Lucy McCormick’s “Triple Threat” Is The Nativity Reimagined, With LGBT Club Culture, Vibrators, And Lady Gaga
Most of us have begrudgingly sat through a nativity play; feigned interest as a nephew plays...
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Mikhail Baryshnikov’s One-Man Show Showcases Joseph Brodsky’s Poetry And Their Lifelong Friendship
Throughout their 22-year friendship, Mikhail Baryshnikov and Joseph Brodsky loved nothing more...
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Sex, Masturbation, And Dementia: A Review Of David Baddiel’s “My Family: Not The Sitcom”
“The question is,” says David Baddiel a short while into the second half of his one-man show about...
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Marin Sorescu’s “Jonah”:–”Great, Imaginative Literature Matched With Great Theatrical Effort”
Marin Sorescu’s Jonah was originally published in 1968 and is considered the playwright’s...
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Sex, Death, and Gender Fluidity in Wilde’s “Salomé” at Royal Shakespeare Company
Salomé: one of the most dangerously seductive female figures ever, often considered the original...
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“Salomé” at the National Theatre
Is God female? It says a lot about Yaël Farber’s pompous and overblown new version of this...
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How The Refugee Crisis Is Playing Out on The German Stage
Since 2015, over one million refugees have entered Germany. As a political event, the so-called...
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Eifman Ballet Set to Tour North America
The Boris Eifman Ballet Theater kicks off a new tour in the U.S. and Canada on May 11, and will...
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Poland on Stage: What, When, and Where
The Polish Theatre in Poznan / The Jewish Theatre in Warsaw The Painted Bird, based on a novel by...
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“A Doll’s House, Part 2” Is No Deep Analysis Of Its Source
A Doll’s House made Henrik Ibsen a household name in 1879. It ruffled feathers throughout the...
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Jez Butterworth’s “The Ferryman” at Royal Court Theatre
I hate the kind of hype that sells out a new play within minutes of tickets becoming available....
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A Critical Look At Criticism: An Interview With Nikolaus Müller-Schöll And Gerald Siegmund
Criticism is currently booming in Germany. Many symposia are devoted to it, as, for example, the...
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Adapting Pier Paolo Pasolini: “T.E.O.R.E.M.A.T.” by Grzegorz Jarzyna
Teorema occupies a position of special importance in Pier Paolo Pasolini’s production, both as a...
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Paweł Korbus: “Influence Diagram”
During his residential stay (May–June 2016), the Polish artist and performer Paweł Korbus (1983)...
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Interview with Amy Aquino
You may have seen Amy Aquino grazing the big screen as Miss Martinez in White Oleander or Alice...
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Is Polish Theatre Under the Threat? News From Kraków
The Old Theatre in Kraków has just got a new General Director. Surprisingly, or maybe even...
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The Latinx Play Project: Building a Movement in Ashland
On April 27-29, Oregon Shakespeare Festival (OSF) welcomed Latinx theatre artists and advocates to...
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Moscow to Host Benois de la Dansé for the Best in Ballet
The Benois de la Dansé prize for contributions to the art of ballet is one of the most prestigious...
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Simon Stephens’ “Nuclear War” at The Royal Court Theatre
Text can sometimes be a prison. At its best, postwar British theatre is a writer’s theatre, with...
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“The Pulverised” at the Arcola Theatre
In the growing xenophobic atmosphere of Brexit it is a relief to see a show from Europe, to get a...
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