“Unknown” Polish Directors: Introducing Jacek Głomb
This series continues to introduce Polish directors recognised in Poland and relatively unknown...
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“The Battle of the Oranges” for the Historical Carnival of Ivrea
Each year the town of Ivrea, in Piedmont, hosts a traditional celebration of Carnival with many...
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“Bidehi” or Ibsen’s “Ghosts” in Bengali: A Rare Experience of Translation/Adaptation on Stage
It was a socialite evening at Uttam Manch on 14 January, while the mercury was dipping low, making...
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Love Revolution: The Assembly’s “Home/Sick”
Commitment is hard. Even within the well-defined parameters of traditional monogamy, balancing the...
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Conversation With Iván Pérez, The Founder of INNE and Choreographer for Song of the Goat Theatre
In 2016 Song of the Goat Theatre celebrated the twentieth anniversary of its existence. Founded by...
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Masami Teraoka + Pussy Riot Choreographer Viktoria Naraxsa in Hawaii
Internationally acclaimed Japanese-American visual artist Masami Teraoka invited Pussy Riot...
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ARTimeleia: A Theatre Group Built Of Actors With Neuromuscular Disorders
When I tell people that I do theatre with actors who have neuromuscular disorders, their outward...
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Bilingual Conversations at the Cervantes Theatre: An Interview With Paula Paz
Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.
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Movement At The Museum
Is a museum hall a suitable scene for dance? A number of exhibitions organized during the last...
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A New Version of Christopher Marlowe’s “Tamburlaine” by Yellow Earth Opens in London
Global Shakespeare has been a phenomenon of adaptation, translation, cultural appropriation and...
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“The Secret River”: Colonial Oppression on Australian Stages
One way of looking at a story is as a mental suitcase that brings together a bunch of actions that...
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“My Country; A Work in Progress” – The First Brexit Play at the National Theatre
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
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“Come From Away” – New Canadian Musical on Broadway
Come From Away, a relentlessly peppy new musical by the Canadian husband-wife team David Hein and...
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Staging the Transition in North Africa: Theatre as a Tool of Empowerment
In the two years since the beginning of the ‘Arab Spring,’ North African theatre...
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“Love And Other Demons” Tells A Haunting Tale Through Magical Realism
The opera, which is based on a short story by Colombian writer Gabriel García Márquez, finally...
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Interview With Oliver Chris: “I’ve Lived My Whole Life With People Saying ‘When Are You Going to Be Prince William?’”
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
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“Speed Show: Drifting Internet Café”: Diary of a Cyborg Theatre Production in Beijing
In Shuzo Oshimi’s comic series, Drifting Net Café, the protagonist runs into his first love from...
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MITsp 2017 – To Provoke Theatre, Politics, and Reflection
One can be surprised to see the brief life of MITsp (Mostra Internacional de Teatro de São Paulo)...
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PETA’s “The Care Divas” and The Ethics of Care
First staged in 2010 at the Philippine Educational Theater Association (PETA) Theater Center in...
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Cheek by Jowl’s “The Winter’s Tale” – A Stone, A Woman, A Journey
Molly Ziegler reviews Cheek by Jowl’s adaptation of The Winter’s Tale at Glasgow’ Citizen’s Theatre.
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