Interview With Thierry Thieû Niang on Theatre for Children
On June 16 and 17, Invisible Dog Art Center in Brooklyn will present To The Heart, a performance...
Read MorePosted by Nicole Birmann Bloom | 18th Jun 2018 | France, Interview, Theatre for Young Audiences, United States of America
On June 16 and 17, Invisible Dog Art Center in Brooklyn will present To The Heart, a performance...
Read MorePosted by Rathsaran Sireekan | 18th Jun 2018 | Belgium, Brazil, Festivals, Review, Singapore, Theatre and Decolonization
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
Read MorePosted by Simon Smith | 17th Jun 2018 | Dramaturgy, Essay, United Kingdom
Today we fully expect film, television, and theatre to use music to shape meaning. The screeching...
Read MorePosted by Milos Sofrenovic and Vinicius Jatobá | 17th Jun 2018 | Devised Theatre, Essay, France
The latest performance of the series The Politics of Movement: On Reinterpretation of Power by...
Read MorePosted by Rajka Stefanovska | 17th Jun 2018 | Canada, Festivals, Review, Theatre for Young Audiences
What an exciting piece of news for the Ottawa theatre community: Once Upon a Kingdom Theatre will...
Read MorePosted by Susan Berardini | 17th Jun 2018 | Argentina, Playwriting, Review
Pilgrimages have long served as expressions of both collective and individual faith, as well as...
Read MorePosted by Aleks Sierz | 17th Jun 2018 | Adaptation, London, Review, United Kingdom
Miss Jean Brodie, the larger-than-life Edinburgh schoolteacher that strides through Muriel Spark’s...
Read MorePosted by Jack Wernick | 16th Jun 2018 | New York, Review, United States of America
Repertorio Español, New York’s preeminent venue for Spanish language theatre, continues its 50th...
Read MorePosted by Claire Swyzen | 16th Jun 2018 | Directing, Review, South Korea, Theatre and AI, Transmedia
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
Read MorePosted by Jessica Rizzo | 15th Jun 2018 | New York, Review, Russian Theatre Abroad, Transmedia, United States of America
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
Read MorePosted by Trevor Boffone | 15th Jun 2018 | Festivals, Interview, Playwriting, United States of America
Born and raised in Chicago by Dominican parents, Guadalís Del Carmen is a playwright, actress, and...
Read MorePosted by Grigory Zaslavsky | 14th Jun 2018 | News, Russia, Russian Theatre - Featured
From Fonvizin and Chekhov to Tolstoy, all on stage. The most famous Russian authors wrote not only...
Read MorePosted by Nobuko Tanaka | 14th Jun 2018 | Japan, News, Theatre and Dance
Tetsuya Kumakawa speaks about his most recent project, Cleopatra, in a way that’s as grand as the...
Read MorePosted by Adam Bloodworth | 14th Jun 2018 | Adaptation, London, News, United Kingdom
Channing Tatum fans are about to get a whole lot closer to the star’s character Magic Mike, as a...
Read MorePosted by Grigory Zaslavsky | 14th Jun 2018 | News, Russia
Russia Beyond asked a theater critic—who is also the president of a major drama school, the...
Read MorePosted by Aleks Sierz | 13th Jun 2018 | London, Review, Theatre and Politics, United Kingdom
Regular air travel is a hassle. All that queuing, all that security, all those hot halls, and then...
Read MorePosted by Jamie Portman | 13th Jun 2018 | Adaptation, Canada, Festivals, Review
STRATFORD, Ont.—It didn’t seem such a great idea 11 years ago when the Stratford Festival first...
Read MorePosted by Alice Jones | 13th Jun 2018 | Adaptation, Books, Interview, London, United Kingdom
The story of Elizabeth Strout is one of creative faith and persistence. Growing up in Maine, “a...
Read MorePosted by Eugene Koch | 12th Jun 2018 | Review, Singapore
The Second Breakfast Company restaging Goh Poh Seng’s The Moon is Less Bright is akin to grabbing...
Read MorePosted by Aleks Sierz | 12th Jun 2018 | Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025 
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
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