Sharm El-Sheikh Int’l Theatre Festival For Youth Wraps Up Its Poland Monodrama Edition
The monodrama edition of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY),...
Read MorePosted by Ahram Online | 26th Apr 2024 | News, Poland, Transcultural Collaborations
The monodrama edition of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY),...
Read MorePosted by Tawanda Mupatsi | 23rd Apr 2024 | Review, Theatre and Politics, Zimbabwe
Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several...
Read MorePosted by Aleks Sierz | 22nd Apr 2024 | Dramaturgy, Review, United Kingdom
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the...
Read MorePosted by David O'Donnell | 19th Apr 2024 | Adaptation, New Zealand, Review, Worldwide
The southern city of Ōtepoti/Dunedin has played an important role in the history of Samuel Beckett...
Read MorePosted by Aleks Sierz | 18th Apr 2024 | Acting, Review, United Kingdom
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I...
Read MorePosted by Ian Maxwell | 16th Apr 2024 | Australia, Review, Theatre and Gender
Angus Cerini’s Into the Shimmering World is an unforgiving and, frankly, bleak meditation on what...
Read MorePosted by Maria Delgado | 12th Apr 2024 | Review, Spain
Juan Mayorga might have been a crime writer in another life, he loves to set up complex, menacing...
Read MorePosted by Jonathan Kalb | 10th Apr 2024 | Immersive Theatre, New York, Review, United States of America
The last time Ibsen’s An Enemy of the People (1882) made a big splash in New York was in 2013,...
Read MorePosted by Zolima Citymag | 10th Apr 2024 | Hong Kong, Interview, Transmedia
AUTHOR: Christie Lee Wong Kit-yi has always been fascinated with myths. Her previous works have...
Read MorePosted by Maria Delgado | 9th Apr 2024 | Review, Spain
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
Read MorePosted by Kasia Lech | 8th Apr 2024 | Dramaturgy, Interview, Theatre and Politics
Europa jest wielojęzyczna. Europe – as a geopolitical concept, its residents, communities, and...
Read MorePosted by Kaggwa Andrew Mayiga | 4th Apr 2024 | Acting, Essay, Uganda
It is hard to remember the first encounter with Mariam Ndagire as an artist. It was probably...
Read MorePosted by Ivanka Apostolova Baskar | 4th Apr 2024 | Greece, Interview, Management
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
Read MorePosted by Ahram Online | 2nd Apr 2024 | News, Poland, Transcultural Collaborations
The Egypt-based Sharm El-Sheikh International Theatre Festival for Youth (SIFTY) is set to launch...
Read MorePosted by Rhiannon Ling | 2nd Apr 2024 | New York, Review, Theatre and Gender, United States of America
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
Read MorePosted by Morgan Skolnik | 31st Mar 2024 | New York, Review, Theatre and Gender, United States of America
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read MorePosted by Ugochukwu Anad! | 30th Mar 2024 | Directing, Nigeria, Review
Nigerian playwright, Cheta Igbokwe, is a prolific young writer. This I find amazing, especially...
Read MorePosted by Huw Griffiths | 28th Mar 2024 | Australia, LGBTQ+ Theatre, Review
Walking through Chippendale on my way to Sydney’s Belvoir Street Theatre, where this production of...
Read MorePosted by Cristina Modreanu | 27th Mar 2024 | New York, Review, Theatre and Politics, United States of America
Can one truly be sympathetic until the ultimate consequences to the problems of someone who is not...
Read MorePosted by Jonathan Kalb | 25th Mar 2024 | New York, Review, Theatre and Religion, United States of America
Whatever your opinion of the profundity of John Patrick Shanley’s Pulitzer- and Tony-winning 2005...
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