Natak Phatak: A Bold Attempt in Adapting “One Flew Over the Cuckoo’s Nest” to the Bengal Stage
Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...
Read MorePosted by Ketaki Datta | 31st Aug 2016 | Adaptation, India, Review
Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...
Read MorePosted by Divya Shekhar | 26th Aug 2016 | Adaptation, Review, Transcultural Collaborations
In the early 1900s in Paris, a farcical play by Georges Feydeau called A Flea In Her Ear went on...
Read MorePosted by Margarita Vargas | 25th Aug 2016 | Mexico, Review
En las montañas azules (In the Blue Mountains) Showing at the Foro Shakespeare in Mexico from June...
Read MorePosted by Ketaki Datta | 24th Aug 2016 | India, Review
The Merchant of Venice is a play by Shakespeare, one with which even a school-going child is...
Read MorePosted by Marjan Moosavi | 24th Aug 2016 | Iran, Review, Theatre and Politics
A Moment of Silence written and directed by award-winning Iranian artist Mohammad Yaghoubi was...
Read MorePosted by Margarita Vargas | 23rd Aug 2016 | Mexico, Review
Remedios for Leonora, by Estela Leñero, is showing at the Círculo Teatral in Condesa. México, from...
Read MorePosted by Nobuko Tanaka | 23rd Aug 2016 | Interview, Japan, Review, Theatre and Opera
Since studying visual arts and sculpture before taking up ballet at the age of 20 in 1973, Saburo...
Read MorePosted by Huw Griffiths | 22nd Aug 2016 | Australia, Review, Sydney, Theatre and Age
Our experience of plays is always profoundly affected by how they end: comedy or tragedy, death or...
Read MorePosted by Jessica Rizzo | 22nd Aug 2016 | New York, Review, Theatre and Gender, United States of America
Unicorn Gratitude Mystery, July 31-August 21, The Laurie Beechman Theatre, New York City The...
Read MorePosted by Sir Anril Pineda Tiatco | 21st Aug 2016 | Philippines, Review
REVELATIONS – the theme of Dulaang Unibersidad ng Pilipinas’ 41st season is brought to life...
Read MorePosted by Paula Erizanu | 20th Aug 2016 | Review, Ukraine
“Laaaadies and gentlemen,” a TV host’s animated voice says out of speakers in the semi-dark, “it’s...
Read MorePosted by Iga Szczodrowska | 19th Aug 2016 | Review, Ukraine
“A Rare Chance Of Grasping A Genuine Perspective About The Conflict In Ukraine”...
Read MorePosted by Alinah Kelo Segobye | 15th Aug 2016 | Musical Theatre, Review, South Africa, Theatre and Politics
I had the opportunity to watch a performance of Billy Elliot – The Musical in Bradford, UK...
Read MorePosted by Alexandra Crosby | 15th Aug 2016 | Australia, Melbourne, Participatory Theatre, Review
As the ethics of punishment are debated in mainstream media, statistics, images and unanswerable...
Read MorePosted by Nesma Youssef Idris | 10th Aug 2016 | Egypt, Review, Theatre and Dance
The Egyptian Tanoura Folkloric Dance The Tanoura dance or spectacle is a mystic, Sufi, folkloric...
Read MorePosted by Mara Valderrama | 10th Aug 2016 | Review, Spain
The Economist’s cultural and literary blog Prospero, recently published an interesting article on...
Read MorePosted by David McInnis | 5th Aug 2016 | Australia, Review
While the rest of the world is marking the 400th anniversary of William Shakespeare’s death,...
Read MorePosted by The Theatre Times | 2nd Aug 2016 | LGBTQ+ Theatre, Review, United Kingdom
Caryl Churchill’s new 10-minute play, Pigs and Dogs, just opened at the Royal Court Theatre, under...
Read MorePosted by Marjan Moosavi | 29th Jul 2016 | Festivals, Iran, Review
Hearing by Amir Reza Koohestani to be Performed at Festival d’Avignon, July 21-24, 2016 Iranian...
Read MorePosted by Marjan Moosavi | 28th Jul 2016 | Iran, Review, Theatre and Politics
The Whispers Behind the Battle Line is written by Alirezā Nāderi and directed by Mohammad Rezā...
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