Vladimir Sorokin Takes The Stage
The premier of Telluria caused little controversy when it opened in St. Petersburg. Maybe Russian...
Read More
Latest
Mikhailovsky Theater Ready For Its Turn In The Spotlight
While not as well known as the Bolshoi or the Mariinsky, the Mikhailovsky Theater’s leadership...
Read More
“The Complexity Of Belonging” At The Melbourne Festival–Reviewed
I’ve often lamented that choosing to study the most complex organisms on Earth was the dumbest...
Read More
Ulrike Syha Interviews Dominique Dolmieu
Ulrike Syha: When was Eurodram, a network for drama in translation, founded? What was the initial...
Read More
Yury Lyubimov, For whom History was a Home
The death of Yury Lyubimov in Moscow on Sunday morning, October 5, 2014, at the age of 97, puts...
Read More
Terrorism, Truth, and Trust – How Dramaturgy Informs Real Life
Drama and its core principles are to be found in theatres while the real world goes on outside,...
Read More
“Black Diggers”: Out Of The Trenches At The Brisbane Festival
The performance space in which Wesley Enoch‘s play Black Diggers is being performed at the...
Read More
St. Petersburg’s Alexandrinsky Theater Opens New Stage With Production Of “Telluria”
The illustrious theater’s New Stage will present its season opener on September 26. The...
Read More
Back to the U.S.S.R.
On occasion, rather than buried and hidden somewhere, essences lie right there on the surface,...
Read More
Spectacle and Tradition at the 2014 Lincoln Center Festival
In 2014, Marcina Zaccaria wrote about The Lincoln Center Festival, including productions of...
Read More
“I Am Me” Returns to Brooklyn After Russia
Raphael Schklowsky writes about Nicole Kontolefa, an American actress trained in Russia, who is...
Read More
Tony Allotta & Valeria Colucci Explain Teatro Valle Occupato
In the spring of 2012, TheTheatreTimes.com, along with members of The Fence network, spent a few...
Read More
Tackling Gender Inequality On Stage Needs To Go Further Than Female Hamlets
Several British theatres have made a pledge to address the levels of gender inequality on the...
Read More
Teatr Chorea’s Retro//Per//Spectives Festival: Part 3
After the enormous Oratorium Dance Project, in 2011, no one wanted to stop working with the Łódź...
Read More
Patriarchy’s Ghosts In The Light Bulbs: “Hamlet” At The Royal Exchange
The ghost, in this autumn’s Royal Exchange Theatre production of Hamlet, is in the light bulbs....
Read More
Lachlan Philpott on the Flux in Australian Programming
Australian playwright and Fulbright scholar, Lachlan Philpott, writes about the socio-cultural...
Read More
Amanda Macri on the Need for Storytellers: New Playwriting in Australia
Amanda Macri, General Manager at Playwriting Australia, writes about the broad range of resilient...
Read More
Anthea Williams on Belvoir’s Important New Season
Anthea Williams, Associate Director-Literary at the Belvoir Street Theatre in Sydney, writes about...
Read More
Cristin Kelly Goes from Expat to Expert in 100 Days
American dramaturg, Cristin Kelly, reflects on her personal project, 100 Aussie Plays in 100 Days,...
Read More
Dramaturg Glenn Saunders on the Australian Approach to the Classics
Freelance theatre critic and dramaturg, Glenn Saunders, writes about the unique energy of...
Read MoreLike Us On Facebook
Most Popular Posts
- “Tired” Of Consuming Postdramatic… 31st August 2025
- 29th International Shakespeare Festival runs in… 10th July 2025
- International Project – Dramaturgy Lab:… 17th September 2025
- James Graham’s “Punch” at the Apollo Theatre:… 30th September 2025
