Political Adaptations: Raleigh Literary Society’s “Waiting for Godot” and “Hayadavana”
In his institutional history of literature in American colleges and universities, Gerald Graff...
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Theatre and Politics
“Scarlet & Gold” Chronicles Labor Movement in New Zealand
Timely, relevant, engaging, entertaining and thought-provoking “You wonder if it’ll ever change,...
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Theater Review: Helluva Theatre Takes on Shaw’s “Major Barbara”
Helluva Theatre Company—newly formed under the mission to produce plays from the traditional canon...
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The Political Is Personal (Or Vice Versa)
During summer, the Flemish theatre lover catches up on what he missed during the season. And the...
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Holocaust Narratives Set in Motion by Bill T. Jones
Analogy/Dora: Tramontane, Oct. 20-21, 2016, August Wilson Center, Pittsburgh Sixty years after the...
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New Theatre in Ukraine: Rattle, Break, and Creation
New Theatre in Ukraine: Rattle, Break, and Creation Ukrainian theatre has been rattling since the...
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Korean-German Collaboration “Walls–Iphigenia in Exile” Premieres in Gwangju and Berlin
Walls–Iphigenia in Exile, the result of a four-year collaboration between South Korean and German...
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Argentinean Communitarian Theatre: A Different Form of Theatre Born of Crisis
The communitarian theatre movement in Argentina formed in 1983 as its worst dictatorship was...
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“The President” Written and Performed by Alexander Sparrow
Unnervingly astute political satire When The President opened in Hamilton then Palmerston North...
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Performance and Remembering in Cusco: “De pie sobre el espejo” (2005) by Grupo Impulso de Teatro
Cusco’s Grupo Impulso de Teatro remembers twenty years of political violence in Peru with ‘De pie sobre el espejo’ (2005).
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“The Producers” Revival at Paper Mill Playhouse
The Paper Mill Playhouse’s revival of Broadway hit The Producers received the 2016 Regional...
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Unrest and Discontent – Political Theatre as Agonistic Field
The more the time we are living through seems out of joint, the harder it has been for the...
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Theatre Review: “Poker Face” By Petr Kolečko–”Feels Like It’s Happening Right Here Right Now”
The play Poker Face by acclaimed Czech playwright Petr Kolečko–in Eva Daníčková’s translation and...
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Iraqi-Swedish Theatre Director Anmar Taha Explores Nightmares, Searches for Peace
Pillars of Blood is a performance focusing on memories of the Iraqi crisis as captured by Anmar...
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Theatre Projects of Refugee Artists
On the German stage refugees are still often the authentic narrators of their fate, directed by...
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Sarah Ruhl’s New Play Opens at Yale Rep
Sarah Ruhl’s new play Scenes from Court Life, or the whipping boy and his prince, premiered...
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“Nat Turner in Jerusalem” at New York Theatre Workshop
Richard Gilman, an old teacher of mine and a terrific critic, used to say that whenever he read...
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Gianina Cărbunariu: Documentary Theatre With Political Focus
A powerful trend in Romanian new drama in the past few years focuses on re-discovering of the...
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Munby’s “Crucible” Speaks To Societies Built On Fear
“When the opportunity came to work at Theatre Cocoon in Tokyo, I was so excited about the great...
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Iraqi Play “Pillars of Blood” Reveals Memories of The War-Torn Country
A physical theatre play titled Pillars of Blood (Piliere Krvi) will be performed by Iraqi...
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