Tom Rachman’s “Basket Of Deplorables”
Basket Of Deplorables By Tom Rachman at Gladstone Theatre. If the definition of satire is: “the...
Read MorePosted by Rajka Stefanovska | 8th Jan 2018 | Adaptation, Books, Review, United States of America
Basket Of Deplorables By Tom Rachman at Gladstone Theatre. If the definition of satire is: “the...
Read MorePosted by Nobuko Tanaka | 7th Jan 2018 | Japan, Review
While 2017 featured many great stage productions and performances, these were among the standouts:...
Read MorePosted by Aleks Sierz | 7th Jan 2018 | London, Review, United Kingdom
History is a good place to talk about our contemporary concerns. And British theatre loves plays...
Read MorePosted by Massimo Malavasi | 7th Jan 2018 | Italy, Review, Theatre and Opera
If you perform Puccini, and Tosca even more, you’re sure of success. The Theatre Comunale di...
Read MorePosted by Michael Breslin | 6th Jan 2018 | LGBTQ+ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America
Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...
Read MorePosted by Yana Meerzon | 6th Jan 2018 | Adaptation, Germany, Review
A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...
Read MorePosted by Kristin Tomecek | 6th Jan 2018 | Chicago, Review, Theatre and Opera, United States of America
Giacomo Puccini’s final and unfinished opera, the exotic fantasy Turandot, gets the Lyric Opera...
Read MorePosted by Jonathan Kalb | 5th Jan 2018 | London, Playwriting, Review, United Kingdom
Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...
Read MorePosted by Yana Meerzon | 4th Jan 2018 | Directing, Germany, Israel, Review
Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...
Read MorePosted by Jessica Rizzo | 3rd Jan 2018 | New York, Playwriting, Review, Theatre and Age, United States of America
The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...
Read MorePosted by Kim Hyang | 31st Dec 2017 | Adaptation, Musical Theatre, Review, South Korea, Theatre and Opera
Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...
Read MorePosted by EfeJota Suárez | 30th Dec 2017 | Review, Spain
Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...
Read MorePosted by Lorena Meeser | 30th Dec 2017 | Adaptation, Italy, Mexico, Review, Theatre and Politics
A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...
Read MorePosted by Yana Meerzon | 29th Dec 2017 | Estonia, Review, Theatre and Politics
A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...
Read MorePosted by Aleks Sierz | 29th Dec 2017 | London, Review, United Kingdom
Is Britain’s welfare system unfit for purpose? Well, all the news channels seem to suggest that...
Read MorePosted by David O'Donnell | 29th Dec 2017 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender
Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...
Read MorePosted by Jacob Juntunen and Dagmara Krzyżaniak | 28th Dec 2017 | Poland, Review, Theatre and Disability, Theatre and Politics
“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...
Read MorePosted by Duška Radosavljević | 27th Dec 2017 | Review, Theatre and Gender, United Kingdom
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
Read MorePosted by Lauren Dubowski | 27th Dec 2017 | Design, Italy, Poland, Review, Theatre and Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
Read MorePosted by Aleks Sierz | 26th Dec 2017 | London, Review, Theatre and Politics, United Kingdom
George Bernard Shaw was a theatrical superman. A critical attack dog, as well as a creator of...
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