David Storey’s “The March On Russia” at Orange Tree Theatre
The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...
Read MorePosted by Aleks Sierz | 1st Oct 2017 | Acting, Playwriting, Review, United Kingdom
The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...
Read MorePosted by Valeria Stračevská | 1st Oct 2017 | Interview, Russia, Theatre and Dance
Recently London was abuzz with the new project of the London Russian Ballet School — The Romantic...
Read MorePosted by Jessica Rizzo | 1st Oct 2017 | Festivals, Philadelphia, Review, United States of America
The Philadelphia Fringe Festival, now in its twenty-first year, has been gentrified. What began in...
Read MorePosted by Nikolay Shevchenko | 25th Sep 2017 | News, Russia, Translation
Moscow is an excellent venue for devoted drama connoisseurs, even if you don’t speak Russian. Here...
Read MorePosted by Trevor Boffone | 21st Sep 2017 | Interview, Playwriting, United States of America
While Charise Castro Smith began her career as an actor, in recent years the Miami native has...
Read MorePosted by Chan Sze-Wei | 20th Sep 2017 | Review, Singapore
Given that the publicity synopsis to Dries Verhoeven’s video installation pretty much tells all,...
Read MorePosted by Adam Sherwin | 18th Sep 2017 | Directing, Essay, London
A titan of the stage, whose influence over the development of post-War British theatre was...
Read MorePosted by Stephanie Bailey | 18th Sep 2017 | Cuba, Interview, United States of America
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
Read MorePosted by Aleks Sierz | 17th Sep 2017 | Adaptation, London, Review, United Kingdom
Anyone who likes playing “Spot the weirdo” will find themselves instantly at home in Howard...
Read MorePosted by Rachel E. Diken | 17th Sep 2017 | New York, Review, Theatre and Politics, United States of America
Core Artists Ensemble brings Tessa Borbridge’s The Hungry Ghosts to The Barrow Group Theatre this...
Read MorePosted by Marié-Heleen Coetzee | 15th Sep 2017 | Essay, South Africa, Theatre and Decolonization, Transcultural Collaborations
The 400th anniversary of Shakespeare’s death in 2016 provided ample room for celebrations and...
Read MorePosted by Aleks Sierz | 11th Sep 2017 | London, Review, United Kingdom
Some legendary plays are a disappointment when you see them again — they don’t live up to the...
Read MorePosted by Marjan Moosavi | 6th Sep 2017 | Interview, Iran, Playwriting
To read Part I of this interview, click here. Amin Azimi is an Iranian theatre researcher,...
Read MorePosted by Ágnes Bakk | 5th Sep 2017 | Festivals, Germany, Interview, Transmedia
Signa and Arthur Köstler are the creative directors of SIGNA, the well-known performance...
Read MorePosted by Aleks Sierz | 5th Sep 2017 | India, London, Review, Theatre and Politics, United Kingdom
Gandhi has a lot to answer for. I don’t mean the saintly campaigner for Indian independence, who...
Read MorePosted by Marjan Moosavi | 31st Aug 2017 | Dramaturgy, Interview, Iran
Amin Azimi is an Iranian theatre researcher, dramaturg, translator, and director. He studied...
Read MorePosted by Aleks Sierz | 30th Aug 2017 | London, Review, Theatre and Politics, United Kingdom
Fifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His...
Read MorePosted by Aleks Sierz | 28th Aug 2017 | London, Review, Theatre and Politics, United Kingdom
Another plague is sweeping British theatre: audience participation. Instead of just sitting back...
Read MorePosted by Borimir Totev | 27th Aug 2017 | Adaptation, Directing, Interview, United Kingdom
This powerful new stage adaptation of Georgi Vladimov’s cult novel that marks the centenary of the...
Read MorePosted by John Freedman | 24th Aug 2017 | News, Russia, Theatre and Politics
As reported by numerous sources in Russia, director Kirill Serebrennikov was arrested on August 22...
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