Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
Read MorePosted by Aleks Sierz | 22nd Jan 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
Read MorePosted by Morgan Skolnik | 22nd Jan 2025 | New York, Review, Theatre and Disability
The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...
Read MorePosted by Aleks Sierz | 20th Jan 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
Is resilience the most powerful character trait? When you think about the suffering of the...
Read MorePosted by Ilinca Todoruţ | 31st Dec 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read MorePosted by Maria Delgado | 23rd Dec 2024 | Review, Spain
David Trueba’s films have often had a theatrical dimension. La silla de Fernando/ Fernando’s...
Read MorePosted by Maria Delgado | 23rd Dec 2024 | Review, Spain
How to begin to approach a history of the Spanish Civil War for the stage? An ambitious prospect...
Read MorePosted by Ilinca Todoruţ | 23rd Dec 2024 | Japan, Kyoto Experiment 2024, Review
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
Read MorePosted by Maria Delgado | 22nd Dec 2024 | Review, Spain, Theatre and Opera
Gaetano Donizetti’s Maria Stuarda, first produced at Milan’s Teatro alla Scala in 1835, like the...
Read MorePosted by Ilinca Todoruţ | 19th Dec 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
Read MorePosted by Emilija Kvočka | 16th Dec 2024 | Directing, Macedonia, Review
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
Read MorePosted by Ilinca Todoruţ | 13th Dec 2024 | France, Japan, Kyoto Experiment 2024, Review
The enthusiastic applause and standing ovations received by Room with a View from the large...
Read MorePosted by Ilinca Todoruţ | 12th Dec 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review
Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...
Read MorePosted by Heather Waters | 10th Dec 2024 | Musical Theatre, New York, Review, Theatre and Politics
We Live in Cairo, written by The Lazours, is a historical musical set in Egypt during the Arab...
Read MorePosted by Verity Healey | 3rd Dec 2024 | Kosovo, Kosovo Albania Theatre Showcase 2024, Review, Theatre and Politics
Six Against Turkey, at The Kosovo Albania Showcase, is a new satire from playwright Jeton Neziraj...
Read MorePosted by Victoria Zavyalova | 3rd Dec 2024 | Festivals, Review, Theatre and Science, United States of America
How do you explain the concept of childbirth to an alien intelligence, such as that of fungi? Are...
Read MorePosted by Gonca Yalçın | 2nd Dec 2024 | Edinburgh 2024, Festivals, Review, Turkey, United Kingdom
Based on a well-loved Turkish novel by Latife Tekin, Dear Shameless Death – Dirmit by Tiyatro...
Read MorePosted by Morgan Skolnik | 27th Nov 2024 | Musical Theatre, New York, Review, United States of America
Though many people rushed to them post election, the musical of our political moment is not...
Read MorePosted by Verity Healey | 18th Nov 2024 | Documentary Theatre, Kosovo, Kosovo Albania Theatre Showcase 2024, Review
In Flower Sajza, directed by Endri Çela at the National Experimental Theater of Tirana, two women...
Read MorePosted by Verity Healey | 18th Nov 2024 | Kosovo, Kosovo Albania Theatre Showcase 2024, Review, Serbia, Theatre and Gender
Heartefact Fund is a young company based in Serbia. Normally, the company performs in an apartment...
Read MorePosted by Verity Healey | 17th Nov 2024 | Kosovo, Kosovo Albania Theatre Showcase 2024, Review
The Director, a positive character The Critic is a sitter on fences and neither a positive nor...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



