Featured Archives - Page 212 of 252

Daughters of Misfortune: Guillermo Calderón’s “Villa”

Posted by Jessica Rizzo | 31st Mar 2017 | Chile, New York, Review, Theatre and Politics, United States of America

Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...

Se Traspasa: Site-Specific Theatre in the Heart of Madrid – An Interview with Sandra Jiménez

Posted by Marcos García Barrero | 30th Mar 2017 | Immersive Theatre, Interview, Spain

There is a place in Madrid well known for the old things that are sold inside. It is an antique...

A Dreamed Theatre – Piotr Tomaszuk of Teatr Wierszalin in Conversation with Tomasz Wiśniewski

Posted by Tomasz Wiśniewski | 29th Mar 2017 | Directing, Interview, Poland

Founded in 1991 by Piotr Tomaszuk and Tadeusz Słobodzianek, Teatr Wierszalin is currently run by...

Opera: Sex, Violence, and Politics – An Immersive Exhibition

Posted by Adam Sherwin | 27th Mar 2017 | Immersive Theatre, London, Review, Theatre and Opera, United Kingdom

Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...

There Is No Friendship In Politics: “Limehouse” Appeals To The Politically Prone

Posted by Aleks Sierz | 27th Mar 2017 | Review, Theatre and Politics, United Kingdom

Politics is a serious business, but it’s also a fun spectator sport. Think of the duels in Prime...

An Interview with Alexander Schroeder OnTheatre and the Refugee Crisis in Berlin

Posted by Fadi Fayad Skeiker | 26th Mar 2017 | Germany, Interview

Alexander Schroeder has been working for the last fifteen years in the acting department at the...

Understated Risk-Taking in Beckettian “Wakey, Wakey”

Posted by Jonathan Kalb | 26th Mar 2017 | New York, Review, Theatre and Disability, United States of America

Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...

Nowy Teatr’s “Generation After” Showcases “New School” of Polish Dance and Theatre

Posted by Lauren Dubowski | 25th Mar 2017 | Festivals, News, Poland, Theatre and Dance

From March 23 to 25, Warsaw’s Nowy Teatr, together with the Adam Mickiewicz Institute, presented...

Kama Ginkas’ “The Black Monk”

Posted by Sarah Clovis Bishop | 22nd Mar 2017 | Kama Ginkas Black Monk, Review, Russia

While at his family estate in Melikhovo in the early 1890s, Anton Chekhov dreamt of a monk...

Theatre Review: “The Little Prince” An Inventive Russian Take On Saint-Exupéry’s Modern Classic

Posted by Andreea Scridon | 22nd Mar 2017 | Adaptation, Review, Russia, Russian Theatre Abroad

The Little Prince–the classic novella by Antoine de Saint-Exupéry–is about a pilot stranded in the...

A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”

Posted by Jessica Rizzo | 21st Mar 2017 | Devised Theatre, Directing, Interview, New York, United States of America

An originator of the Viewpoints system of training for actors and founder of SITI company,...

Games And Theatre in Hybrid-Reality

Posted by Ágnes Bakk | 20th Mar 2017 | Germany, Interview, Transmedia

Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...

Review: “In the Steps of the Ballets Russes: Russian Ballet Icons”

Posted by Russian Art + Culture | 19th Mar 2017 | Review, Russia, Theatre and Dance

A Spectacular Celebration Of The Russian Tradition The memories of the magical evening with Moscow...

“The Pitchfork Disney” at Shoreditch Town Hall

Posted by Aleks Sierz | 19th Mar 2017 | London, Review, United Kingdom

Playwright Philip Ridley has one of the most distinctive voices in contemporary theatre. His...

“Unknown” Polish Directors: Introducing Jacek Głomb

Posted by Kasia Lech | 18th Mar 2017 | Directing, Essay, Poland, Theatre and Politics

This series continues to introduce Polish directors recognised in Poland and relatively unknown...

Love Revolution: The Assembly’s “Home/Sick”

Posted by Jessica Rizzo | 17th Mar 2017 | New York, Review, Theatre and Politics, United States of America

Commitment is hard. Even within the well-defined parameters of traditional monogamy, balancing the...

Conversation With Iván Pérez, The Founder of INNE and Choreographer for Song of the Goat Theatre

Posted by Tomasz Wiśniewski | 17th Mar 2017 | Adaptation, Interview, Poland, Theatre and Dance

In 2016 Song of the Goat Theatre celebrated the twentieth anniversary of its existence. Founded by...

Masami Teraoka + Pussy Riot Choreographer Viktoria Naraxsa in Hawaii

Posted by Lauren Deutsch | 16th Mar 2017 | Hawaii, Participatory Theatre, Review, Russia, Theatre and Art, Transcultural Collaborations, United States of America

Internationally acclaimed Japanese-American visual artist Masami Teraoka invited Pussy Riot...

Bilingual Conversations at the Cervantes Theatre: An Interview With Paula Paz

Posted by Aida Rocci | 16th Mar 2017 | Interview, London, Spain, Transcultural Collaborations, Translation, United Kingdom

Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.

Movement At The Museum

Posted by Izabela Szymańska | 15th Mar 2017 | News, Poland, Theatre and Dance

Is a museum hall a suitable scene for dance? A number of exhibitions organized during the last...

Featured

Daughters of Misfortune: Guillermo Calderón’s “Villa”

Se Traspasa: Site-Specific Theatre in the Heart of Madrid – An Interview with Sandra Jiménez

A Dreamed Theatre – Piotr Tomaszuk of Teatr Wierszalin in Conversation with Tomasz Wiśniewski

Opera: Sex, Violence, and Politics – An Immersive Exhibition

An Interview with Alexander Schroeder OnTheatre and the Refugee Crisis in Berlin

Understated Risk-Taking in Beckettian “Wakey, Wakey”

Nowy Teatr’s “Generation After” Showcases “New School” of Polish Dance and Theatre

Kama Ginkas’ “The Black Monk”

Theatre Review: “The Little Prince” An Inventive Russian Take On Saint-Exupéry’s Modern Classic

A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”

Games And Theatre in Hybrid-Reality

Review: “In the Steps of the Ballets Russes: Russian Ballet Icons”

“The Pitchfork Disney” at Shoreditch Town Hall

“Unknown” Polish Directors: Introducing Jacek Głomb

Love Revolution: The Assembly’s “Home/Sick”

Conversation With Iván Pérez, The Founder of INNE and Choreographer for Song of the Goat Theatre

Masami Teraoka + Pussy Riot Choreographer Viktoria Naraxsa in Hawaii

Bilingual Conversations at the Cervantes Theatre: An Interview With Paula Paz

Movement At The Museum

Like Us On Facebook

Most Popular Posts

Recent Posts

SEARCH OUR ARCHIVES

Pin It on Pinterest