God Is Alive, Magic Is Afoot
South African performance artist, writer and cultural worker Kopano Maroga interrogates the...
Read MorePosted by Kopano Maroga | 1st Oct 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
South African performance artist, writer and cultural worker Kopano Maroga interrogates the...
Read MorePosted by Kopano Masibi | 29th Sep 2023 | Devised Theatre, Review, South Africa, Theatre and Decolonization
At the University of Pretoria, South Africa’s Student Gallery, I was met with the open space of...
Read MorePosted by Huw Griffiths | 28th Sep 2023 | Acting, Adaptation, Australia, Review, Sydney, Theatre and Politics
It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and...
Read MorePosted by Antonio Hernández | 28th Sep 2023 | Edinburgh 2023, Review, Scotland
Edinburgh in August is a kind of Mecca for theatergoers around the world. It is due to its...
Read MorePosted by Emiliia Dementsova | 27th Sep 2023 | Festivals, Hungary, News
Budapest is becoming a vibrant place and proving highly attractive to theatre lovers. All the...
Read MorePosted by Andrew Agress | 27th Sep 2023 | Immersive Theatre, Interview, New York, United States of America
A long-running immersive horror production returns to New York with ‘Nightmare Dollhouse,’ exploring a surprisingly popular fear.
Read MorePosted by Lisa Monde | 24th Sep 2023 | Musical Theatre, New York, Review, United States of America
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
Read MorePosted by Aleks Sierz | 22nd Sep 2023 | Review, Theatre and AI, United Kingdom
Androids no longer dream of electric sheep — instead they inhabit our dreams. Whether it is novels...
Read MorePosted by Jingyi Zhang | 21st Sep 2023 | News, Theatre and Opera, United States of America
Grammy winner Renée Fleming recently appeared in the two-part immersive opera series Cities That...
Read MorePosted by Trevor Boffone | 21st Sep 2023 | Review, Theatre and Politics, United States of America
In 2019, I sat in the balcony of the Helen Hayes Theatre. My social media circles had been abuzz...
Read MorePosted by Lena Vercauteren | 21st Sep 2023 | Belgium, Interview, Transcultural Collaborations
On a cool July day, in between heat waves, five people gather in a virtual meeting to talk about...
Read MorePosted by Bryce Lease | 20th Sep 2023 | Review, Sweden
In the Lilla scenen of Uppsala Stadsteater (City Theatre), a haunting echo of the past emerged,...
Read MorePosted by The Hindu | 20th Sep 2023 | India, News, Theatre and Decolonization, Theatre and Gender, Worldwide
Mangri Orang, a tea plantation worker, was gunned down by British security personnel in 1921 for...
Read MorePosted by Aleks Sierz | 19th Sep 2023 | Documentary Theatre, India, Review, Theatre and Politics, United Kingdom
Nobodies who kill somebodies: let’s make a list. Okay, there’s Lee Harvey Oswald (JFK), James Earl...
Read MorePosted by Minakhanim Gurbanova | 16th Sep 2023 | Adaptation, Azerbaijan, Review
It has become common practice to spend time on social networks at certain hours of the day,...
Read MorePosted by Narenda Kusnur | 14th Sep 2023 | Festivals, India, News
The Hoshruba Repertory Theatre Festival, which begins on September 12 at Prithvi Theatre in...
Read MorePosted by Rhiannon Ling | 13th Sep 2023 | News, Participatory Theatre, Theatre and Politics, United States of America
When it comes to Wild Home: An American Odyssey, the project is best-described by its subtitle....
Read MorePosted by Aleks Sierz | 11th Sep 2023 | Review, United Kingdom
Remember what a first date feels like? Awkward. Exciting. Awkward. Intriguing. Awkward. Difficult....
Read MorePosted by Annette Balam | 10th Sep 2023 | Review, Transmedia, United Kingdom
Originally Shomit Dutta’s new play Stumped was screened online from 27 September 2022. Streaming...
Read MorePosted by Walter Byongsok Chon | 9th Sep 2023 | Review, South Korea, Theatre and Dance
Writing Using is the most recent work by Ahn Aesoon, one of the most renowned contemporary dancers...
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James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025 

“Tired” Of Consuming Postdramatic… by Ivanka Apostolova Baskar 31st August 2025 

Debating Identity: Is It Time to Rename Cairo’s… by Ati Metwaly 26th September 2025
Decolonizing Iraqi Theatre: Why We Need to Stop… by Amir Al-Azraki 3rd August 2025