Experimentalism, Politics, And Utopia: Portuguese Theatre At The Beginning Of The 20th Century And On The Threshold Of The New Millennium
This article was originally published as ‘Introduction’ to the edited collection...
Read MorePosted by Rui Pina Coelho | 21st Apr 2018 | Essay, Portugal, Theatre and Politics
This article was originally published as ‘Introduction’ to the edited collection...
Read MorePosted by Zhanna Zaretskaya | 20th Apr 2018 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
Note from TTT: Alexei Malobrodsky, former director of Moscow’s Gogol Center, has been in pretrial...
Read MorePosted by Hayley Malouin | 17th Apr 2018 | Canada, Review, Theatre and Politics
Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...
Read MorePosted by Katrina Holden-Buckley | 8th Apr 2018 | Boston, Review, Theatre and Opera, Theatre and Politics, United States of America
On Friday, March 23rd, Boston Lyric Opera continued its run of The Threepenny Opera to a sold-out...
Read MorePosted by Pieter Vanhuysse | 6th Apr 2018 | Essay, Germany, Theatre and Opera, Theatre and Politics
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
Read MorePosted by David O'Donnell | 5th Apr 2018 | New Zealand, Review, Theatre and Politics
Bless the Child by Hone Kouka. Co-produced by the New Zealand Festival, Auckland Arts Festival and...
Read MorePosted by Marina Davydova | 5th Apr 2018 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
Russian theatre director Kirill Serebrennikov, arrested in August 2017 for alleged fraud, is the...
Read MorePosted by Eugene Tan | 29th Mar 2018 | LGBTQ+ Theatre, Review, Singapore, Theatre and Politics, Transcultural Collaborations
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
Read MorePosted by Artrit Bytyçi | 28th Mar 2018 | Musical Theatre, Review, Serbia, Theatre and Politics
A musical about Slobodan Milosevic and his wife Mira dresses the “Butcher of Balkans”...
Read MorePosted by Sasko Kocev | 27th Mar 2018 | Macedonia, News, Theatre and Politics
Macedonian message on the occasion of World Theater Day, March 27, 2018, by Sasko Kocev,...
Read MorePosted by Kasia Lech | 27th Mar 2018 | Essay, Poland, Theatre and Politics
Premiering Spotlight on Poland Polish theatre has always drawn rich inspiration from Poland’s...
Read MorePosted by Lauren Dubowski | 27th Mar 2018 | Divine Comedy Festival 2017, Essay, Festivals, Poland, Theatre and Politics
In December 2017, the Divine Comedy International Theatre Festival (Międzynarodowy Festiwal...
Read MorePosted by Piotr Rudzki (University of Wrocław) | 27th Mar 2018 | Directing, Essay, Poland, Theatre and Politics
The Jewish Theatre in Warsaw is one of only two public theatres in Europe that regularly stage...
Read MorePosted by Piotr Rudzki (University of Wrocław) | 27th Mar 2018 | Acting, Applied Theatre, Essay, Poland, Producing, Theatre and Politics
Protests against the new manager During the decade 2006–2016 the Polski Theatre in Wrocław became...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Essay, Poland, Polish Theatre and Gender, Theatre and Politics
The Theatre of the Eighth Day (Teatr Ósmego Dnia), from Poznań, has been a phenomenon of Polish...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics
For the last three years, liberal, pro-European Poland has been experiencing an identity crisis....
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics
The Theatre of the Eighth Day’s Paragraph 196 (exercises on terror) (Paragraf 196 kk (ćwiczenia z...
Read MorePosted by KaiChieh Tu | 24th Mar 2018 | Divine Comedy Festival 2017, LGBTQ+ Theatre, Poland, Review, Theatre and Politics
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
Read MorePosted by Sara Taylor | 23rd Mar 2018 | News, Participatory Theatre, Poland, Theatre and Disability, Theatre and Politics
The discussions framing social theatre are all too often carried out in the language of public...
Read MorePosted by Aleks Sierz | 21st Mar 2018 | London, Review, Theatre and Politics, United Kingdom
Is it possible to get too much of American politics? With Donald Trump’s daily tweets invading our...
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James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 

“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
Debating Identity: Is It Time to Rename Cairo’s… by Ati Metwaly 26th September 2025 
“Tired” Of Consuming Postdramatic… by Ivanka Apostolova Baskar 31st August 2025 
