The House That Geoff Sobelle Built: Questioning The Fundamentals Of Everyday Life In “Home”
In Home, Geoff Sobelle and company, under the skillful direction of Lee Sunday Evans, create a...
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On Words In Motion: “Brodsky/Baryshnikov”
In scholarly debates on contemporary theatre, the question about language has primary importance....
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“Brodsky/Baryshnikov” – Poetry in Motion
On a Sunday afternoon at the Cutler Majestic in Boston, Brodsky/Baryshnikov had its final Boston...
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“Black Inscription” – A New Multimedia Love Song Cycle Premieres at Prototype
“To dive we must forget the surface fuss… Ignore all surface fuss.. Ignore the surface…” -From...
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“Acquanetta” – A New Film Noire Opera at Prototype Festival
Of the two reviewers, Waters saw Captive Wild Woman, the movie the opera is based on, the morning...
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Masked Dancing: Javanese Tales on Stage
As an event it was spectacular; as dance, it swirled past the barriers of culture and language. As...
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Flock Theatre Presents “Long Day’s Journey Into Night” In The Monte Cristo Cottage
On the first night of rehearsal in the Monte Cristo Cottage in New London, CT, Flock Theatre...
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Fredric Mao Blasts Away Convention in a New Cantonese Opera
This article is brought to you by the 46th edition of the Hong Kong Arts Festival. If all you know...
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“The Neighbor’s Grief is Greener”: A Dark Domesticity
A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring...
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From Script To Stage: Sustaining The Rhythm In Performing Art In Nigeria
Can rhythm in theatre performances be sustained? Composing a moist and spicy story could be quite...
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Interview With Mickey Rowe: A Leader In Autism Representation On Stage
This fall, Mickey Rowe was the first autistic actor to play Christopher Boone, the autistic main...
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“My Mum’s A Twat” at The Royal Court
What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...
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“Iyov” Premieres At The Prototype Festival
When a show begins I find it difficult for me to be present. Almost, as if, I’m like...
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A Theoretical Polarization Between Performability Versus Readability Or Towards “The Metaphysics Of A (Play) Text?”
In this essay, I want to discuss the interface the Semiotics of Theater and Theater Translation as...
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Colliding Traditions Keep Chinese Opera Alive and Well
Chinese opera is as expansive and diverse as China itself – and it continues to thrive in the face...
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“What A Young Wife Ought To Know”: Birth Control Docudrama
Hannah Moscovitch’s play What A Young Wife Ought To Know, which is based on a compilation of...
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“Mandelshtam-Fest” – Theatre and Poetry Festival in Voronezh, Russia
The second “Mandelshtam-Fest” took place at Voronezh Chamber Theatre on December 8–10, 2017....
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“The Grift”: Theatre or Escape Room?
Theatre as a concept is related to the idea of “play.” After all, scripts are plays...
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“The Birthday Party” – Revival at Harold Pinter Theatre
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
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Sin Muros: Interview With “Living Sculpture” Playwright Mando Alvarado
While native Texas playwright Mando Alvarado now lives in Los Angeles working in theatre,...
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