“Absolute Hell” at The National Theatre
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
Read MorePosted by Aleks Sierz | 14th May 2018 | Acting, LGBTQ+ Theatre, London, Playwriting, Review, Theatre and Politics, United Kingdom
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
Read MorePosted by Martha Steketee | 12th May 2018 | Adaptation, Chicago, Dramaturgy, Interview, Theatre and Politics, Translation, United States of America
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
Read MorePosted by Diwan Singh Bajeli | 9th May 2018 | Essay, India, Pakistan, Theatre and Politics
With the passing away of Madeeha Gauhar, the subcontinent has lost a votary of freedom of...
Read MorePosted by Nada Deyaa’ | 25th Apr 2018 | Egypt, Festivals, News, Theatre and Politics
In a dimly lit room, where the surrounding black walls invaded one’s soul, leaving attendees...
Read MorePosted by Alvina Ruprecht | 24th Apr 2018 | Canada, Musical Theatre, Review, Theatre and Politics
The Beginning Of A Most Important Dialogue Initiated By This striking and moving staging of rage!...
Read MorePosted by Rui Pina Coelho | 21st Apr 2018 | Essay, Portugal, Theatre and Politics
This article was originally published as ‘Introduction’ to the edited collection...
Read MorePosted by Zhanna Zaretskaya | 20th Apr 2018 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
Note from TTT: Alexei Malobrodsky, former director of Moscow’s Gogol Center, has been in pretrial...
Read MorePosted by Hayley Malouin | 17th Apr 2018 | Canada, Review, Theatre and Politics
Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...
Read MorePosted by Katrina Holden-Buckley | 8th Apr 2018 | Boston, Review, Theatre and Opera, Theatre and Politics, United States of America
On Friday, March 23rd, Boston Lyric Opera continued its run of The Threepenny Opera to a sold-out...
Read MorePosted by Pieter Vanhuysse | 6th Apr 2018 | Essay, Germany, Theatre and Opera, Theatre and Politics
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
Read MorePosted by David O'Donnell | 5th Apr 2018 | New Zealand, Review, Theatre and Politics
Bless the Child by Hone Kouka. Co-produced by the New Zealand Festival, Auckland Arts Festival and...
Read MorePosted by Marina Davydova | 5th Apr 2018 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
Russian theatre director Kirill Serebrennikov, arrested in August 2017 for alleged fraud, is the...
Read MorePosted by Eugene Tan | 29th Mar 2018 | LGBTQ+ Theatre, Review, Singapore, Theatre and Politics, Transcultural Collaborations
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
Read MorePosted by Artrit Bytyçi | 28th Mar 2018 | Musical Theatre, Review, Serbia, Theatre and Politics
A musical about Slobodan Milosevic and his wife Mira dresses the “Butcher of Balkans”...
Read MorePosted by Sasko Kocev | 27th Mar 2018 | Macedonia, News, Theatre and Politics
Macedonian message on the occasion of World Theater Day, March 27, 2018, by Sasko Kocev,...
Read MorePosted by Kasia Lech | 27th Mar 2018 | Essay, Poland, Theatre and Politics
Premiering Spotlight on Poland Polish theatre has always drawn rich inspiration from Poland’s...
Read MorePosted by Lauren Dubowski | 27th Mar 2018 | Divine Comedy Festival 2017, Essay, Festivals, Poland, Theatre and Politics
In December 2017, the Divine Comedy International Theatre Festival (Międzynarodowy Festiwal...
Read MorePosted by Piotr Rudzki (University of Wrocław) | 27th Mar 2018 | Directing, Essay, Poland, Theatre and Politics
The Jewish Theatre in Warsaw is one of only two public theatres in Europe that regularly stage...
Read MorePosted by Piotr Rudzki (University of Wrocław) | 27th Mar 2018 | Acting, Applied Theatre, Essay, Poland, Producing, Theatre and Politics
Protests against the new manager During the decade 2006–2016 the Polski Theatre in Wrocław became...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Essay, Poland, Polish Theatre and Gender, Theatre and Politics
The Theatre of the Eighth Day (Teatr Ósmego Dnia), from Poznań, has been a phenomenon of Polish...
Read More
The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025 


“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025 
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025