Adaptation Archives - Page 7 of 24

“Divina invención” Love by Lope de Vega and by Sergio Blanco

Posted by Antonio Hernández Nieto | 4th Aug 2021 | Adaptation, Review, Spain

The Compañía Nacional de Teatro Clásico (CNTC) in Spain is asking different contemporary...

Obscured Truths Come to Light in Hideki Noda’s “Fakespeare”

Posted by Nobuko Tanaka | 25th Jul 2021 | Adaptation, Japan, Review, Theatre and Politics

William Shakespeare is one of the world’s most influential playwrights, but his life continues to...

Building Bridges: Interweaving Beckett – Brazil and Poland

Posted by Ronei Vieira Nogueira and Robson Corrêa de Camargo | 18th Jul 2021 | Adaptation, Between.Pomiędzy 2021, Brazil, Essay, Festivals, Poland

Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...

Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times

Posted by Mark Byron | 20th Jun 2021 | Adaptation, Essay, Ireland, Playwriting

Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...

Asian Adaptations of Shakespeare Today

Posted by Alexa Alice Joubin | 12th Jun 2021 | Adaptation, Essay, Hong Kong, Japan, Singapore, South Korea

During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...

“Let Them Do Yeats Next!:” “AURIC” At The Brighton Fringe

Posted by Kasia Lech | 9th Jun 2021 | Adaptation, Festivals, France, Musical Theatre, Review, Spain, United Kingdom

AURIC (Songs from a Golden Age) at the Brighton Fringe is a unique aural journey and experience...

How a Polish Master, Krystian Lupa, Brought Lu Xun’s Madness to Life

Posted by Ziwen Gao | 6th Jun 2021 | Adaptation, China, Poland, Review

Written in 1918, Lu Xun’s A Madman’s Diary marked the advent of modern Chinese literature....

Two Productions of “The Plague” Push the Boundary of Theatre

Posted by Molly Grogan Zolima CityMag | 5th Jun 2021 | Adaptation, China, Covid-19, Hong Kong, Review, Transmedia

The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...

Carnatic Music Marries Theatre in The Madras Players’ “Trinity” – Set to Reach a Global Audience

Posted by Gowri S | 3rd Jun 2021 | Adaptation, India, News

The Madras Players’ Trinity, filmed by a four-camera set up, will be made available for a global...

Experimenting with Virtual Theatre: An Interview with Igor Golyak

Posted by Victoria Isotti | 21st May 2021 | Adaptation, Boston, Interview, Transmedia, United States of America

Igor Golyak is the Artistic Director of Arlekin Players Theatre. Arlekin Players Theatre has...

A Play Adapted From Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under The Spotlight

Posted by Gowri S | 17th May 2021 | Adaptation, India, Review

Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...

“The Empire Builders:” A Bold Experiment in Alternative Theatre

Posted by Tonderai Chiyindiko | 10th May 2021 | Adaptation, Review, South Africa, Transmedia

An intimate listening party of The Empire Builders, an immersive audio production performed by the...

The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic

Posted by Mahsa Foroughi | 1st May 2021 | Adaptation, Australia, Review, Theatre and Film

Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...

Madsoc Theatre Reopens with “Once An Actress”

Posted by Angela Jimu | 26th Apr 2021 | Adaptation, Malawi, Review

Madsoc Theatre opened their season with Stanley Mambo’s adaption of Tony Layton’s Once an Actress...

A Play Adapted from Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under the Spotlight

Posted by Gowri S | 25th Apr 2021 | Adaptation, India

Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...

Interview with James Shapiro on Adaptation of Shakespeare Plays on the Contemporary Stage

Posted by Niloofar Mohtadi | 24th Apr 2021 | Adaptation, Interview, Iran

James Shapiro is a Shakespeare scholar and a professor of English and Comparative Literature at...

Adishakti Theatre Arts’ Latest Musical Turns The Lens On Sexual Assault And Power Politics At The Workplace

Posted by Gowri S | 16th Apr 2021 | Adaptation, India, Review

Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play,...

“Playing Beatie Bow” is Brought to Thundering Life in a Joyous Stage Production

Posted by Vanessa Berry | 14th Mar 2021 | Adaptation, Australia, Review, Sydney

Playing Beatie Bow is the coming-of-age story of the teenage Abigail, who, from her home in...

Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance

Posted by Leah Mercer | 9th Mar 2021 | Adaptation, Australia, Review, Russian Theatre Abroad

Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...

Playing Richard

Posted by Katerina Eremina | 27th Feb 2021 | Adaptation, Belarus, Review

Though theatrical season 2020/2021 isn’t the most eventful, it has brought to the stage number of...

Adaptation

“Divina invención” Love by Lope de Vega and by Sergio Blanco

Obscured Truths Come to Light in Hideki Noda’s “Fakespeare”

Building Bridges: Interweaving Beckett – Brazil and Poland

Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times

Asian Adaptations of Shakespeare Today

“Let Them Do Yeats Next!:” “AURIC” At The Brighton Fringe

How a Polish Master, Krystian Lupa, Brought Lu Xun’s Madness to Life

Two Productions of “The Plague” Push the Boundary of Theatre

Carnatic Music Marries Theatre in The Madras Players’ “Trinity” – Set to Reach a Global Audience

Experimenting with Virtual Theatre: An Interview with Igor Golyak

A Play Adapted From Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under The Spotlight

“The Empire Builders:” A Bold Experiment in Alternative Theatre

The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic

Madsoc Theatre Reopens with “Once An Actress”

A Play Adapted from Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under the Spotlight

Interview with James Shapiro on Adaptation of Shakespeare Plays on the Contemporary Stage

Adishakti Theatre Arts’ Latest Musical Turns The Lens On Sexual Assault And Power Politics At The Workplace

“Playing Beatie Bow” is Brought to Thundering Life in a Joyous Stage Production

Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance

Playing Richard

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