Review Archives - Page 133 of 140

Commercial Theatre in India: “Mr. and Mrs. Murarilal” Comes to Delhi

Posted by Swati Daftuar - The Hindu.com | 10th Sep 2016 | India, Musical Theatre, Producing, Review

With every story he tells and every play he does, producer-director Saif Hyder Hasan takes a risk....

Brecht’s “Mother Courage” at Cairo’s Miami Theatre

Posted by Ahram Online | 9th Sep 2016 | Egypt, Review, Theatre and Politics

The play El-Om El-Shogaa (Mother Courage) opened in Miami Theatre in Cairo on 4 September. The...

South African Artist William Kentridge at The International Performance Festival Foreign Affairs in Berlin

Posted by Barbara Behrendt | 9th Sep 2016 | Festivals, Germany, Review

In July and August 2016, the international performance festival Foreign Affairs in Berlin, which...

Review: “Burning Doors”(Belarus Free Theatre) – “Incinerating The Line Between Performance And Real Life”

Posted by Kata Karah | 8th Sep 2016 | Belarus, Review

Incinerating the line between performance and real life, Belarus Free Theatre’s Burning Doors...

“(Dis)Individuation: (Dis)Concert for Bernard Stiegler” at The Carlos Alberto Theatre

Posted by José Eduardo Silva | 5th Sep 2016 | Portugal, Review

On March 10, 2016, in the Carlos Alberto Theatre (Experimental Theatre of the National Theatre of...

Absurdist, Poignant Slapstick in “En Avant, Marche!”

Posted by Vanessa Tomlinson | 5th Sep 2016 | Australia, Review

David Berthold’s 2016 Brisbane Festival aims to connect artists and audiences in ways that disrupt...

Natak Phatak: A Bold Attempt in Adapting “One Flew Over the Cuckoo’s Nest” to the Bengal Stage

Posted by Ketaki Datta | 31st Aug 2016 | Adaptation, India, Review

Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...

Bangalore Little Theatre’s Latest Play is an Adaptation of a French Classic

Posted by Divya Shekhar | 26th Aug 2016 | Adaptation, Review, Transcultural Collaborations

In the early 1900s in Paris, a farcical play by Georges Feydeau called A Flea In Her Ear went on...

“En las montañas azules” (In the Blue Mountains) at Foro Shakespeare

Posted by Margarita Vargas | 25th Aug 2016 | Mexico, Review

En las montañas azules (In the Blue Mountains) Showing at the Foro Shakespeare in Mexico from June...

“The Merchant of Venice” at Tapan Theatre in Kolkata

Posted by Ketaki Datta | 24th Aug 2016 | India, Review

The Merchant of Venice is a play by Shakespeare, one with which even a school-going child is...

“A Moment of Silence” The Canadian Premiere of an Iranian Play

Posted by Marjan Moosavi | 24th Aug 2016 | Iran, Review, Theatre and Politics

A Moment of Silence written and directed by award-winning Iranian artist Mohammad Yaghoubi was...

“Remedios para Leonora” by Estela Leñero

Posted by Margarita Vargas | 23rd Aug 2016 | Mexico, Review

Remedios for Leonora, by Estela Leñero, is showing at the Círculo Teatral in Condesa. México, from...

Dance Icon Saburo Teshigawara’s “Magic Flute” Brings Abstract Notes To Mozart’s Final Gem

Posted by Nobuko Tanaka | 23rd Aug 2016 | Interview, Japan, Review, Theatre and Opera

Since studying visual arts and sculpture before taking up ballet at the age of 20 in 1973, Saburo...

“Seventeen” at Belvoir – A Brilliant Theatrical Event

Posted by Huw Griffiths | 22nd Aug 2016 | Australia, Review, Sydney, Theatre and Age

Our experience of plays is always profoundly affected by how they end: comedy or tragedy, death or...

Karen Finley for President

Posted by Jessica Rizzo | 22nd Aug 2016 | New York, Review, Theatre and Gender, United States of America

Unicorn Gratitude Mystery, July 31-August 21, The Laurie Beechman Theatre, New York City The...

Dulaang UP in the Philippines Celebrates Shakespeare’s 400th Birthday

Posted by Sir Anril Pineda Tiatco | 21st Aug 2016 | Philippines, Review

REVELATIONS – the theme of Dulaang Unibersidad ng Pilipinas’ 41st season is brought to life...

Theatre Review: “Penetrating Europe, Or Migrants Have Talent”–Fresh, Thoughtful, And A Hell Of A Lot Of Fun

Posted by Paula Erizanu | 20th Aug 2016 | Review, Ukraine

“Laaaadies and gentlemen,” a TV host’s animated voice says out of speakers in the semi-dark, “it’s...

Theatre Review: “All That Remains” (Olesya Khromeychuk/Molodyi Teatr London, 2018)

Posted by Iga Szczodrowska | 19th Aug 2016 | Review, Ukraine

“A Rare Chance Of Grasping A Genuine Perspective About The Conflict In Ukraine”...

The Staged Lives and Times of Two Mining Towns – “Marikana the Musical”

Posted by Alinah Kelo Segobye | 15th Aug 2016 | Musical Theatre, Review, South Africa, Theatre and Politics

I had the opportunity to watch a performance of Billy Elliot – The Musical in Bradford, UK...

“The Chat” Puts Audiences in The Hot Seat

Posted by Alexandra Crosby | 15th Aug 2016 | Australia, Melbourne, Participatory Theatre, Review

As the ethics of punishment are debated in mainstream media, statistics, images and unanswerable...

Review

Commercial Theatre in India: “Mr. and Mrs. Murarilal” Comes to Delhi

Brecht’s “Mother Courage” at Cairo’s Miami Theatre

South African Artist William Kentridge at The International Performance Festival Foreign Affairs in Berlin

Review: “Burning Doors”(Belarus Free Theatre) – “Incinerating The Line Between Performance And Real Life”

“(Dis)Individuation: (Dis)Concert for Bernard Stiegler” at The Carlos Alberto Theatre

Absurdist, Poignant Slapstick in “En Avant, Marche!”

Natak Phatak: A Bold Attempt in Adapting “One Flew Over the Cuckoo’s Nest” to the Bengal Stage

Bangalore Little Theatre’s Latest Play is an Adaptation of a French Classic

“En las montañas azules” (In the Blue Mountains) at Foro Shakespeare

“The Merchant of Venice” at Tapan Theatre in Kolkata

“A Moment of Silence” The Canadian Premiere of an Iranian Play

“Remedios para Leonora” by Estela Leñero

Dance Icon Saburo Teshigawara’s “Magic Flute” Brings Abstract Notes To Mozart’s Final Gem

“Seventeen” at Belvoir – A Brilliant Theatrical Event

Karen Finley for President

Dulaang UP in the Philippines Celebrates Shakespeare’s 400th Birthday

Theatre Review: “Penetrating Europe, Or Migrants Have Talent”–Fresh, Thoughtful, And A Hell Of A Lot Of Fun

Theatre Review: “All That Remains” (Olesya Khromeychuk/Molodyi Teatr London, 2018)

The Staged Lives and Times of Two Mining Towns – “Marikana the Musical”

“The Chat” Puts Audiences in The Hot Seat

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