Robbie McCauley, Groundbreaking Playwright and Performer Dies at 79
Robbie McCauley, a groundbreaking playwright and performer has died. She received an OBIE Award...
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Featured
Online Acting Classes? Here Are the Pros and Cons
If you’re an out-of-work actor stuck at home in a lockdown, you’ve probably asked yourself this...
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Experimenting with Virtual Theatre: An Interview with Igor Golyak
Igor Golyak is the Artistic Director of Arlekin Players Theatre. Arlekin Players Theatre has...
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XR | AR | VR: CultureHub on La MaMa’s Coffeehouse Aesthetic, Immersive Art, and Tech-Integrated Theatre
Located in graffiti-laden downtown Manhattan where the East Village and NoHo meet at 47 Great...
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The Theatre Times Launches Third Edition of IOTF: International Online Theatre Festival
ANNOUNCING: IOTF 2021: THE THIRD INTERNATIONAL ONLINE THEATRE FESTIVAL Future Directions: R3 May...
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About “Saving Britney”: Prologue
Uncertainty can sometimes provoke creativity. When the opening of Shereen Roushbaiani’s one-woman...
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A Play Adapted From Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under The Spotlight
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
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Immersive Opera “Laila” at the 50th Hong Kong Arts Festival
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
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The Women Making Waves in Theatre in Africa Part 2
In most parts of Traditional Africa, theatre was a prerogative of the woman. Women were the...
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“We Wish We’d Had This Show When We Were Kids”: Interview With “The Glitter Garden” Playwrights George Fowler and Lori Leigh
The Glitter Garden by George Fowler and Lori Leigh. Directed by Lori Leigh. Circa Theatre,...
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Australia’s Settler and First Nations Histories Meet in The Wild of The Bush in “Dogged”
Review: Dogged, directed by Declan Greene. Griffin Theatre Company in association with Force...
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About “The Separation”
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
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The Pandemic Made Their Women’s Suffrage Play Impossible. But the Show Went On — Virtually
Leaders of the women’s suffrage movement relied on public performance to promote their cause. They...
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A Conversation with Director Ashley Tata
Ashley Tata is a Brooklyn-based director and maker of multimedia works. I had the pleasure of...
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“The Empire Builders:” A Bold Experiment in Alternative Theatre
An intimate listening party of The Empire Builders, an immersive audio production performed by the...
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Nyokabi Macharia: Marching to the Beat of Her Own Drum
Nyokabi Macharia is a Kenyan, performer and all-around lover of life. You know those people who in...
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“Pass Over” – A Sobering and Unflinching Take on African-American Life in America
Performed as part of the Market Theatre’s annual Black History Month Celebrations, which have been...
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By Putting Tensions on Stage, Colleges Aim to Change Campus Culture
The new professor had a choice. He arrived early to a meeting to discover a senior faculty member...
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New Zealand Covid Response Dramatized in Moving Verbatim Play: “Transmission” by Stuart McKenzie
Transmission written by Stuart McKenzie. Directed by Miranda Harcourt and Stuart McKenzie. 20...
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Interview with Ramzi Choukair on Making the Detainees’ Stories Visible on the Stage
Ramzi Choukair is a Syrian-French actor and theater director. After obtaining his degree at the...
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