Terrorism, Truth, and Trust – How Dramaturgy Informs Real Life
Drama and its core principles are to be found in theatres while the real world goes on outside,...
Read More
Latest
“Black Diggers”: Out Of The Trenches At The Brisbane Festival
The performance space in which Wesley Enoch‘s play Black Diggers is being performed at the...
Read More
St. Petersburg’s Alexandrinsky Theater Opens New Stage With Production Of “Telluria”
The illustrious theater’s New Stage will present its season opener on September 26. The...
Read More
Back to the U.S.S.R.
On occasion, rather than buried and hidden somewhere, essences lie right there on the surface,...
Read More
Spectacle and Tradition at the 2014 Lincoln Center Festival
In 2014, Marcina Zaccaria wrote about The Lincoln Center Festival, including productions of...
Read More
“I Am Me” Returns to Brooklyn After Russia
Raphael Schklowsky writes about Nicole Kontolefa, an American actress trained in Russia, who is...
Read More
Tony Allotta & Valeria Colucci Explain Teatro Valle Occupato
In the spring of 2012, TheTheatreTimes.com, along with members of The Fence network, spent a few...
Read More
Tackling Gender Inequality On Stage Needs To Go Further Than Female Hamlets
Several British theatres have made a pledge to address the levels of gender inequality on the...
Read More
Teatr Chorea’s Retro//Per//Spectives Festival: Part 3
After the enormous Oratorium Dance Project, in 2011, no one wanted to stop working with the Łódź...
Read More
Patriarchy’s Ghosts In The Light Bulbs: “Hamlet” At The Royal Exchange
The ghost, in this autumn’s Royal Exchange Theatre production of Hamlet, is in the light bulbs....
Read More
Lachlan Philpott on the Flux in Australian Programming
Australian playwright and Fulbright scholar, Lachlan Philpott, writes about the socio-cultural...
Read More
Amanda Macri on the Need for Storytellers: New Playwriting in Australia
Amanda Macri, General Manager at Playwriting Australia, writes about the broad range of resilient...
Read More
Anthea Williams on Belvoir’s Important New Season
Anthea Williams, Associate Director-Literary at the Belvoir Street Theatre in Sydney, writes about...
Read More
Cristin Kelly Goes from Expat to Expert in 100 Days
American dramaturg, Cristin Kelly, reflects on her personal project, 100 Aussie Plays in 100 Days,...
Read More
Dramaturg Glenn Saunders on the Australian Approach to the Classics
Freelance theatre critic and dramaturg, Glenn Saunders, writes about the unique energy of...
Read More
“Soap”: A Sexy Night On The Tiles At The Brisbane Festival
Traditionally soap is made by rendering down lard. But in this tight show, Soap, playing at the...
Read More
Spanish Playwright Jose Padilla Never Surrenders
José Padilla is one of the brightest lights in the Spanish theatre right now. Amongst his...
Read More
Interview with Spanish Playwright Antonio Rojano
Antonio Rojano is a self-taught playwright, and he is well-taught! He has won almost every main...
Read More
We Need Language To Shock: Why “The Sublime” Gets Rape Wrong
Here are two opposing definitions of rape: Rape: a violent, criminal act almost exclusively...
Read More
A Static “Ivanov” At Theaterfestival Basel
“Alienation” drones Ivanov’s English-learning tape in the second act of the production. The...
Read MoreLike Us On Facebook
Most Popular Posts
We Passed Through The Wall Of Sorrow Together 26th August 2025 - Rock Opera and Musical Theatre. An exclusive… 7th July 2025
- “Tired” Of Consuming Postdramatic… 31st August 2025
- Edinburgh Festival Fringe 2025 in 22 Shows 28th August 2025
