Repertory

The Theatre Form, Yakshagana, Involves All-Night Plays As Offerings To A Deity

Towards An Inclusive Stage…

Dramatic Soundscapes

Moveable Cultural Feast

Pathos Of The Oppressed

Six Must-Watch Plays At The Theatre Olympics In Mumbai

World Theatre Day: How Theatre Is A Means To Educate

World’s Largest Theatre Fest Comes To Mumbai

Interpreting The Epics

Unfulfilled Dreams, Stunning Portraits

I Wanted To Remove The Language Of Gender: Hindi Adaptation of Lorca’s “Yerma”

Moulting Of Traditions

Amit Sharma Of Graeae Theatre On Staging A Production With A Hundred Disabled Artists In Chennai

The Focus Is On The Power Of Those On The Margins: 33 Performances, Representing 14 Countries

The Complexities of Consent

“Miruga Vidhushagam:” Contemporary Theme And Haunting Idioms

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