Martin Crimp’s “Cyrano de Bergerac” at the Playhouse Theatre
“You into words?” Jamie Lloyd’s magnificent treatment of Cyrano de Bergerac very much...
Read MorePosted by Mert Dilek | 12th Dec 2019 | Adaptation, London, Review, United Kingdom
“You into words?” Jamie Lloyd’s magnificent treatment of Cyrano de Bergerac very much...
Read MorePosted by Tonderai Chiyindiko | 11th Dec 2019 | Adaptation, Review, South Africa
Rhinoceros, the official production commemorating the Market Theatre Lab’s 30th-anniversary...
Read MorePosted by Jane Baldwin | 4th Dec 2019 | Adaptation, Boston, Review, United States of America
Denis O’Hare and Lisa Peterson created Homer’s Coat, a theatre company that explores...
Read MorePosted by Mert Dilek | 29th Nov 2019 | Adaptation, Italy, London, Review, United Kingdom
Adapting novels for the stage is a tricky business. When the novel in question happens to be...
Read MorePosted by Zhe Pan | 9th Nov 2019 | Adaptation, Review, United States of America
Lewis Carroll’s Alice’s Adventures in Wonderland is a popular source of musical adaptions....
Read MorePosted by James Montaño | 9th Nov 2019 | Adaptation, Boston, Review, South Africa, Theatre and Opera, United States of America
The Magic Flute by the Isango Ensemble at ArtsEmerson When the Isango Ensemble plays—on only eight...
Read MorePosted by Renu Ramanath | 4th Nov 2019 | Adaptation, Immersive Theatre, India, Review
Four strangers, a car and a video call make the play Bhranthu an unconventional visual experience....
Read MorePosted by Jack Wernick | 2nd Nov 2019 | Adaptation, New York, Theatre and Politics, United States of America
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
Read MorePosted by Mert Dilek | 25th Oct 2019 | Adaptation, London, Review, United Kingdom
“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...
Read MorePosted by Aleks Sierz | 25th Oct 2019 | Adaptation, London, Review, Theatre and Politics, United Kingdom
Adaptation is too banal a word to describe the cross-fertilization of theatre and other art forms....
Read MorePosted by Mert Dilek | 17th Oct 2019 | Adaptation, London, Review, United Kingdom
Far away from Earth, there is a planet called Solaris. It is covered by an ocean and orbits two...
Read MorePosted by Emilija Kvočka | 15th Oct 2019 | Adaptation, Design, Review, Serbia
The Russian winter sprinkled with the aristocratic splendor of Imperial Moscow and Petersburg in...
Read MorePosted by David O'Donnell | 7th Oct 2019 | Adaptation, New Zealand, Review, Theatre for Young Audiences, Transcultural Collaborations
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
Read MorePosted by Yalena Kleidara | 6th Oct 2019 | Adaptation, Greece, Review
“Heroism is to this decision that you make by yourself, to stick to it until the very...
Read MorePosted by Alvina Ruprecht | 1st Oct 2019 | Adaptation, Canada, Germany, Review
Marius von Mayenburg, author of The Ugly One, representing the new young German Theatre, is...
Read MorePosted by Abigail Weil | 28th Sep 2019 | Adaptation, Design, New York, Review, Theatre and Film, Theatre and Gender, United States of America
The WaxFactory’s new production Lulu XX is many steps away from originality. The heart of the play...
Read MorePosted by Lorena Meeser | 23rd Sep 2019 | Adaptation, Immersive Theatre, Mexico, Review
A wonderful experience of intimate theatre. Distancias Cortas is a scenic production that presents...
Read MorePosted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
Read MorePosted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
Read MorePosted by Abigail Weil | 14th Sep 2019 | Adaptation, New York, Review, Theatre and Religion, Transcultural Collaborations, United States of America
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
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