Treading A Fine Line: The Return Of Politics To Russian Theater
After a long period in which Russian theater productions avoided political themes, the last few...
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Theatre and Politics
Natalya Vorozhbit Writes Verbatim “Maidan” Play
Natalya Vorozhbit is Ukraine’s leading playwright and co-author of Maidan: Voices from the...
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Bard Labour: Doing Time With The Shakespeare Prison Project
Since 2006, I have led the Shakespeare Prison Project, an initiative by the Queensland Shakespeare...
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Natal’ya Vorozhbit’s “Voices Of The Uprising”
Before Maidan events faded from people’s memories, playwright Natal’ya Vorozhbit brought the...
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Public Readings of “The Diaries of Maidan” at the Center of Contemporary Art “DAKH”
During the several months of protests in Kyiv Maidan a group of young dramatists who call...
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Connecting Shakespearean “Roman Tragedies”
Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar, and Antony And...
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Theatre for Dialogue Confront the Unrest in Ukraine
Between 11-18 February 2014, seven International Theatre of the Oppressed practitioners were...
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Olivier Frljić and The Cancellation of His “Un-Divine Comedy”
Divine Kraków, Un-Divine Comedy: A talk with Croatian Director Oliver Frljić of Un-Divine Comedy...
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The Theatre and Democracy Project in Valencia
This post was written by the director, dramaturg, and educator, Hannah Wolf, who is currently in...
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The Case for a National Theatre
Mitt Romney’s offhanded crusade against Big Bird, announced in a presidential debate with...
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Play By Soviet Writer Gorky Shines On London Stage
A play in which the privileged are out of touch and the poor are getting poorer is all too apt in...
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Escape From Circus: Review Of Mabou Mines’ “Dollhouse”
During the ten years of its run, when asked what I thought of Mabou Mines’s Dollhouse, I’ve always...
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“BerlusPutin” – Moscow Theater To Run One-Protest-Show About The Hybrid Of Putin And Berlusconi
A production by the Moscow’s Teatr.doc has not just soared to popularity as a cultural event, but...
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“O dobru (On Goodness)” and Arts Censorship in Poland
The last piece written by Demirski and directed by Strzępka brings a simple, and yet a very...
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The 16th Shakespeare Festival in Gdańsk
This year, the plays staged at the festival spoke about distrust of authority and suspicion of the...
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Artur Żmijewski’s “The White Mass” – On Church and Theatre
Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...
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