“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
Read MorePosted by Duška Radosavljević | 27th Dec 2017 | Review, Theatre and Gender, United Kingdom
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
Read MorePosted by David O'Donnell | 23rd Dec 2017 | Directing, New Zealand, Review, Theatre and Gender
Merriam-Webster has recently named “feminism” as the 2017 “word of the year” and feminist issues...
Read MorePosted by Sigríður Jónsdóttir | 20th Dec 2017 | Iceland, News, Theatre and Gender, Theatre and Politics
In his 1991 book Roman Theatre And Its Audience, Richard C. Beacham forms the theory that the...
Read MorePosted by Um Hyun-hee | 9th Dec 2017 | Documentary Theatre, LGBTQ+ Theatre, Review, South Korea, Theatre and Gender
Namsan Arts Center’s 2017 season opened with Censoring the Minority 2017 (written and directed by...
Read MorePosted by Shelley Liebembuk | 3rd Dec 2017 | Canada, Playwriting, Review, Theatre and Gender
In his debut as playwright, Jeff Ho presents a solo piece that explores his family history through...
Read MorePosted by Duška Radosavljević | 24th Nov 2017 | London, Review, Theatre and Gender, United Kingdom
Lizzie Clachan’s set is a simple stone floor slanting downwards towards the audience in a warm...
Read MorePosted by Hayley Malouin | 21st Nov 2017 | Canada, Review, Theatre and Art, Theatre and Gender, Theatre and Politics
Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...
Read MorePosted by Elle Kwan | 18th Nov 2017 | China, Review, Theatre and Dance, Theatre and Gender
The Legend Of White Snake isn’t old–it’s ancient. One of China’s Four Great Folktales (the other...
Read MorePosted by Karen Morash | 17th Nov 2017 | Essay, Management, Theatre and Gender, Theatre and Politics
The Old Vic has announced that it has received 20 personal testimonies of alleged inappropriate...
Read MorePosted by John Smythe | 12th Nov 2017 | New Zealand, Review, Theatre and Gender
POTENTLY RELEVANT Warning: I’m about to give the (well-known) ending away because the play can’t...
Read MorePosted by Soha Elsirgany | 12th Nov 2017 | Egypt, New York, Review, Theatre and Gender, United States of America
After starting in New York, the storytelling performance made its international debut in Cairo,...
Read MorePosted by Jane Baldwin | 12th Nov 2017 | Boston, Review, Theatre and Gender, Theatre and Politics, United States of America
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
Read MorePosted by Meredith Walker | 9th Nov 2017 | Australia, Musical Theatre, Review, Theatre and Gender, Transmedia
In true international award-winning Black Honey Company style, One The Bear bursts on the...
Read MorePosted by Katie Grant | 5th Nov 2017 | Theatre and Gender, Theatre and Opera, United Kingdom
It’s known as the world’s oldest profession yet, for the most part, sex work remains shrouded in...
Read MorePosted by Donald Brown | 28th Oct 2017 | New York, Review, Theatre and Gender, Translation, United States of America
Elfriede Jelinek’s Shadow. Eurydice Says is not much of a drama, if by that is meant a...
Read MorePosted by Donald Brown | 27th Oct 2017 | Review, Theatre and Gender, United States of America
The great strength of The Wolves, the debut play by Sarah DeLappe now playing in an extended run...
Read MorePosted by Duška Radosavljević | 25th Oct 2017 | London, Review, Theatre and Gender, United Kingdom
Over the last ten years, a new form has evolved on the British stage, rather simply referred to as...
Read MorePosted by Trevor Boffone | 25th Oct 2017 | Review, Theatre and Gender, United States of America
The Astrodome has always stirred up a sense of nostalgia in me. Growing up in New Orleans, we...
Read MorePosted by Aleks Sierz | 25th Oct 2017 | London, Playwriting, Review, Theatre and Gender, United Kingdom
What does it mean to feel contemporary? Feel. Contemporary. Really feel. According to...
Read MorePosted by Sandra D'urso | 23rd Oct 2017 | Australia, Review, Theatre and Gender
Despite its forays into dark subject matter, Caravan, staged as part of the Melbourne Festival, is...
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