“The Encounter” Is Merely A Circus Of Distorted Sounds
The Encounter, Simon McBurney’s two-hour intermissionless solo show on Broadway, which many...
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Review
“The Wolves” Explores Character Issues Through Soccer Outside Of The Game
Although the PR images of leaping, lunging and levitating female soccer players seem to promise...
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“DEURnis”: The Anatomy of Intimacy
I enter a suburban house in Capitol Park, Pretoria. A suburban house with a dog. Sculptures in the...
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“Assisted Suicide”: A Musical That Asks Us to Think Critically About the Portrayal of Euthanasia
Earlier this month, Colorado voters approved a ballot that made it the fifth state to legalize...
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“An Inspector Calls”: Blasting Open the Drawing Room
J. B. Priestley’s most famous play An Inspector Calls has had quite an interesting life. Written...
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Theatre Replika: “We Are The Rubbish From Eastern Europe”
“Close your eyes, we are traveling to Sofia now,” we’re told as we stand outside GRAD,...
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Review: “Anastasia” At The Royal Opera House
The Royal Opera House’s production of the real-life mystery of Anastasia comes to a close today....
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Review: “The Nose” At The Royal Opera House
Olfactory perception – Shostakovich conkers? Whilst I am in the moron category regarding love of...
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Holocaust Narratives Set in Motion by Bill T. Jones
Analogy/Dora: Tramontane, Oct. 20-21, 2016, August Wilson Center, Pittsburgh Sixty years after the...
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“The Rime of the Modern Mariner” by The Playground Collective
Adapted by The Playground Collective From the graphic novel by Nick Hayes Based on the epic poem...
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“Request Concert” – Middle-Class Loneliness, Explored Without a Word
It’s hard to think of a play more diabolically suited to the era of reality TV, vanished privacy...
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Korean-German Collaboration “Walls–Iphigenia in Exile” Premieres in Gwangju and Berlin
Walls–Iphigenia in Exile, the result of a four-year collaboration between South Korean and German...
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“The President” Written and Performed by Alexander Sparrow
Unnervingly astute political satire When The President opened in Hamilton then Palmerston North...
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Shades of Love
Recipient of this year’s Sangeet Natak Akademi’s Award for theatre, director Mushtaq Kak’s...
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Performance and Remembering in Cusco: “De pie sobre el espejo” (2005) by Grupo Impulso de Teatro
Cusco’s Grupo Impulso de Teatro remembers twenty years of political violence in Peru with ‘De pie sobre el espejo’ (2005).
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José Rivera Adapts Jean Genet’s “The Maids”
The Maids, September 29-October 23, The INTAR Theatre, New York City Invoking the...
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“Kimartham Draupathy” A Play About Everywoman
Kimartham Draupathy, Aswathy Vijayan’s Sanskrit play, is about predicaments that women face even...
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“The Producers” Revival at Paper Mill Playhouse
The Paper Mill Playhouse’s revival of Broadway hit The Producers received the 2016 Regional...
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“Minutes Flow”: An Ontological Search Through One’s Grandmother
Los minutos se vierten (Minutes Flow), an experimental theater/dance piece, is showing at Teatro...
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In “887,” Robert Lepage Has Built a Memory Palace Out of Theatre
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
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