Sociopolitical Influences on Theatre in Poland
Let us consider that the evolution of institutional criticism has been conducted in relation to...
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Featured
Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format
At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...
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“Ink” – Rupert Murdoch’s Tale of Success and Scandal, Now Playing at Almeida Theatre
The recent general election result proves that the power of the rightwing press has diminished...
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5 Things You Probably Didn’t Know About The Bolshoi Theater
It’s easy to become so engrossed in a performance at the Bolshoi that fascinating details about...
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Review: Ensemble Studio Theatre 1-Act Marathon, Series B
Ensemble Studio Theatre’s annual Marathon of One-Act Plays is in full swing this month in New...
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Dramatizing Argentina’s Dirty War: An Interview with Marisela Treviño Orta
While working on her MFA in Writing from the University of San Francisco, playwright Marisela...
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Review: Xameleon Theatre–Chekhov’s Vision Of “Love In A Nutshell”
Xameleon Theatre treats London audiences to a new insight into the life and works of Chekhov in...
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The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”
In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...
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“Brodsky/Baryshnikov”: The Art of Poetic Memory
From the cultural perspective, London is an extremely privileged city: the delights it enjoys are...
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Ponyboy Curtis’ “Vs” at Yard Theatre
Ponyboy Curtis are a cult phenomenon. Chris Goode’s queer performance collective has won plaudits...
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Listening, Balance and Why It’s Everything: Talking Dramaturgy With Rosie Kellagher
A conversation about dramaturgy and New Writing with Rosie Kellagher, Literary Manager for the...
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Interview with the Playwright, Director, and Translator of “Sister Mok-Rahn”: How an Authentically Korean Story Crosses Over to New York
Eunsung Kim is a South Korean playwright and the Director of Dalnara Dongbakkot Company. He was...
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Celebrating Theatre: Polish Festivals 2017
The 2016/17 theatrical season in Poland is about to end and most of the theatres will close for...
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Review of Martyna Majok’s “Cost Of Living”
Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...
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“Anatomy of a Suicide” at The Royal Court Theatre
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...
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“Punts” Brings Up Questions Of Disability, Sexual Consent, And Parental Control
London fringe theatre is underfunded and under-resourced, but it often produces work that is more...
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Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla
Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She...
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Сryout With Precisely Measured Silence
Theater Vinora shows Women’s Voices, performance with elements of storytelling, based on...
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Stories of Diversity: An Interview with Martyna Majok
Martyna Majok is a young playwright whose new play, Cost of Living, has just opened in a Manhattan...
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Taking a Ride on a “Red Bike”
Against the roar of asphalt and a set of wheels, a child looks out onto the horizon and tries to...
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