Multilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project
The growing levels of migration result in an increasing number of children across Europe growing...
Read MorePosted by Kasia Lech | 28th Feb 2024 | Essay, France, Germany, Greece, Ireland, Theatre and Politics, Theatre for Young Audiences, Tunisia
The growing levels of migration result in an increasing number of children across Europe growing...
Read MorePosted by Maria Delgado | 27th Feb 2024 | France, Review, Spain, Theatre and Opera
Vincenzo Bellini’s penultimate opera, Beatrice di Tenda, rests between two more frequently...
Read MorePosted by Aleks Sierz | 26th Feb 2024 | London, Review, Theatre and Politics, United Kingdom
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
Read MorePosted by Liv Lanteri | 24th Feb 2024 | Dramaturgy, Education, News, United States of America
What is a citizen-dramaturg? Could I study it at a university? Is it merely a state of mind? Would...
Read MorePosted by Lisa Monde | 22nd Feb 2024 | Interview, Musical Theatre, New York, United States of America
Tim Rice became interested in the biography of Eva Perón – the wife of the famous dictator Juan...
Read MorePosted by Mert Dilek | 19th Feb 2024 | London, Review, United Kingdom
A solo performance in theatre may often trap us inside a single dramatic character, taking us deep...
Read MorePosted by Jenna Lourenco | 18th Feb 2024 | Essay, New York, Theatre and Disability, United States of America
The Neurodivergent New Play Series, produced by Piccione Arts, is set to resume its regular third...
Read MorePosted by Kaggwa Andrew Mayiga | 16th Feb 2024 | Review, Theatre and Politics, Uganda
John Ssegawa’s Golden Calabash, Ekimala Ebita Embuga opened at the National Theatre in Kampala running during the Christmas season from 23rd to 26th December 2023. The theatre spent 2023 trying to find solutions to its...
Read MorePosted by Maria Delgado | 15th Feb 2024 | Review, Spain
Alberto Conejero’s trajectory as a playwright has been rooted in telling the stories that have...
Read MorePosted by Aleks Sierz | 14th Feb 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
Read MorePosted by Ariadne Mikou | 14th Feb 2024 | Italy, Review, Theatre and Dance, Theatre and Opera
For the corps de ballet of an Opera House, the place par excellence for the preservation of the...
Read MorePosted by Jonathan Kalb | 12th Feb 2024 | Review, Theatre and Gender, United States of America
Rachel Bonds’s Jonah—directed by Danya Taymor at the Roundabout’s Laura Pels Theatre— is one of...
Read MorePosted by Aleks Sierz | 11th Feb 2024 | London, Playwriting, Review, Theatre and Gender, United Kingdom
In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...
Read MorePosted by Maria Delgado | 8th Feb 2024 | Review, Spain
Shakespeare’s King Lear has defied composers who refused invitations to render this bleakest...
Read MorePosted by Ati Metwaly | 7th Feb 2024 | Egypt, Festivals, News
Egypt’s renowned theatre academic and former president of Cairo Int’l Festival for...
Read MorePosted by Maria Delgado | 6th Feb 2024 | Review, Spain
There is a lot to admire in Denise Despeyroux’s newest play produced by the Centro Dramático...
Read MorePosted by Maria Delgado | 6th Feb 2024 | Chile, News, Santiago a Mil 2024
Santiago a Mil is an annual theatre and performing arts festival held in the Chilean capital in...
Read MorePosted by Rhiannon Ling | 5th Feb 2024 | Immersive Theatre, New York, Review, United States of America, Worldwide
For lovers of the fantastical and the geeky, the scene at Under St. Mark’s is one of nostalgia and...
Read MorePosted by Kaggwa Andrew Mayiga | 4th Feb 2024 | Directing, Essay, Uganda
Phillip Luswata – “the one from Uganda” The first time I learned about Phillip Luswata was on a black and white TV. Then, he was a guest on the South African evening daily soap, Egoli: Place of Gold. His cameo had received such...
Read MorePosted by Mert Dilek | 4th Feb 2024 | London, Review, Theatre and Politics, United Kingdom
“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
