Theater Review: Arthur Miller’s “The Price”
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
Read MorePosted by Rachel E. Diken | 29th Apr 2017 | New York, Review, United States of America
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
Read MorePosted by Minakshi Kaushik | 29th Apr 2017 | India, Theatre and Gender
Indian Women’s Performance Art: Un-coding Gender and Sexuality Performance Art’s...
Read MorePosted by Brie McFarlane | 29th Apr 2017 | Canada, Theatre and Gender
Season 3 of Ottawa’s TACTICS (Theatre Artists Collective: The Independent Series) opened with The...
Read MorePosted by Matteo Quinto | 28th Apr 2017 | Italy, Theatre and Politics
Credoinunsolodio is a play by Stefano Massini, the Italian playwright and director and winner of...
Read MorePosted by Barbara Behrendt | 28th Apr 2017 | Acting, Germany, Interview
The actress Sophie Rois on performing without a role, the life of an actress at the Berlin...
Read MorePosted by Alfonso Vázquez | 28th Apr 2017 | Adaptation, Spain
Lorca’s first play contains beautiful verses. However, its characters, a group of insects did not...
Read MorePosted by KaiChieh Tu | 27th Apr 2017 | Dramaturgy, Netherlands, New York, Transcultural Collaborations
Intimacy burns. A couple pummels each other in an endlessly repetitive cycle from which there is...
Read MorePosted by Andrew Edwards | 27th Apr 2017 | Dramaturgy, Interview, Scotland, Theatre for Young Audiences, United Kingdom
A conversation about dramaturgy, storytelling and outside eyes with Shilpa T-Hyland, co-artistic...
Read MorePosted by Ali Pour Issa | 26th Apr 2017 | Adaptation, Iran
How do Iranian artists adapt Shakespeare’s drama? The Iranian directors, Mohammad Aghebati and...
Read MorePosted by Jessica Rizzo | 26th Apr 2017 | New York, Review, United States of America
In the closing moments of Richard Maxwell’s Samara, the audience is plunged into near-total...
Read MorePosted by Göksu Kunak | 25th Apr 2017 | Africa, Egypt, LGBTQ+ Theatre
The term ‘freak’ thus refers not only to bodies, but also to denormalizing social...
Read MorePosted by Namrata Chaturvedi | 25th Apr 2017 | India
In the 1950s, the National School of Drama was set up in India as a cultural organization...
Read MorePosted by The Theatre Times | 24th Apr 2017 | Argentina, Interview, Poland, Polish Theatre Abroad, Theatre and Opera, Transcultural Collaborations
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
Read MorePosted by Nagihan Haliloglu | 24th Apr 2017 | Adaptation, Turkey
State Theatre revived Kenan Işık’s adaptation of Ahmet Hamdi Tanpınar’s Huzur, or A...
Read MorePosted by Aleks Sierz | 24th Apr 2017 | Review, Theatre and Politics, United Kingdom
The idea of the plague has a powerful metaphorical aura. Antonin Artaud used it in his seminal...
Read MorePosted by Aleks Sierz | 23rd Apr 2017 | Review, Theatre and Gender, United Kingdom
It’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine...
Read MorePosted by David McAlpine | 23rd Apr 2017 | Theatre and Science, United Kingdom
C.P. Snow’s pessimistic view of “two cultures” – the arts and the sciences at war with each other,...
Read MorePosted by Sally Guyoncourt | 23rd Apr 2017 | Design, United Kingdom
A new theatre which can adapt its auditorium to suit each play is to open this autumn with a...
Read MorePosted by Aleks Sierz | 23rd Apr 2017 | Review, United Kingdom
One good reason to visit the theatre is to see stars in the flesh. And some of the biggest celebs...
Read MorePosted by Padmini Manon | 23rd Apr 2017 | Festivals, India
In Dharmasala, a new festival that collapsed the boundaries between audience, players and...
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