Exit interview: Dubravka Vrgoč
Dubravka Vrgoč, General and Artistic Director of the Croatian National Theatre in Zagreb, is set...
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Directing
“Peggy For You,” Hampstead Theatre
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
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Sensation and Documentation: Jody Christopherson’s “Tussaud/Antoinette”
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
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A Conversation with Director Ashley Tata
Ashley Tata is a Brooklyn-based director and maker of multimedia works. I had the pleasure of...
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Sound and Emotion: Anson Mak’s New Documentary
It’s hard to categorize Anson Mak Hoi-shan. In a video call in early March, the only time the...
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Artists’ Entry: Tiago Rodrigues
Since he started out as an actor, 20 years ago, Tiago Rodrigues has always looked at theater as a...
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Repertoire Readings: Connecting the Past to the Present: Farinaz Kavianifar Interview with Ruhollah Jafari
Giti Theatre Group broke records raising funds for flood victims in Lorestan, Iran with a...
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Interview with Ossama Halal on Experimenting with Physical Theatre and Beyond
Ossama Halal is a Syrian theater director, choreographer, and actor. He started his artistic...
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Who Let the “Lady of Pestilence” In?
The Jerzy Szaniawski Dramatic Theater in Wałbrzych opens the season with a play built on one of...
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Choosing the Stories You Tell: An Interview with Kelley Girod
We live in a world that is demanding change, moving at a rapid pace while simultaneously crawling...
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A Son, His Father, and Steampunk: Reliving Days of Future Past
Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as...
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“Comfort and Joy” Just When We Need it the Most: A Conversation with Director Aoife Spillane-Hinks
Director Aoife Spillane-Hinks has quite the origin story for her entry into theatre. As the story...
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“Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre
Cursed problems often require unorthodox solutions, ones that transgress or delineate anew...
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Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”
Today, Krzysztof Warlikowski is considered one of the most influential auteurs devising for the...
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An Interview with Grzegorz Bral Director of “Anty-Gone Triptych Part II”
Anty-gone Triptych Part II is a melange of movement, song, poetry, and emotion. Giving the viewer...
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Paid-For Digital Streaming Has A Place In Theatre’s Return
From classic Andrew Lloyd Webber plays to the release of a recording of the original cast of...
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For Our Poland They Go into Battle! “Berek” at The Ester Rachel and Ida Kaminska Jewish Theater, Warsaw
Maja Kleczewska’s and Łukasz Chotkowski’s Berek is like a dive into a dark spot of history, a...
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Tianjiao Li and Xuexi Li On The Pandemic And Post-Pandemic Theatre
Tianjiao Li and Xuexi Li from Quirky Moth Theatre – China’s leading theatre company – respond to...
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CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
For the first part of this article go here. No coherent government program has been put in place...
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CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
For part II of this essay, click here. The coronavirus pandemic is laying bare the ills gnawing at...
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