What It’s Like To Be A Female Fight Director
“We will not glorify violence” Visit Ruth Cooper-Brown at the weekend and you might...
Read MorePosted by Kate Youde | 12th Apr 2018 | Interview, Stage Combat, Theatre and Gender, United Kingdom
“We will not glorify violence” Visit Ruth Cooper-Brown at the weekend and you might...
Read MorePosted by Aleks Sierz | 9th Apr 2018 | London, Review, Theatre and Gender, United Kingdom
Love may well be the strongest four-letter word, but what is the latest news from the front line...
Read MorePosted by Poppy Burton-Morgan | 31st Mar 2018 | News, Theatre and Gender, United Kingdom
On International Women’s Day 2018 and in the year of Circus250, Poppy Burton-Morgan blogs for UK...
Read MorePosted by Lisa Harper Campbell | 29th Mar 2018 | Australia, Review, Theatre and Gender
A new play by award-winning playwright Patricia Cornelius tackles the prevalence of sexual...
Read MorePosted by Katherine Whatley | 24th Mar 2018 | Acting, Essay, Japan, Theatre and Gender
Noh performer Hisa Uzawa has spent her life devoted to an art form that—with its slow and steady...
Read MorePosted by Annamarie Jagose and Lee Wallace | 20th Mar 2018 | Australia, Review, Theatre and Gender
The idea that femininity is a social performance, while masculinity simply sets the coordinates...
Read MorePosted by Vikram Phukan | 13th Mar 2018 | Adaptation, India, Interview, LGBTQ+ Theatre, Theatre and Gender
Mahesh Dattani explores the symbolism, futurism and surreal influences of Spanish dramatist...
Read MorePosted by Michael Appler | 1st Mar 2018 | New York, Review, Theatre and Gender, United States of America
Where others this season have failed to mount lovable productions of classic Broadway theater, Bartlett Sher’s lush, elegant revival of My Fair Lady is triumphantly successful.
Read MorePosted by Jonathan Kalb | 27th Feb 2018 | New York, Review, Theatre and Gender, United States of America
Yesterday I knew nothing about the playwright Gracie Gardner or The Hearth, a feminist theater...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, Theatre and Gender, United Kingdom
This is Carey Mulligan week. She appears, improbably enough, as a hard-nosed cop in David Hare’s...
Read MorePosted by Tania Barrenechea | 25th Feb 2018 | Musical Theatre, Review, Theatre and Gender, United States of America
My Heart Felt That Sha La La The proscenium stage of the Playhouse has been converted into...
Read MorePosted by Lauren Dubowski | 23rd Feb 2018 | Divine Comedy Festival 2017, Festivals, Poland, Theatre and Gender, Theatre and Politics
To probe the practices of both protest and theatre-making, Teatr Polski of Bydgoszcz looked to...
Read MorePosted by Trevor Boffone | 20th Feb 2018 | Review, Theatre and Gender, United States of America
In a city that still has a relatively conservative theatre community such as Houston, seeing ten...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Renu Ramanath | 12th Feb 2018 | Festivals, India, LGBTQ+ Theatre, News, Theatre and Disability, Theatre and Gender, Theatre and Politics
The 10th edition of ITFoK touches upon diverse themes such as gender, identity, displacement, and...
Read MorePosted by Jessica Rizzo | 8th Feb 2018 | New York, Review, Theatre and Gender, United States of America
The explosively feminine theater of Adrienne Kennedy breaks many of the fundamental “rules” of...
Read MorePosted by Ezekiel Oliveira | 4th Feb 2018 | Israel, Review, Singapore, Theatre and Dance, Theatre and Gender
A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring...
Read MorePosted by Maja Stefanovska | 2nd Feb 2018 | Canada, Review, Theatre and Gender
Hannah Moscovitch’s play What A Young Wife Ought To Know, which is based on a compilation of...
Read MorePosted by Michele Rolim | 31st Jan 2018 | Brazil, Festivals, Review, Theatre and Dance, Theatre and Gender
The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...
Read MorePosted by Aleks Sierz | 30th Jan 2018 | London, Review, Theatre and Gender, United Kingdom
Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...
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