Battle Cries For Liberation
At a staging in Kerala in January, Sara Matchett’s Walk: South Africa proved to be a harrowing but...
Read MorePosted by Vikram Phukan | 6th May 2018 | India, Playwriting, Review, South Africa, Theatre and Gender
At a staging in Kerala in January, Sara Matchett’s Walk: South Africa proved to be a harrowing but...
Read MorePosted by Laurie Fyffe | 23rd Apr 2018 | Canada, Festivals, News, Playwriting, Theatre and Gender
In 2017, I came across the Ergo Arts Pink Festival with a mandate as follows: “Ergo Pink Fest is a...
Read MorePosted by Diwan Singh Bajeli | 23rd Apr 2018 | India, Review, Theatre and Gender
At the ongoing Theatre Olympics, Gujarati play Dhaad brought to fore the making and breaking of a...
Read MorePosted by Ling Tang | 19th Apr 2018 | China, Chinese Theatre Abroad, Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
On March 20 2018, VaChina, a London-based Chinese feminist network, staged its first full drama...
Read MorePosted by Kate Youde | 12th Apr 2018 | Interview, Stage Combat, Theatre and Gender, United Kingdom
“We will not glorify violence” Visit Ruth Cooper-Brown at the weekend and you might...
Read MorePosted by Aleks Sierz | 9th Apr 2018 | London, Review, Theatre and Gender, United Kingdom
Love may well be the strongest four-letter word, but what is the latest news from the front line...
Read MorePosted by Poppy Burton-Morgan | 31st Mar 2018 | News, Theatre and Gender, United Kingdom
On International Women’s Day 2018 and in the year of Circus250, Poppy Burton-Morgan blogs for UK...
Read MorePosted by Lisa Harper Campbell | 29th Mar 2018 | Australia, Review, Theatre and Gender
A new play by award-winning playwright Patricia Cornelius tackles the prevalence of sexual...
Read MorePosted by Katherine Whatley | 24th Mar 2018 | Acting, Essay, Japan, Theatre and Gender
Noh performer Hisa Uzawa has spent her life devoted to an art form that—with its slow and steady...
Read MorePosted by Annamarie Jagose and Lee Wallace | 20th Mar 2018 | Australia, Review, Theatre and Gender
The idea that femininity is a social performance, while masculinity simply sets the coordinates...
Read MorePosted by Vikram Phukan | 13th Mar 2018 | Adaptation, India, Interview, LGBTQ+ Theatre, Theatre and Gender
Mahesh Dattani explores the symbolism, futurism and surreal influences of Spanish dramatist...
Read MorePosted by Michael Appler | 1st Mar 2018 | New York, Review, Theatre and Gender, United States of America
Where others this season have failed to mount lovable productions of classic Broadway theater, Bartlett Sher’s lush, elegant revival of My Fair Lady is triumphantly successful.
Read MorePosted by Jonathan Kalb | 27th Feb 2018 | New York, Review, Theatre and Gender, United States of America
Yesterday I knew nothing about the playwright Gracie Gardner or The Hearth, a feminist theater...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, Theatre and Gender, United Kingdom
This is Carey Mulligan week. She appears, improbably enough, as a hard-nosed cop in David Hare’s...
Read MorePosted by Tania Barrenechea | 25th Feb 2018 | Musical Theatre, Review, Theatre and Gender, United States of America
My Heart Felt That Sha La La The proscenium stage of the Playhouse has been converted into...
Read MorePosted by Lauren Dubowski | 23rd Feb 2018 | Divine Comedy Festival 2017, Festivals, Poland, Theatre and Gender, Theatre and Politics
To probe the practices of both protest and theatre-making, Teatr Polski of Bydgoszcz looked to...
Read MorePosted by Trevor Boffone | 20th Feb 2018 | Review, Theatre and Gender, United States of America
In a city that still has a relatively conservative theatre community such as Houston, seeing ten...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Renu Ramanath | 12th Feb 2018 | Festivals, India, LGBTQ+ Theatre, News, Theatre and Disability, Theatre and Gender, Theatre and Politics
The 10th edition of ITFoK touches upon diverse themes such as gender, identity, displacement, and...
Read MorePosted by Jessica Rizzo | 8th Feb 2018 | New York, Review, Theatre and Gender, United States of America
The explosively feminine theater of Adrienne Kennedy breaks many of the fundamental “rules” of...
Read More



“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026