The Pandemic Nearly Killed Theatre — The Creative Way It Fought Back Could Leave It Stronger
When the UK went into lockdown in 2020, its multibillion-pound theatre industry could have ceased...
Read MorePosted by Stephen Langston | 14th Mar 2022 | Covid-19, Essay, Producing, United Kingdom
When the UK went into lockdown in 2020, its multibillion-pound theatre industry could have ceased...
Read MorePosted by Tanya Vasylkevych | 13th Mar 2022 | Interview, Musical Theatre, Theatre and Politics, Ukraine
Kiev National Academic Operetta’s Theater actors are speaking from the epicenter of war in...
Read MorePosted by Karen Rutter | 12th Mar 2022 | Devised Theatre, Review, South Africa
CLOUDS LIKE WAVES. Written by Megan Choritz. Directed by Megan Choritz and Rudy Nadler-Nir. With...
Read MoreHaving been trained as a theater actor and director, I have been engaged with many kinds of...
Read MorePosted by Sindhu Nagaraj | 10th Mar 2022 | India, Review, Theatre and Gender, Theatre and Science
The Amazing Flabby-Breasted Virgin shows the poor light in which women’s bodies are seen in the...
Read MorePosted by Beverley Brommert | 9th Mar 2022 | Adaptation, Review, South Africa
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
Read MorePosted by Donald Brown | 8th Mar 2022 | LGBTQ+ Theatre, Review, United States of America
At TheaterWorks Hartford, Connecticut, This Bitter Earth, Harrison David Rivers’ drama of love,...
Read MorePosted by Tanya Vasylkevych | 7th Mar 2022 | Interview, Musical Theatre, Theatre and Politics, Ukraine
This conversation with Mariana Bodnar – Ukrainian singer (soprano), musical theater...
Read MorePosted by Tom Mustroph | 6th Mar 2022 | Interview, Moldova, Theatre and Politics
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
Read MorePosted by Natasha Tripney | 5th Mar 2022 | Kosovo, Review, Transcultural Collaborations
Teatri Oda, Prishtina (part of the Kosovo Theatre Showcase) There are more people in the world who...
Read MorePosted by Ilinca Todoruţ | 4th Mar 2022 | Essay, Germany, Theatre and Science, Transmedia, United States of America
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
Read MorePosted by Duška Radosavljević | 3rd Mar 2022 | Acting, London, Review, Translation, United Kingdom
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
Read MorePosted by Duška Radosavljević | 2nd Mar 2022 | Germany, London, Review, Theatre and Science, Transmedia, United Kingdom
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
Read MorePosted by Cristina Modreanu | 1st Mar 2022 | Interview, Theatre and Politics, United States of America
Cristina Modreanu: Your new book, Timelines. writings and conversations, maps out recent...
Read MorePosted by Antonio Hernández | 28th Feb 2022 | Essay, Spain
Theater could be done with almost nothing. A proper stage is not even needed. Two people are...
Read MorePosted by Alexander Nderitu | 27th Feb 2022 | Kenya, Musical Theatre, News
Special awards were also dished out, including a Life Time Achievement Award that went to veteran actor, playwright and educator David Mulwa.
Read MorePosted by Alexander Barkar | 26th Feb 2022 | Design, Directing, Review, Russia
This is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
Read MorePosted by Alexander Barkar | 25th Feb 2022 | Design, Directing, Review, Russia
There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
Read MorePosted by John Freedman | 24th Feb 2022 | Essay, Russia, Theatre and Politics
Vladimir Putin’s decision to recognize two breakaway, Russian-backed republics in Ukraine on...
Read MorePosted by Michael Schweikardt | 23rd Feb 2022 | Education, Interview, Theatre and Dance, United States of America
In March 2020, when we were all quarantined at home, director/choreographer Christie Kerr looked...
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