Adaptation Archives - Page 7 of 23

Two Productions of “The Plague” Push the Boundary of Theatre

Posted by Molly Grogan Zolima CityMag | 5th Jun 2021 | Adaptation, China, Covid-19, Hong Kong, Review, Transmedia

The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...

Carnatic Music Marries Theatre in The Madras Players’ “Trinity” – Set to Reach a Global Audience

Posted by Gowri S | 3rd Jun 2021 | Adaptation, India, News

The Madras Players’ Trinity, filmed by a four-camera set up, will be made available for a global...

Experimenting with Virtual Theatre: An Interview with Igor Golyak

Posted by Victoria Isotti | 21st May 2021 | Adaptation, Boston, Interview, Transmedia, United States of America

Igor Golyak is the Artistic Director of Arlekin Players Theatre. Arlekin Players Theatre has...

A Play Adapted From Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under The Spotlight

Posted by Gowri S | 17th May 2021 | Adaptation, India, Review

Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...

“The Empire Builders:” A Bold Experiment in Alternative Theatre

Posted by Tonderai Chiyindiko | 10th May 2021 | Adaptation, Review, South Africa, Transmedia

An intimate listening party of The Empire Builders, an immersive audio production performed by the...

The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic

Posted by Mahsa Foroughi | 1st May 2021 | Adaptation, Australia, Review, Theatre and Film

Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...

Madsoc Theatre Reopens with “Once An Actress”

Posted by Angela Jimu | 26th Apr 2021 | Adaptation, Malawi, Review

Madsoc Theatre opened their season with Stanley Mambo’s adaption of Tony Layton’s Once an Actress...

A Play Adapted from Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under the Spotlight

Posted by Gowri S | 25th Apr 2021 | Adaptation, India

Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...

Interview with James Shapiro on Adaptation of Shakespeare Plays on the Contemporary Stage

Posted by Niloofar Mohtadi | 24th Apr 2021 | Adaptation, Interview, Iran

James Shapiro is a Shakespeare scholar and a professor of English and Comparative Literature at...

Adishakti Theatre Arts’ Latest Musical Turns The Lens On Sexual Assault And Power Politics At The Workplace

Posted by Gowri S | 16th Apr 2021 | Adaptation, India, Review

Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play,...

“Playing Beatie Bow” is Brought to Thundering Life in a Joyous Stage Production

Posted by Vanessa Berry | 14th Mar 2021 | Adaptation, Australia, Review, Sydney

Playing Beatie Bow is the coming-of-age story of the teenage Abigail, who, from her home in...

Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance

Posted by Leah Mercer | 9th Mar 2021 | Adaptation, Australia, Review, Russian Theatre Abroad

Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...

Playing Richard

Posted by Katerina Eremina | 27th Feb 2021 | Adaptation, Belarus, Review

Though theatrical season 2020/2021 isn’t the most eventful, it has brought to the stage number of...

The Story Of Shakuntala And Dushyant Set In Contemporary Times Reaches Broadway

Posted by Gowri S | 22nd Feb 2021 | Adaptation, India, New York, Review, United States of America

The Mahabharata’s Shakuntala and Dushyant find themselves in a modern-day setting, addressing the...

Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom

Posted by Boris Sandler | 21st Jan 2021 | Adaptation, New York, Russian Theatre Abroad, Transmedia, United States of America

This article has been translated from it’s original Yiddish by Vassili Schedrin The year...

“The Dybbuk” Or a Play Possessing Audiences for a Century

Posted by Agnieszka Legutko | 17th Jan 2021 | Adaptation, Poland, Review, Russia, Transmedia, United States of America

December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...

Shoebox Musicals: A Story of TikTok, The Pandemic, “Ratatouille The Musical”, And The Wizard Conquering Them All

Posted by Michael Schweikardt | 1st Dec 2020 | Adaptation, Design, Transmedia

Recently a friend sent me a message that read, “I’m not sure if you have TikTok, but...

“The Prom”: The Challenges of Adapting The Stage to The Screen

Posted by Christopher Wiley | 24th Nov 2020 | Adaptation, United Kingdom

There is growing excitement for the star-studded release of the Netflix film adaptation of the...

Adapting Tarots in Performance: LipZinc’s “Talking Tarots”

Posted by Armando Rotondi | 14th Nov 2020 | Adaptation, Ireland, Review

In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...

Adapting Gianni Rodari in Improv Theatre: an Interview with Luca Rizzuti on “Grammatica Della Fantasia”

Posted by Armando Rotondi | 30th Oct 2020 | Adaptation, Devised Theatre, Interview, Italy

Gianni Rodari is a cult writer and, probably, one of the most influential in the Italian...

Adaptation

Two Productions of “The Plague” Push the Boundary of Theatre

Carnatic Music Marries Theatre in The Madras Players’ “Trinity” – Set to Reach a Global Audience

Experimenting with Virtual Theatre: An Interview with Igor Golyak

A Play Adapted From Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under The Spotlight

“The Empire Builders:” A Bold Experiment in Alternative Theatre

The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic

Madsoc Theatre Reopens with “Once An Actress”

A Play Adapted from Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under the Spotlight

Interview with James Shapiro on Adaptation of Shakespeare Plays on the Contemporary Stage

Adishakti Theatre Arts’ Latest Musical Turns The Lens On Sexual Assault And Power Politics At The Workplace

“Playing Beatie Bow” is Brought to Thundering Life in a Joyous Stage Production

Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance

Playing Richard

The Story Of Shakuntala And Dushyant Set In Contemporary Times Reaches Broadway

Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom

“The Dybbuk” Or a Play Possessing Audiences for a Century

Shoebox Musicals: A Story of TikTok, The Pandemic, “Ratatouille The Musical”, And The Wizard Conquering Them All

“The Prom”: The Challenges of Adapting The Stage to The Screen

Adapting Tarots in Performance: LipZinc’s “Talking Tarots”

Adapting Gianni Rodari in Improv Theatre: an Interview with Luca Rizzuti on “Grammatica Della Fantasia”

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