World’s Largest Theatre Fest Comes To Mumbai
On the road for 36 days, the 8th Theatre Olympics reaches the city later this month for its last...
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How Does Poland Celebrate Its Independence Through Opera?
Poland in 2018 marks the centenary of the restoration of its sovereignty. The biggest national...
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“Anæsthesia Transopera” – Interactive Transmedia Opera
In 2016 the art & science collective Dæd Baitz (Agnieszka Jelewska, Michał Krawczak, Paweł...
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“Post-Apocalypsis”: The Ecology of Performance
The interactive installation Post-Apocalypsis was designed as part of the Polish pavilion at the...
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Humanities/Art/Technology Research Center: Combining Theatre, Art, and Engineering
The Humanities/Art/Technology Research Center was founded in 2011 at Adam Mickiewicz University in...
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Living And Breathing History, Through Noh
Noh performer Hisa Uzawa has spent her life devoted to an art form that—with its slow and steady...
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“Goodbye, Mr. Yi Sang”: Seoul Performing Arts Company’s New Experiment
Theatre adaptations of novels are on the rise this season. Of course, this is nothing new....
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A Place To Be Seen: Global Queer Plays At The Arcola Theatre
On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...
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“Idomeneus”: Digging For Truth In Myth
In the end, it’s all about the story. The story you remember, the story you want to tell,...
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Divine Comedy Festival 2017 Review: “Cezary Goes To War”
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
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Disability And The Arts To Be Discussed Within D-CAF
In line with the Downtown Contemporary Arts Festival’s (D-CAF) commitment to addressing the...
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Why I Can’t Accept “Amy And The Orphans”
What do you do with a disabled child you can’t emotionally support? While not the biggest question...
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Opera Forward Festival: Amsterdam, March 2018
If you ask any resident of Amsterdam: “how did the National Opera House look from the...
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“Lessons Learnt” By A Professional Translator–Adapting The Same Play Three Times Over Three Years
I have just finished translating Mikhail Durnenkov’s The War Hasn’t Yet Started for the third time...
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When It’s Written On Your Face: Teatr 21 And The Paradox Of Invisibility
The discussions framing social theatre are all too often carried out in the language of public...
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Dairakudakan’s “Unearthly” Butoh Meets A Tortured Russian tale
Following a January press conference in which the New National Theatre, Tokyo, announced that...
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American Actors Give New Voice To French Theater
As a young French director visiting New York with his theater troupe, Paul Desveaux hardly...
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Confronting The Limits: Konfrontacje Festival 2017
The famous Polish critic Konstanty Puzyna once mused, “Why the hell even write about theatre if...
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“Buggy Baby” at The Yard Theatre: How Can You Represent Trauma in The Theatre?
How can you represent trauma in the theatre? Let’s count the ways: the naturalistic way tells a...
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Gore Vidal’s “The Best Man” at The Playhouse Theatre: Is It Possible to Get Too Much of American Politics?
Is it possible to get too much of American politics? With Donald Trump’s daily tweets invading our...
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