Towards Fairer Contractual Practices for Freelance Dramaturgs: A Conversation Facilitated by Catriona Craig
On 21 June 2021, the Dramaturgs Network (a volunteer arts organization by and for dramaturgs...
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A Lady with a Machine Gun
Belarusian theatre hibernated since the notorious events of 2020. The artistic quality of most of...
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From Pygmies to Puppets: What to Do with Roald Dahl’s Enslaved Oompa-Loompas in Modern Adaptations?
The stage adaptation of Charlie and the Chocolate Factory has opened in Brisbane. Charlie, like...
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Met Opera Returns with History-making Debut by Terence Blanchard
The Metropolitan Opera, which was closed after the coronavirus broke out in New York in March...
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Cameron Mackintosh’s All-Japanese “Oliver!” Will Have You Asking for More
It was enough for theater fans to learn that after more than 50 years, the Tony Award-winning...
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“These Are Not My Shoes” is Powerful Social Commentary
These Are Not My Shoes is a story about absent fathers and what happens to young men when they...
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A Play Inspired by Bharati’s Verses
How S.V. Sahasranamam’s stage adaptation of the poet’s Panchali Sabadham became a huge success...
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In Photos: Large Variety of Performances in Inaugural Eazees Int’l Women’s Theatre Festival
Numerous Egyptian and international theatre plays took part in the inaugural edition of Eazees...
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Hilary Mantel and Ben Miles’s The Mirror and the Light at the Gielgud Theatre: Engaging, but Rather Low Key
This is a labor of love. Hilary Mantel has adapted The Mirror and the Light, the third novel of...
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Tang Kwong-San’s Quest to Understand Hong Kong
When Tang Kwong-san and fellow Hong Kong artist Yuen Nga-chi first visited Tung Ping Chau a few...
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Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”
A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...
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Over 300 Applications Received to Perform in Sharm El-Sheikh Int’l Theatre Festival for Youth
The management of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY) revealed...
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A Memory Palace on Tauris: Reprise of Gluck’s Iphégenie en Tauride at the Paris Opera
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
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“3 Sopranos, 3 Tenors” to Perform in Aspendos Opera, Ballet Fest
The 28th iteration of the 28th Aspendos Opera and Ballet Festival, which kicked off on Sept. 4 in...
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Kerala-based Rangachetana Theatre Group Initiates a Unique Project to Help Artists in Need
The Thrissur-based collective has been organizing performances in the homes of artists and...
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“The Last Trial” Musical: There Once Was a Wizard, a Servant of Night
The poets say that Love will be the world’s great redeemer, But love is rarely quite as pure as...
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Campania Teatro Festival 21: A Conversation with Ruggero Cappuccio at the Real Bosco di Capodimonte
The Real Bosco di Capodimonte is more than a public park in Naples: it is a Paradise, not far from...
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“Text Me When You Arrive” is Witty, Punchy, and Hard-Hitting!
In a normal country, plays like Text Me When You Arrive, which has just ended a short run at the...
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Review: “UnTuned” (Golvareh)
It’s hard to prepare for life’s high and lows when you think too highly of yourself to expect...
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“The Time of Our Singing” Opera Tackles Racial Segregation
Based on an American novel detailing the country’s troubled 20th century, the new Belgian...
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