Coronada and the Bull Return to the Stage
Francisco Nieva (1924-2016) ranks amongst the most respected Spanish playwrights of the second...
Read MorePosted by María Bastianes and Duncan Wheeler | 18th Dec 2023 | Playwriting, Review, Spain
Francisco Nieva (1924-2016) ranks amongst the most respected Spanish playwrights of the second...
Read MorePosted by Emilija Kvočka | 18th Dec 2023 | Festivals, Review, Serbia
The international, regional festival of contemporary theatre Desiré, which takes place in Subotica...
Read MorePosted by Mert Dilek | 17th Dec 2023 | London, Review, Theatre and Politics, United Kingdom
An American actor, an English director, and a Northern Irish playwright walk into a house in...
Read MorePosted by Vassili Schedrin | 13th Dec 2023 | Featured, New York, Review, United States of America
Cruel war rages on without an end; another bloody war has just started. This is our world today....
Read MorePosted by Rhiannon Ling | 12th Dec 2023 | New York, Review, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
“I do not know how to write,” Agnieszka Kazimierska’s Katie tells her audience. At this...
Read MorePosted by Girish Shrivastava | 8th Dec 2023 | India, Review
Metamorphosis, staged at the Studio Theatre of the Department of Performing Arts, Pondicherry...
Read MorePosted by Aleks Sierz | 7th Dec 2023 | Playwriting, Review, Russia, Theatre and Age, United Kingdom
The recent news that Russia’s Supreme Court has banned the “international LGBT movement”,...
Read MorePosted by Alexander Howard | 1st Dec 2023 | Adaptation, Australia, Review
Russian writer Mikhail Bulgakov’s cult novel The Master and Margarita has inspired many artists....
Read MorePosted by Martin Blaszk | 29th Nov 2023 | Brazil, Poland, Review
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
Read MorePosted by Soo Ryon Yoon | 26th Nov 2023 | Review, South Korea, Theatre and AI, Theatre and Dance
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Read MorePosted by Aleks Sierz | 25th Nov 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide
Journalism is a despised profession. And when you consider the story behind the interview that...
Read MorePosted by Rhiannon Ling | 20th Nov 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MorePosted by David Turner | 20th Nov 2023 | Documentary Theatre, Review, United Kingdom
Dear England, a play about football manager Gareth Southgate, immaculately encapsulates the light...
Read MorePosted by Verity Healey | 19th Nov 2023 | Kosovo, Review, Theatre and Politics
A persistent theme in this year’s Kosovo Theatre Showcase has been remembrance. A takeaway from...
Read MorePosted by Rhiannon Ling | 14th Nov 2023 | Adaptation, New York, Review, United States of America, Worldwide
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
Read MorePosted by Verity Healey | 13th Nov 2023 | Kosovo, Review, Theatre and Politics
The Shadow Garden, part of this year’s Kosovo Theatre Showcase, seems an almost impossible task to...
Read MorePosted by Victoria Chen | 10th Nov 2023 | Review, United Kingdom
One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...
Read MorePosted by Verity Healey | 8th Nov 2023 | Kosovo, Review, Theatre and Politics
There are wars, and then there are post wars, the kind of which take place around the negotiating...
Read MorePosted by Verity Healey | 6th Nov 2023 | Dramaturgy, Kosovo, Review
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
Read MorePosted by Aleks Sierz | 5th Nov 2023 | London, Review, United Kingdom
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026