German Politicians Invest In Opera When Seeking Re-Election–Here’s Why
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
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Theatre and Politics
The Politics of Child Abuse in Searing Māori Theatre: “Bless the Child” by Hone Kouka
Bless the Child by Hone Kouka. Co-produced by the New Zealand Festival, Auckland Arts Festival and...
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The PUTIN Show: Kirill Serebrennikov And Russia’s Conservative Revolution
Russian theatre director Kirill Serebrennikov, arrested in August 2017 for alleged fraud, is the...
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“Kumar50”: The Star of the Singapore Drag Scene
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
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“Butcher of Balkans” in Jester’s Attire: A Musical About Slobodan Milosevic
A musical about Slobodan Milosevic and his wife Mira dresses the “Butcher of Balkans”...
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International Theater Institute – Macedonian Center
Macedonian message on the occasion of World Theater Day, March 27, 2018, by Sasko Kocev,...
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The Spotlight on Poland: Diverse Voices and Perspectives on Contemporary Polish Theatre
Premiering Spotlight on Poland Polish theatre has always drawn rich inspiration from Poland’s...
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Ten Years Of The Divine Comedy Festival In Kraków
In December 2017, the Divine Comedy International Theatre Festival (Międzynarodowy Festiwal...
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The Jewish Theatre In Warsaw: Tradition With A Modern Attitude
The Jewish Theatre in Warsaw is one of only two public theatres in Europe that regularly stage...
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Towards The Polski Theatre In The Underground
Protests against the new manager During the decade 2006–2016 the Polski Theatre in Wrocław became...
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Theatre Against Non-Human Reality: A Few Sentences About the Theatre of the Eighth Day
The Theatre of the Eighth Day (Teatr Ósmego Dnia), from Poznań, has been a phenomenon of Polish...
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Poland and The World of the Bad Change: The Theatre of the Eighth Day’s “And They Pitched a Tent Among Us”
For the last three years, liberal, pro-European Poland has been experiencing an identity crisis....
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Contemporary Poland in “Paragraph 196 (Exercises on Terror)” by the Theatre of the Eighth Day
The Theatre of the Eighth Day’s Paragraph 196 (exercises on terror) (Paragraf 196 kk (ćwiczenia z...
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Divine Comedy Festival 2017 Review: “Cezary Goes To War”
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
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When It’s Written On Your Face: Teatr 21 And The Paradox Of Invisibility
The discussions framing social theatre are all too often carried out in the language of public...
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Gore Vidal’s “The Best Man” at The Playhouse Theatre: Is It Possible to Get Too Much of American Politics?
Is it possible to get too much of American politics? With Donald Trump’s daily tweets invading our...
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From the Space-Race to Filial Tensions, Robert Lepage’s “The Far Side of the Moon” Explores Reconciliation
In The Far Side of the Moon, Philippe and Andre, two estranged brothers, deal with the aftermath...
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Discussion On The Greatest Theatrical Scandal Of 2017: “Klątwa” At The Powszechny Theatre In Warsaw
Kasia Lech (KL): How could we introduce Klątwa [The Curse] and its context to someone for whom the...
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Dunedin’s Arcade Theatre Company And “Fold:” An Absurdist Production For A Post-Truth Era
The newest theatre company to emerge from Dunedin, New Zealand’s funky, eclectic arts scene is...
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The Performative Essay “(De)signing Time”: Essay in Motion
The Serbian choreographer, performance artist, and stage director Milos Sofrenovic has been at...
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