“The Curious Incident Of The Dog In The Night-Time” Trades Deadpan For High-octane
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
Read MorePosted by Sandra D'urso | 21st Jan 2018 | Adaptation, Australia, Melbourne, Review
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
Read MorePosted by Leith Taylor | 21st Jan 2018 | Australia, Management, News
Where do the boundaries lie between exploring every possibility an acting role offers and still...
Read MorePosted by Jozefina Komporaly | 20th Jan 2018 | Essay, Hungary, London, Romania, Translation, United Kingdom
In November 2017, a world premiere by one of the Hungarian language’s leading playwrights...
Read MorePosted by Kee-Yoon Nahm | 20th Jan 2018 | Review, South Korea, Theatre and Politics
The word dongpo, a term that refers affectionately to the sizable Korean immigrant community...
Read MorePosted by Nobuko Tanaka | 20th Jan 2018 | France, Japan, Review, Theatre and Dance
Is the French choreographer Jerome Bel a trailblazer or an enfant terrible of the contemporary...
Read MorePosted by Marjan Moosavi | 19th Jan 2018 | Essay, Immersive Theatre, Iran
Yuval Sharon was recently awarded a MacArthur Fellowship “genius grant” for...
Read MorePosted by Trevor Boffone | 19th Jan 2018 | Festivals, Interview, Playwriting, United States of America
This February, playwright Bernardo Cubría’s Neighbors: A Fair Trade Agreement will receive a...
Read MorePosted by Taurie Kinoshita | 18th Jan 2018 | Acting, Hawaii, Interview, Transcultural Collaborations
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
Read MorePosted by Taurie Kinoshita | 18th Jan 2018 | Essay, Hawaii, Transcultural Collaborations
Though I never met my great-grandfather, I was told he was fond of saying “Lucky we come...
Read MorePosted by Wes Drummond | 17th Jan 2018 | Chicago, Review, Theatre and Politics
“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...
Read MorePosted by Rebekah Unsworth | 17th Jan 2018 | Design, Interview, New York, Theatre and Disability, United States of America
Tectonic Theater Company’s latest production at the Sheen Center in New York, Uncommon Sense,...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | Dramaturgy, Review
A man in all-black production attire shoots an audience with a camcorder in an almost...
Read MorePosted by William Gregory | 16th Jan 2018 | France, News, Playwriting, Spain, Translation
Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | India, Review, Theatre and Gender
This week marks five years since the nationwide Nirbhaya protests sparked off in the country, with...
Read MorePosted by Nicole Birmann Bloom | 15th Jan 2018 | France, Interview
Camille Boitel trained at an early age at Ecole de Cirque with Annie Fratellini, and then...
Read MorePosted by Ahram Online | 14th Jan 2018 | Egypt, News, Playwriting
The latest play by the Modern Theatre troupe, titled Forsa Saeeda (Nice To Meet You), has opened...
Read MorePosted by Zoe Anderson | 14th Jan 2018 | News, Theatre and Dance, United Kingdom
Windrush: Movement of the People Phoenix Dance Theatre marks the 70th anniversary of the journey...
Read MorePosted by Iris Winston | 13th Jan 2018 | Canada, Directing, Review
Social responsibility and time, two of J.B. Priestley’s major preoccupations, are at the center...
Read MorePosted by Anna Królica | 13th Jan 2018 | Essay, Poland, Theatre and Dance
It is an interesting coincidence that 1973 saw the creation of both Pina Bausch’s Tanztheater...
Read MorePosted by Kee-Yoon Nahm | 13th Jan 2018 | Review, South Korea, Theatre and Art, Transmedia
In 2007, visual artist Jewyo Rhii and curator Hyunjin Kim held an unusual exhibition titled Ten...
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