Hooligan Communism: Why Did The Bolsheviks Ban Their Very First Propaganda Performance?
Despite being a revolutionary and futuristic masterpiece by Mayakovsky, Meyerhold, and Malevich,...
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Theatre and Politics
Following The #MeToo Movement In Korean Theatre
In the past few months, the Korean theatre scene has been under intense public scrutiny as...
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A Cyclical Tragedy: Poetry, Humor, Theatre, And Neoliberalism In Argentina
Remar, An Improper Destination, written and directed by Mariano Saba, premiered at the Sportivo...
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Ella Hickson’s “The Writer” at The Almeida Theatre
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
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“Five Easy Pieces”: Milo Rau’s Extraordinary Work About Child Murderer
It’s not often that a children’s theatre features a piece about a pedophile and child...
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“Absolute Hell” at The National Theatre
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
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Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
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A Voice For Peace And Human Values
With the passing away of Madeeha Gauhar, the subcontinent has lost a votary of freedom of...
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D-CAF’s “Before The Revolution” Portrays All Roads To ‘Inevitable Eruption’
In a dimly lit room, where the surrounding black walls invaded one’s soul, leaving attendees...
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“Sal Capone: The Lamentable Tragedy Of…”: Docudrama Musical for Black Lives Matter
The Beginning Of A Most Important Dialogue Initiated By This striking and moving staging of rage!...
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Experimentalism, Politics, And Utopia: Portuguese Theatre At The Beginning Of The 20th Century And On The Threshold Of The New Millennium
This article was originally published as ‘Introduction’ to the edited collection...
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Alexei Malobrodsky: The Strong Link
Note from TTT: Alexei Malobrodsky, former director of Moscow’s Gogol Center, has been in pretrial...
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Labour Politics In Audrey Dwyer’s “Calpurnia” Problematize Allyship
Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...
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Socialist Morality in “The Threepenny Opera”
On Friday, March 23rd, Boston Lyric Opera continued its run of The Threepenny Opera to a sold-out...
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German Politicians Invest In Opera When Seeking Re-Election–Here’s Why
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
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The Politics of Child Abuse in Searing Māori Theatre: “Bless the Child” by Hone Kouka
Bless the Child by Hone Kouka. Co-produced by the New Zealand Festival, Auckland Arts Festival and...
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The PUTIN Show: Kirill Serebrennikov And Russia’s Conservative Revolution
Russian theatre director Kirill Serebrennikov, arrested in August 2017 for alleged fraud, is the...
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“Kumar50”: The Star of the Singapore Drag Scene
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
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“Butcher of Balkans” in Jester’s Attire: A Musical About Slobodan Milosevic
A musical about Slobodan Milosevic and his wife Mira dresses the “Butcher of Balkans”...
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International Theater Institute – Macedonian Center
Macedonian message on the occasion of World Theater Day, March 27, 2018, by Sasko Kocev,...
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