Women in the Lead: Julie Proudfoot on Artemisia Theatre’s 2021 Digital Season
As a female-identifying artist deeply invested in women’s stories (and as a staunch feminist),...
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Transmedia
New York’s Secret Theatre Brings an Experiential Horror-Thriller Play to India
Redemption Room, an experiential horror-thriller theatre performance by New York-based Secret...
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Inside Virtual Rooms
In March 2020 in the midst of social isolation, Oskar Sadowski suggested to his friends that they...
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In Space, No-One Can Hear you Quarantine: San Diego Fringe Theatre Artists Discuss a Year-Long Collaborative Online Monologue Project.
The works of San-Diego-based theatre company Lonesome Whistle Productions thrive in the...
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Review: Tarragon Theatre’s “Orestes” by Rick Roberts
Tarragon Theatre’s technological foray into the virtual reality of a Covid-19 lockdown begins with...
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Expect Revivals and VR from the Stage as Theater Continues to Deal with the Coronavirus
In his 1964 anthem, “The Times They Are A-Changin’,” Bob Dylan sings: “As the present now / Will...
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“I Imagine “Future” as a Hologram Rather Than as a Frozen Marble Sculpture”: An interview with choreographer Galina Borissova
Galina Borissova is a dancer and choreographer, working mainly in the field of modern and...
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Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom
This article has been translated from it’s original Yiddish by Vassili Schedrin The year...
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Interactive Online Theater – “Life on Earth”
Charles Mee’s Heaven on Earth conveys the message that our civilization, too, has come to an end;...
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On sound ecology: “Rainforest V (variation 3)” at Arter
Within the acoustics of Arter’s Karbon, a hall for sound installations and concerts is a...
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“The Dybbuk” Or a Play Possessing Audiences for a Century
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
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Minecraft Plays in Covid Times with Director/Artist Susie Lawrence
Artist and Director, Susie Lawrence, takes on the challenging aspects of Covid-theatre to a new...
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The Rise of the Ridiculous in “Circle Jerk” by Fake Friends
Lights up. Enter a troll. Literally. Circle Jerk, returning to stream on demand January 1 –...
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New Musicals Presented at the National Alliance of Musical Theatre’s 32nd Annual Festival
*Content Warning: This article discusses and describes new musicals that deal with such topics as...
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Chennai’s New Theatre Group, The Art Factory, Debuts with a Virtual Production
Chennai-based theatre group, The Art Factory, debuts with an anthology of Tamil and English short...
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“What a Carve Up!”, Barn Theatre
Classical murder mysteries end with a neat solution — and with the arrest of the perpetrator....
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Leaving Reality with “Dave’s Roleplays”: An Interview with Actor David French
At first glance, one might consider portraying someone’s older brother, boyfriend, or therapist,...
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Shoebox Musicals: A Story of TikTok, The Pandemic, “Ratatouille The Musical”, And The Wizard Conquering Them All
Recently a friend sent me a message that read, “I’m not sure if you have TikTok, but...
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Privileges of the Imagination
When, nearly three years ago, I wrote about the first Teatroteka (Didaskalia, No. 142), I looked...
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Contemporary Performing Arts Festival Stays Open to New Possibilities Despite COVID-19
Maybe 13 is an unlucky number? Contemporary theater’s annual Festival/Tokyo is known for its focus...
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