Latest Archives - Page 237 of 278

Review: “Sex With Strangers” at Hampsted Theatre

Posted by Aleks Sierz | 8th Mar 2017 | London, Review, United Kingdom

The current crisis in British new writing for the theatre is exemplified by the reliance of so...

“Escaped Alone”: Catastrophe and Fear Meet Surrealism

Posted by Jonathan Kalb | 8th Mar 2017 | Review, Theatre and Age, Theatre and Politics, United Kingdom

Like Beckett and Pinter, Caryl Churchill is writing fugues in old age (she’s 77). Far Away, A...

Lagos Theatre Festival: Kick-off Symposium re-cap

Posted by Iquo Diana Abasi | 7th Mar 2017 | Festivals, Nigeria

The Lagos Theatre Festival 2017 kicked off with a symposium that featured speakers such as the...

What It’s Like To Be A Theatre Director in Australia

Posted by Julian Meyrick | 7th Mar 2017 | Australia, Directing

For a theatre director, plays are like bulls: it doesn’t matter how fancy your cape work is, any...

‘Coughing Major’ Millionaire Scandal Turned into Play

Posted by Adam Sherwin | 7th Mar 2017 | Theatre and Politics, United Kingdom

The story of the “coughing Major” who cheated to win the Who Wants To Be A Millionaire? jackpot is...

Review: “Low Level Panic” at Orange Tree Theatre

Posted by Aleks Sierz | 6th Mar 2017 | Review, Theatre and Gender, United Kingdom

The 1980s were a great decade for British women playwrights. During those Thatcher-dominated...

Review: Wallance Shawn’s “Evening at the Talk House”

Posted by Jonathan Kalb | 6th Mar 2017 | New York, Review, Theatre and Politics, United States of America

Is it a good or bad thing for a dyed-in-the-wool dystopian like Wallace Shawn when real life...

Enthralling Spectrum of Visual and Aural Artistry: The Kamineeyakam Kathakali Festival

Posted by V. Kaladharan | 6th Mar 2017 | Festivals, India, Theatre and Dance

Kamineeyakam Kathakali festival in Kochi offered a platform for artists to showcase their...

“Red”: Using the Body to Touch The Contemporaneity of the Past

Posted by Zhuang Jiayun | 6th Mar 2017 | China, Review, Theatre and Dance

Red, a documentary play created by Wen Hui’s Living Dance Studio, is based on Red Detachment of...

Anna Politkóvskaya, “A Stubborn Woman”: Stefano Massini’s Political Theatre

Posted by Alfonso Vázquez | 5th Mar 2017 | Spain, Theatre and Gender, Theatre and Politics

Stefano Massini’s A Stubborn Woman, recreates the figure of Russian journalist Anna Politkóvskaya....

The Gigantic Float Parades for the Carnival of Viareggio

Posted by Maria Pia Pagani | 5th Mar 2017 | Italy

The Tuscan town of Viareggio, one of the most renowned tourist destinations in Italy, has a lively...

I Want To Hear You Breathing: A Conversation With Mischa Dohler

Posted by Beatriz Cabur | 4th Mar 2017 | Immersive Theatre, Interview, Transmedia, United Kingdom

The Theatre Times recently republished an article called “A New Form of Theatre Consumption...

Cosmologizing Social Evil in Dulaang UP’s “Faust”

Posted by J Neil Garcia | 4th Mar 2017 | Adaptation, Philippines

Dulaang UP’s current production, Rody Vera’s Filipino adaptation of Faust, directed by José...

Theatre of the Oppressed in Iraq

Posted by Amir Al-Azraki | 4th Mar 2017 | Applied Theatre, Iraq, Participatory Theatre

Theatre of the Oppressed was originated in the 1970s by a Brazilian theatre practitioner and...

A Dark Christmas to Rethink Realistic Theatre: Antonio Latella

Posted by Raffaele Furno | 3rd Mar 2017 | Directing, Italy

In the last twenty years, Antonio Latella has made a name of relevance for himself in Italy as an...

A Brief Overview of The Theatrical Scene in Natal, Brazil

Posted by George Holanda | 3rd Mar 2017 | Brazil

I was born and currently live in Natal, the capital of Rio Grande do Norte, one of the states of...

Inside Preparations for the New York Chekhov Festival

Posted by Adrien Smith | 3rd Mar 2017 | Directing, Festivals, Interview, New York, Russia, United States of America

On March 24, The Russian Arts Theater and Studio will launch its first annual New York Chekhov...

Women on the Verge: Caryl Churchill’s “Escaped Alone”

Posted by Jessica Rizzo | 2nd Mar 2017 | New York, Review, Theatre and Age, United States of America

In an 1896 essay on “The Tragic in Daily Life,” the Symbolist playwright Maurice Maeterlinck...

Taiwanese Hand Puppet Theatre: Technology, 3D, and a Rock & Roll Band

Posted by Iris Hsin-chun Tuan | 2nd Mar 2017 | Puppetry, Taiwan

Fantasy of the White Snake Taiwanese hand puppet theatre (also called glove puppetry) originated...

“Killer” – An Experiential Thriller

Posted by Aleks Sierz | 1st Mar 2017 | Immersive Theatre, London, Review, United Kingdom

One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...

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Latest

Review: “Sex With Strangers” at Hampsted Theatre

“Escaped Alone”: Catastrophe and Fear Meet Surrealism

Lagos Theatre Festival: Kick-off Symposium re-cap

What It’s Like To Be A Theatre Director in Australia

‘Coughing Major’ Millionaire Scandal Turned into Play

Review: “Low Level Panic” at Orange Tree Theatre

Review: Wallance Shawn’s “Evening at the Talk House”

Enthralling Spectrum of Visual and Aural Artistry: The Kamineeyakam Kathakali Festival

“Red”: Using the Body to Touch The Contemporaneity of the Past

Anna Politkóvskaya, “A Stubborn Woman”: Stefano Massini’s Political Theatre

The Gigantic Float Parades for the Carnival of Viareggio

I Want To Hear You Breathing: A Conversation With Mischa Dohler

Cosmologizing Social Evil in Dulaang UP’s “Faust”

Theatre of the Oppressed in Iraq

A Dark Christmas to Rethink Realistic Theatre: Antonio Latella

A Brief Overview of The Theatrical Scene in Natal, Brazil

Inside Preparations for the New York Chekhov Festival

Women on the Verge: Caryl Churchill’s “Escaped Alone”

Taiwanese Hand Puppet Theatre: Technology, 3D, and a Rock & Roll Band

“Killer” – An Experiential Thriller

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