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Theatre Without Borders: Dharamshala Residential International Festival of Theatre

Posted by Padmini Manon | 23rd Apr 2017 | Festivals, India

In Dharmasala, a new festival that collapsed the boundaries between audience, players and...

Adapting for Transmedia – Part II

Posted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom

Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...

Adapting For Transmedia – Part I

Posted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom

Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...

Desacralization of Context in Modern Indian Theatre

Posted by Partha Sarathi Gupta | 21st Apr 2017 | India

Philosophical deliberations upon the relationship of literature with theology have become...

Theatre du Pif’s “The Oedipus Project” Experimentally Explores Seneca’s “Oedipus” at Cattle Depot in Hong Kong Through Ted Hughes’ Words.

Posted by Clement Lee | 21st Apr 2017 | Hong Kong

Theatre du Pif’s devised work on Seneca’s Oedipus, with the English version by Ted Hughes, is the...

“Fela! On Broadway” Transcends Shores With Afrobeats

Posted by Tobi Adebowale | 20th Apr 2017 | Musical Theatre, Nigeria

Fela Anikulapo-Kuti probably belonged to a class of the society – the poor and those who...

“Untangled”: Gender-focused Comedy Brings Realities of Egyptian Youth to Stage

Posted by Soha Elsirgany | 20th Apr 2017 | Egypt, Theatre and Gender, Theatre for Young Audiences

The play Untangled (Hal El-Dafayer) was staged at Cairo’s Hosapeer Theatre last week, where...

Conversation with Mauricio Kartún, Argentinian Playwright and Director

Posted by Veronica Stewart | 20th Apr 2017 | Argentina, Directing, Interview

Born in San Martín, Buenos Aires province, Argentina in 1946. Plays: Sacco y Vanzetti (1992), El...

“Life…A Bitter Truth” and Gender Equality in India

Posted by Diwan Singh Bajeli | 19th Apr 2017 | India, Theatre and Gender

Rajesh Babbar’s Life…A Bitter Truth emphasizes the need to fight against oppression to...

“Immersive Woyzeck”: A Directorial Memoir

Posted by Izumi Ashizawa | 19th Apr 2017 | Directing, Immersive Theatre, United States of America

“From now on, you answer me ‘yes, sir, or no sir.’ Do you understand?” The actor in the attire of...

“The (R)evolution of Steve Jobs” at the Guggenheim

Posted by Marcina Zaccaria | 19th Apr 2017 | New York, Theatre and Opera, United States of America

Creators of The (R)evolution of Steve Jobs appeared at the Guggenheim to discuss the creation of...

What Role Can Art Play in Politics?

Posted by Florian Malzacher | 18th Apr 2017 | Germany, Participatory Theatre, Theatre and Politics

Suddenly there is this persistent call for an art that is useful, for direct commitment, for...

“Consent”: A New Play About a Rape Case That Makes Audiences the Jury

Posted by Alice Jones | 18th Apr 2017 | Theatre and Gender, United Kingdom

In the airy sitting room of a nice house, a group of friends are catching up over a glass of wine....

“Ashes Afar”–Andreaa Bortun’s Corruscatingly Intense Anatomy Of Migration

Posted by Margaret Drummond | 17th Apr 2017 | Review, Romania

What do we mean by “home?” This is the central question posed by Romanian playwright...

Why Decolonization Means The Possible End Of Shakespeare In South Africa’s Schools

Posted by Natasha Joseph and Chris Thurman | 17th Apr 2017 | South Africa, Theatre and Decolonization, Theatre for Young Audiences

South Africa’s education authorities are reviewing the school curriculum. Basic Education Minister...

“Guards at the Taj” at the Bush Theatre

Posted by Aleks Sierz | 17th Apr 2017 | Review, United Kingdom

The Bush is back! After a whole year of darkness, the West London new writing venue has reopened...

Good Friday Essay: Passion Plays and The Ethics of Spectacular Violence

Posted by Paul Megna | 16th Apr 2017 | Australia, Worldwide

In 1985 Filipino carpenter Ruben Enaje fell three storeys and remarkably, survived. To give thanks...

“Made in India” by Tamasha Theatre Company Tackles the Subject of Fertility and Surrogacy

Posted by Aleks Sierz | 16th Apr 2017 | Review, Theatre and Gender, United Kingdom

Tamasha is a touring company that specializes in cultural diversity. It nurtures new writers and...

Theatre Adaptation of “The Forty Rules of Love” Opens at Cairo’s Salam Theatre

Posted by The Theatre Times | 16th Apr 2017 | Egypt

The highly anticipated Arabic stage adaptation of Elif Shafak’s bestselling novel The Forty Rules...

Complicite/Simon McBurney West Coast Premiere of “The Encounter” at The Wallis (Beverly Hills)

Posted by Lauren Deutsch | 15th Apr 2017 | Transmedia, United Kingdom

If your vacations haven’t been focused on interaction with indigenous shamans (as have many of...

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Latest

Theatre Without Borders: Dharamshala Residential International Festival of Theatre

Adapting for Transmedia – Part II

Adapting For Transmedia – Part I

Desacralization of Context in Modern Indian Theatre

Theatre du Pif’s “The Oedipus Project” Experimentally Explores Seneca’s “Oedipus” at Cattle Depot in Hong Kong Through Ted Hughes’ Words.

“Fela! On Broadway” Transcends Shores With Afrobeats

“Untangled”: Gender-focused Comedy Brings Realities of Egyptian Youth to Stage

Conversation with Mauricio Kartún, Argentinian Playwright and Director

“Life…A Bitter Truth” and Gender Equality in India

“Immersive Woyzeck”: A Directorial Memoir

“The (R)evolution of Steve Jobs” at the Guggenheim

What Role Can Art Play in Politics?

“Ashes Afar”–Andreaa Bortun’s Corruscatingly Intense Anatomy Of Migration

Why Decolonization Means The Possible End Of Shakespeare In South Africa’s Schools

“Guards at the Taj” at the Bush Theatre

Good Friday Essay: Passion Plays and The Ethics of Spectacular Violence

“Made in India” by Tamasha Theatre Company Tackles the Subject of Fertility and Surrogacy

Theatre Adaptation of “The Forty Rules of Love” Opens at Cairo’s Salam Theatre

Complicite/Simon McBurney West Coast Premiere of “The Encounter” at The Wallis (Beverly Hills)

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