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Gatekeepers: Imagining Non-Traditional Leadership In The Arts

Posted by Kate Marsh and Jonathan Burrow | 10th Oct 2017 | Management, Theatre and Disability, United Kingdom

Those in power positions or the “gatekeepers” (funders, policymakers, artistic...

Disability And The Arts – A Separate Sector?

Posted by Kate Marsh and Jonathan Burrow | 9th Oct 2017 | Theatre and Dance, Theatre and Disability, United Kingdom

The notion of “dance and disability” as a sector of the arts in its own right is both...

A Collection of Scattered Memories

Posted by Vikram Phukan | 9th Oct 2017 | Adaptation, India

This year’s eclectic Aadyam spread can certainly not be faulted in terms of its curation. From a...

Ancestry, Storytelling, And Fighting Racism With Rap

Posted by William Peterson | 9th Oct 2017 | Australia, Theatre and Politics

“We are our ancestors’ unfinished sentences, we are their wildest dreams and their most elaborate...

“Jane Eyre” at the National Theatre

Posted by Aleks Sierz | 8th Oct 2017 | Adaptation, London, Review, United Kingdom

Jane Eyre is one of those mythical stories that make their home in your imagination. Where they...

“Hitler And Hitler” Review

Posted by Joe Crompton | 8th Oct 2017 | Hungary, Theatre and Politics

Hitler And Hitler is a surrealistic farce, based on the play by the controversial Russian author...

Singhasaner Kshayrog: A Daring Production of a Play, Relevant At All Times

Posted by Ketaki Datta | 8th Oct 2017 | India

Nandimukh is a popular theatre-group which has kept the audience of Bengal mesmerized since the...

Complicité: Intermingling Literary And Theatrical Conventions

Posted by Tomasz Wiśniewski | 7th Oct 2017 | Adaptation, Dramaturgy, United Kingdom

Among numerous interests of dramaturgy, intense performativity of literature, on the one hand, and...

Rehearsing Transformation In An American Prison

Posted by Nick Fesette and Bruce A. Levitt | 6th Oct 2017 | Devised Theatre, New York, United States of America

The weekly meetings of the Phoenix Players Theatre Group (PPTG) always begin and end with an...

“Sex with Strangers” – To the Meeting of True Egos

Posted by Donald Brown | 5th Oct 2017 | United States of America

Two writers meet at a writer’s retreat in Michigan during a blizzard. She—Olivia (Jessica Love)—is...

My Translation Odyssey: Translating Alexandra Badea’s “The Pulverised”

Posted by William Gregory | 5th Oct 2017 | France, Romania, Translation, United Kingdom

Currently performing with the Royal Shakespeare Company, Lucy Phelps is an actor and translator...

Cynical Messages As Well As Positive Values: New Drama Festival Report

Posted by Milo Juráni | 5th Oct 2017 | Dramaturgy, Festivals, Slovakia

In the 2015 Divadelná Nitra International Festival bulletin, the curators of the Slovak section of...

“The Vanek Trilogy”–Revisiting The Czech Living Room Theatre Tradition–An Interview With Renata Clark

Posted by Borimir Totev | 5th Oct 2017 | Czech Republic, News, Theatre and Politics

With two more dates left (October 7th and November 25th) the Vanek Trilogy: Living Room Soirees–an...

Puppet BloK: A Series Of Ground-Breaking New Works

Posted by Krista Jarboe | 4th Oct 2017 | Devised Theatre, New York, Puppetry, United States of America

Dixon Place is known for their commitment to supporting the creative process as well as hosting...

When We Arrive, Cuando lleguemos: Cara Mía’s “Deferred Action” In Houston

Posted by Trevor Boffone | 3rd Oct 2017 | Theatre and Politics, United States of America

David Lozano and Lee Trull’s critically acclaimed play Deferred Action is coming to Talento...

“Warholcapote” – Their World Of Celebrity, Competition, Conversation, Art, And Friendship

Posted by Jane Baldwin | 3rd Oct 2017 | Adaptation, Boston, United States of America

As its title seems to indicate, Warholcapote, a two-character play revolves around a relationship...

“The Knowledge” at Charing Cross Theatre

Posted by Aleks Sierz | 2nd Oct 2017 | Adaptation, London, Review, United Kingdom

The black cab is such an iconic symbol of London that it’s easy to forget that inside every taxi...

“Beckett In The City”

Posted by Jonathan Kalb | 2nd Oct 2017 | Adaptation, New York, Review, United States of America

From Brecht’s plan to project films of Marxist revolutions behind Didi and Gogo in Waiting For...

David Storey’s “The March On Russia” at Orange Tree Theatre

Posted by Aleks Sierz | 1st Oct 2017 | Acting, Playwriting, Review, United Kingdom

The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...

Maria Alexandrova: The Bolshoy Prima On Life, Dance, And The London Russian Ballet School

Posted by Valeria Stračevská | 1st Oct 2017 | Interview, Russia, Theatre and Dance

Recently London was abuzz with the new project of the London Russian Ballet School — The Romantic...

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Latest

Gatekeepers: Imagining Non-Traditional Leadership In The Arts

A Collection of Scattered Memories

Ancestry, Storytelling, And Fighting Racism With Rap

“Jane Eyre” at the National Theatre

“Hitler And Hitler” Review

Singhasaner Kshayrog: A Daring Production of a Play, Relevant At All Times

Complicité: Intermingling Literary And Theatrical Conventions

Rehearsing Transformation In An American Prison

“Sex with Strangers” – To the Meeting of True Egos

My Translation Odyssey: Translating Alexandra Badea’s “The Pulverised”

Cynical Messages As Well As Positive Values: New Drama Festival Report

“The Vanek Trilogy”–Revisiting The Czech Living Room Theatre Tradition–An Interview With Renata Clark

Puppet BloK: A Series Of Ground-Breaking New Works

When We Arrive, Cuando lleguemos: Cara Mía’s “Deferred Action” In Houston

“Warholcapote” – Their World Of Celebrity, Competition, Conversation, Art, And Friendship

“The Knowledge” at Charing Cross Theatre

“Beckett In The City”

David Storey’s “The March On Russia” at Orange Tree Theatre

Maria Alexandrova: The Bolshoy Prima On Life, Dance, And The London Russian Ballet School

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