Review: Wallance Shawn’s “Evening at the Talk House”
Is it a good or bad thing for a dyed-in-the-wool dystopian like Wallace Shawn when real life...
Read MorePosted by Jonathan Kalb | 6th Mar 2017 | New York, Review, Theatre and Politics, United States of America
Is it a good or bad thing for a dyed-in-the-wool dystopian like Wallace Shawn when real life...
Read MorePosted by Zhuang Jiayun | 6th Mar 2017 | China, Review, Theatre and Dance
Red, a documentary play created by Wen Hui’s Living Dance Studio, is based on Red Detachment of...
Read MorePosted by Beatriz Cabur | 4th Mar 2017 | Immersive Theatre, Interview, Transmedia, United Kingdom
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
Read MorePosted by Adrien Smith | 3rd Mar 2017 | Directing, Festivals, Interview, New York, Russia, United States of America
On March 24, The Russian Arts Theater and Studio will launch its first annual New York Chekhov...
Read MorePosted by Jessica Rizzo | 2nd Mar 2017 | New York, Review, Theatre and Age, United States of America
In an 1896 essay on “The Tragic in Daily Life,” the Symbolist playwright Maurice Maeterlinck...
Read MorePosted by Aleks Sierz | 1st Mar 2017 | Immersive Theatre, London, Review, United Kingdom
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
Read MorePosted by Andrew Edwards | 28th Feb 2017 | Dramaturgy, Interview, Scotland, Theatre and Dance, Transcultural Collaborations
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
Read MorePosted by Adam Sherwin | 28th Feb 2017 | London, News, United Kingdom
The Breaking Bad star Bryan Cranston will make his London stage debut in a National Theatre...
Read MorePosted by Chen Ran | 27th Feb 2017 | China, Essay, Immersive Theatre
The stage is a natural home for performance art, but any location where a performance can happen...
Read MorePosted by Aleks Sierz | 27th Feb 2017 | Belgium, Review, Theatre for Young Audiences
How do you stage appalling real-life events? I mean, without either being too luridly voyeuristic...
Read MorePosted by Oana Stoica | 25th Feb 2017 | Essay, Romania
Historical Context Twenty‑five years after the fall of the communist regime, the performing arts...
Read MorePosted by David O'Donnell | 24th Feb 2017 | Design, Interview, New Zealand
The light fades to a darkness more intense than a starless night on a country road. As the eyes...
Read MorePosted by Clement Lee | 22nd Feb 2017 | China, Hong Kong, Review, Theatre and Politics
A Concise History of Future, Yan Pat-to’s new Berlin Theatertreffen Stückemarkt award-winning...
Read MorePosted by Aleks Sierz | 22nd Feb 2017 | Adaptation, Review, United Kingdom
There are few modern literary fables that really resonate in the wider culture. And most that do...
Read MorePosted by Ágnes Bakk | 21st Feb 2017 | Czech Republic, Interview, Transmedia
Interview with Tomáš Procházka, one of the founding members of the Czech performing arts group...
Read MorePosted by Aleks Sierz | 21st Feb 2017 | Review, United Kingdom
The new writing year has started slowly. Apart from a couple of obscure fringe shows, there have...
Read MorePosted by Lyndall Grant | 20th Feb 2017 | Australia, China, Review, Theatre and Politics, Transcultural Collaborations
China’s one-child policy officially ended in 2016. Little Emperors, currently showing at...
Read MorePosted by Aleks Sierz | 19th Feb 2017 | London, Review, Theatre and Politics, United Kingdom
Young British writers are often surprisingly unadventurous when it comes to locating their plays...
Read MorePosted by Jack Wernick | 17th Feb 2017 | New York, Review, Theatre and Opera, United States of America
In an inviting, Frank Lloyd Wright-designed venue, New Yorkers finally got a sampling of Champion,...
Read MorePosted by Jessica Rizzo | 16th Feb 2017 | New York, Review, United States of America
As goes the theater, so goes civilization. In Wallace Shawn’s Evening at the Talk House the demise...
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