“Silence” At The NAC: The Romantic Life Of A Couple Behind The Invention Of The Telephone
Silence brings to the spotlight the romantic life of the husband and wife behind the invention of...
Read MorePosted by Ryan Pepper | 8th Nov 2018 | Canada, Review
Silence brings to the spotlight the romantic life of the husband and wife behind the invention of...
Read MorePosted by Michael Appler | 8th Nov 2018 | LGBTQ+ Theatre, New York, Review, United States of America
Queer spaces, Miranda Rose Hall suggests, are uniquely suited to plot the points of sexual development, to explore the dynamic, malleable nature of identity. Queer sex not as negotiation or imitation, but as creation and innovation.
Read MorePosted by Michael Appler | 8th Nov 2018 | New York, Review, United States of America
Beyond the guises of harvest festivity, more sinister fates are at work. Holy vows have been broken. Betrayals and tragic sin done. Promises not made, innocent slain and wars unwon.
Read MorePosted by Michael Appler | 8th Nov 2018 | LGBTQ+ Theatre, New York, Review, United States of America
You may find that this glorious Broadway revival, led by Michael Urie and Mercedes Ruehl in the same theater where it opened over 35 years ago, burns a softer flame — no less bright, for sure, but perhaps a bit more tender, lit for a time when a drag queen poised before a Broadway audience, while no less political, is imaginably less avant-garde.
Read MorePosted by Dimitris Tsatsoulis | 7th Nov 2018 | Greece, Review
Euripides’ Ion – Director: Ioli Andreadi – “Alfa Idea” Theatre – Athens Staging...
Read MorePosted by Iris Winston | 7th Nov 2018 | Canada, Review
Cliffhanger by James Yaffe in Ottawa Little Theatre. As the plot of Cliffhanger unfolds gently, it...
Read MorePosted by Michael Appler | 7th Nov 2018 | New York, Review, United States of America
While Eve’s Song hopes to confront systemic issues of violence and race in America, it looks to do so amidst the microscopic setting of the family table — not a microcosm of these problems but an island that seeks to distance itself from them.
Read MorePosted by Alice Jones | 6th Nov 2018 | London, Musical Theatre, Review, United Kingdom
This is a game-changer. “Radical update” is a phrase that is all too often bandied about in...
Read MorePosted by Jane Baldwin | 6th Nov 2018 | Boston, Review, Theatre and Politics, United Kingdom
David Meyers’ We Will Not Be Silent, now playing at the New Repertory Theatre at the Mosesian...
Read MorePosted by Aleks Sierz | 6th Nov 2018 | London, Review, United Kingdom
In 2017, playwright Nina Raine’s Consent, an excellent National Theatre play about lawyers and...
Read MorePosted by Juno Schwarz | 5th Nov 2018 | Adaptation, London, Review, United Kingdom
First published in 1943 in New York, the story of the little prince and his travels hasn’t lost...
Read MorePosted by Huw Griffiths | 5th Nov 2018 | Adaptation, Australia, Review, Sydney
The fitness of Henrik Ibsen’s plays to address the political questions of our modern lives renews...
Read MorePosted by Aleks Sierz | 4th Nov 2018 | London, Review, United Kingdom
Two countries; two histories. Being black in the US; being black in the UK. Compare and contrast....
Read MorePosted by Haylin Cai | 3rd Nov 2018 | China, Chinese Theatre Abroad, London, Review, Transmedia, United Kingdom
Exploring the common phenomenon of livestream communication in modern society, the performance...
Read MorePosted by Abigail Weil | 2nd Nov 2018 | New York, Review, United States of America
What forces in today’s society will retain their power three hundred years into the future?...
Read MorePosted by Jonathan Kalb | 2nd Nov 2018 | Interview, Musical Theatre, New York, Review, Theatre and Disability, Transcultural Collaborations, United States of America
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
Read MorePosted by Miranda Laurence | 2nd Nov 2018 | Dance Umbrella 2018, Festivals, London, Review, Theatre and Dance, United Kingdom
Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...
Read MorePosted by Michael Appler | 1st Nov 2018 | New York, Review, United States of America
Joe Papp would be proud had he lived to see what his Mobile Theater had become: a brimming, joyous sanctuary of inclusivity and plurality, of Shakespearean excellence armed with subtle and striking mindfulness, no longer a struggling caravan of the American theater’s earliest pioneers, but a rag-tag group of brilliant players all the same.
Read MorePosted by Aleks Sierz | 1st Nov 2018 | London, Review, United Kingdom
On the morning when this stylish revival of Martin Crimp’s 1988 play opens, I wake up to the news...
Read MorePosted by Robyn Grant-Moran | 31st Oct 2018 | Canada, Review
After attending a rehearsal and speaking with playwright Jani Lauzon and director Marjorie...
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